HIFI  TV  VIDEO DIFFUSORI  PROIETTORI  SAT  POLTRONE   DIVANI   ARREDO SONORIZZAZIONI AMBIENTI  HIFI  TV  VIDEO DIFFUSORI  PROIETTORI  SAT  POLTRONE   DIVANI   POLTRONE UFFICIO  ARREDO SONORIZZAZIONI AMBIENTI 

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GARANTITE E REVISIONATE DELLE MARCHE MIGLIORI

Richiedere sempre  la disponibilita'anche di apparecchi  non  in elenco a:  info@newaudio.it  o al tel.0174 670100

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

SONUS  FABER   LIUTO                                                                                                                                       €. 1.100,00

 Diffusore  da  scaffale   Caricamento  bass reflex, 2 vie  potenza 30/150watt, impedenza 8 ohm,frequenza  di  crossover  (hz) 3.500 risposta in  frequenza  (hz) 55.25.000 ,sensibilita' 86db, altoparlanti 1 tw 25mm a cupola,1w da 15 cm fibra di polipropilene stampato e tessuto, rifinitura pelle e  fianchi nocenaturale,griglia con tessuto fonotrasparente dimensioni l18.5xa35.6xp33.6 peso 16kg Perfette  imballo originale

SONUS  FABER    ELECTA                                                                                                                                                  €. 1.200,00

Description: Two-way dynamic ported minimonitor. Drive-units: 1" soft-dome tweeter, 7"-cone long-throw midrange/woofer. Crossover: 2.8kHz, 6dB/octave slopes. Frequency response: 42Hz-20kHz, ±3dB. Dimensions: 13" H by 8" W by 13" D. Weight: 65 lbs/pair. Read more at https://www.stereophile.com/content/sonus-faber-electa-amator-loudspeaker-

TANNOY    RHR                                                                                                                                                              €.  4.900,00

With the RHR. Tannoy pays tribute to its longest serving craftsman. In this loudspeaker. possibly his finest design to date. RonaldHastings Rackham combines the classic styling of which Tannoy is renowned, with advanced sound reproduction capability. The cabinet is sturdy and durable, yet exhibits the finest oiled walnut veneers, inlaid with burr walnut on the front grille divider. Tannoy's classic 15 inch high pressure die-cast frame Dual Concentric drive unit feeds into a rear folded rectangular exponential section horn: it is driven through a hard-wired, acoustic source compensating crossover network supplied by Michell gold-plated terminals . Treble energy and roll-off controls are concealed beneath a nengravedb rassp late located below the drive unit in the front  grille divider. Ronald Hastings Rackham can be justly proud of his namesake.

INFINITY EPSILON                                                                                                       €.  6.900,00

 Caratteristiche funzionali :Emissione dipolare controllata Livello di emissione dei trasduttori regolabile individualmente Componenti passivi selezionati Connettori massicci placcati in oro Possibilità di collegamento normale, bi-wiring e bi-amping Mobile in legno HDF con rinforzi interni Pannello frontale antirisonanza con spessore 60 mm. Finitura artigianale con lucidatura manuale Colore noce Supporti per disaccoppiamento da terraAltoparlanti perfetti Misure:151.8cmx47cmx 41.3

The Epsilon was the last of the truly top-of-the-line speakers produced by Infinity. Designed by John Miller and Cary Christie after Arnie Nudell had left Infinity, it was designed to be the heir to the IRS Betas, but in a more compact package that was easier to place in a room. The Epsilon was a departure for Infinity, in that, after many years of dipole speakers, it was sealed in the back and was (primarily) monopole. The Epsilon may be the most neutral speaker I’ve ever heard - no coloration of the music at all, just very clean, detailed sound. Its only shortcoming may be a lack of deep bass response, the result of trying to fit everything into a single cabinet.

TRIANGLE   CELLO                                                                                                                                                             €. 5.500,00

When listening to this loudspeaker, the magic of music unfurls before you. triangle has succeeded in adapting the performances and the immaculate control of the magellan Grand Concert to this reasonably sized loudspeaker. Cello provides that extra something which conveys the intense emotion of a musical performance without appearing to make any particular effort. The listening experience is pure unlimited pleasure regardless of the type of music, delivered with magnificent scale and it’s never tiring. It has a wide array of musical skills. It’s as perfectly at ease at high volume level as it is for intimate listening, and is suitable for rooms measuring 25 to 50 m2. The sandwich technology developed by the aerospace industry ensures that the two bass drivers are extremely lightweight and also particularly rigid.

NUMBER OF DRIVERS 4 NUMBER OF WAYS 3 TWEETER TZ2900 GC MIDRANGE T16GMF100-THG06 WOOFER (2X) T16GM-MT15-GC2 SENSITIVITY 91 dB/W/m FREQUENCY RANGE 35 Hz – 20 KHz (+/- 3 dB) POWER HANDLING 200 W REPETITIVE PEAK POWER 350 W SPL MAX 112 dB NOMINAL IMPEDANCE 8 Ω MINIMUM IMPEDANCE 3 Ω LOW FREQUENCY ROLL-OFF 400 Hz (12 dB/Oct) HIGH FREQUENCY ROLL-OFF 2800 Hz (24 dB/Oct) DIMENSIONS 1138 x 423 x 371 mm WEIGHT 34 kg

B&W 803 DIAMOND                                                                                                                 €.  4.500,00

Diffusore a 3 vie, 5 altoparlanti, bass reflex, 3 woofer in Rohacell, midrange FST (Fixed Suspension Transducer) in Kevlar, tweeter Nautilus con cupola in diamante. Struttura interna Matrix. Predisposta per bi-wiring, potenza 50-375W. Con tecnologia “Flow Port System”. Meno ingombrante dei modelli superiori, utilizza tre unità per le basse frequenze da cm. 17.5, in luogo di due woofer gemelli da cm. 20 presenti nell’802 Diamond. Bowers & Wilkins 803 Diamond consente al pubblico dai gusti più classici di godere dei vari vantaggi della gamma ammiraglia B&W, nel tipico assetto di modello da pavimento. Dimensioni: 303x1164x457mm (LxHxP).Rosenwood  imballi  PERFETTE

DALI  GRAND DALI'                                                                                                                                     €. 2.500,00

dimensioni (46 x 27 x 118 cm) Mobile smussato per ridurre le   diffrazioni con i bordi anteriori che accompagnano il disegno delle griglie. Si tratta di un sistema a due reflex posizionati in corrispondenza dei due  woofer da 20 cm. Il tweeter da 1” è in seta ed è inserito in configurazione  d’Appolito tra due midrange da 5”. Si tratta di driver personalizzati prodotti  con materiali rinforzati da fibre di cellulosa. La risposta in frequenza nominale è 33Hz-27kHz, e la sensibilità è di 90dB  a 4 ohm.  L'unità tweeter-midrange è racchiusa in una camera asimmetrica, ed i  woofer sono separati da rinforzi interni per ridurre le onde stazionarie. Dali  utilizza MDF dello spessore di 22 millimetri applicando una impiallacciatura  a entrambi i lati del pannello per "cancellare lo stress e fornire un rinforzo  supplementare."

The introduction of a new component to one's hi-fi system usually entails blood, sweat, and afterwards a couple beers -- particularly if you live as I do, in a small Manhattan walk-up apartment. When Gunnar Ek, Dali's US managing director, arrived on my Greenwich Village street, he was instantly excited about the possibilities of finding his own square foot of Manhattan soilent green to inhabit. Me? I was just wondering how we were going to get the teenager-sized Dali Grands up my building's rickety 19th-Century staircase. Measuring 16 1/4"Dx11"Wx46 1/2"H with spikes, . As I wheezed around the second-floor bend, Gunnar wasn't even breaking a sweat. Must be either that hardy Danish weather or the comprehensive health-care system. Once inside my place, we unloaded the speakers and I was instantly taken with their fine cherry-brown frames. These are gorgeous speakers. The Grand's corners are "chamfered," or sculpted, 30 degrees, "reducing the level of influence from diffraction," Dali's European managing director, Lars Worre, informed me later. The Dali's front edges and accompanying foam grilles, are also sleekly contoured, making the speakers look a bit like a svelte supermodel. The visual effect recalls an hourglass sloping from 9 1/2" to 8 1/2" at its crown, then moving slightly outward to 9" at mid-cabinet, expanding gently as you go down to 9 1/2", (just like the bodacious booty of Tyra Banks!). Worre on the hourglass design: "[The chamfered front edges] are where the most important sound improvement is caused by the increased variation in distance from the driver's centers to the particular baffle edge at any vertical position." OK...these are beautiful speakers. Like those Danish women we hear so much about, the Dali Grands are regal in bearing, a majestic delight to look at. But as with the best genetic engineering, Dali didn't come this far on lust (or looks) alone.
 

INFINITY     DELTA 60

sensitivity dB @ 1m/2.83V 90dB Impedance (ohms) 6Bass Driver 2 X 210mm Midrange Driver 110mm High Frequency Driver EMIT-R Power Rating 25 - 200 watts Frequency Response 30 - 35kHz Dimensions 1121mm x 384mm x 420mm deep  .Kg 26kg each

WILSON AUDIO   WATT PUPPY3                                                                                                                                   €.  6.500,00

WATT 3: Two-way, stand-mounted loudspeaker with reflex bass loading (QB3, quasi third-order Butterworth alignment fitted with 1"-diameter, 1.75"-deep port suitable for amplifiers with damping factors (DF) of 100 to 400; alternative port supplied for amplifiers with DF between 20 and 80). Drive-units: 1" inverted-dome tweeter, 6.5" doped-pulp–cone midrange/woofer unit. Estimated crossover frequency: 3.7kHz. Frequency response: 58Hz–18kHz +1, –3dB. Nominal impedance: 4 ohms (measured minimum 1.7 ohms at 2.4kHz). Sensitivity: 91dBA/W/m. Amplifier requirements: 30W minimum. Subjective performance Q: 1 (–6gb points). Dimensions: 13.625" H by 11.1" (11.9" wood-paneled) W by 16.5" D. Enclosure volume: 12 liters. Weight: 120 lbs/pair (166 lbs shipping weight).Puppy: floorstanding subwoofer with integral high-pass crossover for WATT 2 and 3 and reflex bass loading. Drive-units: two 7.5" plastic-cone woofers. Estimated frequency response (–3dB) when driven by integral low-pass crossover: 30Hz–130Hz. Nominal impedance: 4 ohms.Dimensions: 24" H by 11.3" W by 16.5" D.

JBL 4312E                                                                                                                                                                       €.  1.600,00

The JBL® 4312 E studio monitor is the direct descendent of the legendary Model 4320, the original JBL monitor that forever changed audio recording, introduced in 1968. As you would expect of a true JBL studio monitor, the 4312 E delivers crisp, powerful bass at all listening levels with a massive 300mm (12-inch) woofer driven by a Differential Drive® (U.S. patent no. 5,748,760 and other patents pending) dual 75mm (3-inch) voice-coil assembly.A 125mm (5-inch) pure-pulp cone and 25mm (1-inch) copper voice coil with Kapton® bobbin realistically reproduce the full dynamics of vocal performances with low distortion, even at the highest listening levels. A 25mm (1-inch) tweeter with a magnesium/aluminium alloy dome extends HF response far beyond the audible range of the human ear. Built in mirror-image pairs to create the detailed, coherent stereo soundstage that studio monitors must, the JBL 4312 E exceeds the expectations of critical listeners and music professionals alike, providing a listening mexperience of such richness and subtlety that it cannot be compared to anything but a live performance TECHNICAL SPECIFICATIONS Low-frequency transducer: 300mm (12") neodymium Differential Drive cone driver with dual 75mm (3"

MARTIN LOGAN   SEQUEL II                                                                                                                           Telefonare

Beyond our vigilant attention to aesthetic design. Beyond our unswerving commitment to technology that fills your home with harmonic purity, lies the concept of limitlesss horizons. Now you have the freedom to move from the ordinary to the sublime. The Sequel II is designed to reveal everything your present and future amplification systems can deliver. Pure sound that grows as you grow Sequel II Specifications Specifications are subject to change without notice Frequency Response 28–24,000 Hz ±2dB Recommended Amplifier Power 20‒400 watts per channelHorizontal Dispersion 30°Vertical Dispersion 48" (121.92cm) line source Sensitivity 89 dB/2.83 volts/meterImpedance Nominal: 6 Ohms Minimum: 2 Ohms. Compatible with 4, 6, or 8 Ohm rated amplifiers.Crossover Frequency250 Hz at 12dB per octave High Frequency Transducer 48" (121.92cm) CLS™ electrostatic transducer Low Frequency Transducer 10" (25.4cm) high excursion, high rigidity cone with extended throw drive assembly; sealed cabinet Components Custom-wound audio transformers polypropylene bypass capacitors, 100% oxygen free copper coils. Audio Controls Bass Control Switch: +2dB from 40-160 Hz Inputs 5-way bi-wire binding posts Weight 110 lbs. (50 kg) Dimensions 72" × 14" × 13" (182.9cm × 35.6cm × 33cm)

ELECTRO VOICE  STATUS 60                                                                                                                                                  €.   750,00

Facevano parte dell'ultima serie di diffusori home della EV, era il modello di punta con woofer in polipropilene da 12", medio della Sentry 500 e sptw 92 db tre vie woofer da 30 cm mid e tweeter caricati da breve tromba

CELESTION    DITTON 4                                                                                                                                                             €.   650,00

Tipologia di diffusore : sospensione a bass reflex posteriore.Numero delle vie : 3 con 4 altoparlanti. Altoparlanti istallati : 2 woofer da 21 Cm con sospensioni rovesciate in gomma, 1 midrange a cono da 11 Cm, 1 tweeter domme da 3,5 Cm. Frequenza di taglio del crossover : 530 e 3.800 Hz. Risposta in frequenza : 45 - 20.000 Hz. Potenza nominale (RMS) : 150 Watt.  Potenza di utilizzo consigliata : dai 10 ai 150 Watt RMS Impedenza nominale : 8 ohm. Sensibilità : 92,5 dB.(1 watt/1 metro) Griglia : in tessuto nero asportabile.  Rifinitura del mobile : vinile noce. Dimensione (L x H x P) : 35 x 70 x 30,5 Cm. Peso : 16 Kg. (cadauna) IMBALLI

INFINITY  RS 4000                                                                                                                                                                  €.   450,00

:

SPECIFICATIONS INFINITY SYSTEMS INC., 250 Crossways Park Drive, Woodbury, New York 11797 REV A 7-98 Nominal Impedance: 6 ohms Power Rating: 25-125 watts RMS Sensitivity: 89dB @ 1 watt, 1 meter Crossover Frequencies: 800Hz and 3,500Hz Frequency Response: 45Hz-45kHz +/-3dB ACOUSTIC & ELECTRICAL SPECIFICATIONS: 1x - EMIT Tweeter 1x - 3.5" (6.5cm) Midrange m1x - 8" (20.3cm) Polypropylene Woofe Dimensions: 22.5"H x 12.5"W" x 10.25"D mPolypropylene  57cm(H) x 31.75cm(W) x 26cm(D)

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

McINTOSH C220                                                                                                                                                                                 €.  2.500,00

Il McIntosh C220 è il risultato di un mix tecnologico: esperienza ultracinqualtennale di progettazione valvolare più sviluppo dei circuiti di controllo dell'ultoma generazione tecnologica. Infatti racchiude tutta la flessibilità richiesta dei sistemi moderni, mantenendo intatta l'altissima qualità delle prestazioni stereo. Il C220 permette di modificare elettronicamente ed in modo indipendente il livello di uscita di ognuna delle otto sorgenti sia dal pannello frontale che dal telecomando, mentre il bilanciamento dei canali viene regolato elettronicamente e memorizzato. Il C220 incorpora il circuito di esclusione dei controlli di tono, e mentre i controlli dei bassi e acuti sono preziosi con le incisioni più vecchie, è altrettanto utile bypassarli quando non servono.Imballo  ancora  in  garanzia

General Specifications Output MetersNo Circuit DesignVacuum Tube BalancedSingle Ended Front Panel StylingNew Chassis Cover PanelsSteel Balanced Input2 Balanced Record0 Balanced Outputs1 Main Input Sources8 Programmable Optical Controlled, 213 Step, Volume AttenuatorYes, 2 Stage Precision Divider, + 0.05 dB Blue Display for Vol & Input Select16 Character Alpha Numeric Input Level MatchYes HT Pass-ThruNo MM PhonoYes MC PhonoNo AM-FM Tuner Bay- List. & Rec. Switching- IR Remote Control- Electromagnetic Input SwitchingYes All 1% Metal Film ResistorsYes 0.5% Phono EQYes Extra Wide Dynamic RangeYes, 8 Volts unbalanced, 16 Volts balanced Pwr Amp or Acc "ON" Outputs2 Pwr Strip "ON" Out2 EqualizerBass and Treble  Processor LoopNo Tube Saver Circuit- Soft MuteYes Ultra Low Distortion0.08% LightingLED Fiber Optic Gold ConnectorsYes Regulated Power SupplyYes Data Output PortsYes, 8 Shielded Power TransformerR-Core Headphone OutYes, 1/4" Ext. IR Sensor JackYes Dimensions (W x H x D)17-1/2" (44.45cm) x 6" (15.24cm) (including feet) x 18" (45.72cm) (including front panel, knobs and cables) Weight21.1 lbs., (9.59 kg) Shipping Weight37.5 lbs., (17.05 kg)

McINTOSH C50   (NUOVO  IMBALLATO  )                                                                                                                               OFFERTA  €.  6.900,00

Preamplificatore Analogico/Digitale di riferimento – sezioni audio analogiche e digitali (con relative alimentazioni) fisicamente separate all’interno del cabinet – Vu-Meter fluorescenti - 8 Ingressi analogici sbilanciati di cui due phono sia MM che MC con regolazioni accessibili da telecomando o pannello frontale – 2 ingressi bilanciati assegnabili – due ingressi digitali coassiali e due ottici (TosLink) – 1 ingreso USB – tutti gli ingressi digitali sono ricampionati a 32 Bit / 192 kHz ca un circuito jitter free – due set di uscite analogiche bilanciate e due sbilanciate – – equalizzatore a 8 bande escludibile - funzione pass-Thru controllata da Power Conrol – Firmware aggiornabile – porta RS232 bidirezionale – uscita cuffia – telecomando - dimensioni 194 x 445 x 452 mm (AxLxP) – peso Kg. 12,27

C50 is the first McIntosh preamplifier to combine stereo analog sources with four assignable digital inputs. Music stored on popular computer programs are available through dedicated USB input. Programmable Eight band tone controls allow for personalized audio shaping. C50 may be combined with a multi-channel sytem using the Home Theater Pass Through function.Features Output MetersNone Circuit DesignSemiconductor BalancedSingle Ended Front Panel StylingNew Chassis Cover PanelsInverted Stainless Steel Balanced Input2 Balanced Record Balanced Outputs1 Main & 2 Switched Input Sources8 Programable + USB + Processor Loop Optical Controlled, 213 Step, Volume AttenuatorYes; 2 Stage Precision Divider, + 0.05dB Blue Display for Vol & Input Select22 Character Alpha Numeric Input Level Match HT Pass-Thru MM PhonoYes, Adjustable Loading MC PhonoYes, Adjustable Impedance Dimensions H x W x D7 5/8” (19.37cm) x 17 1/2" (44.45cm) x 18” (45.72”) List. & Rec. SwitchingListen Only IR Remote Control Electromagnetic Input Switching All 1% Metal Film Resistors 0.5% Phono EQ Extra Wide Dynamic Range8VRMS Out; 16VRMS Balanced Pwr Amp or Acc "ON" Outputs2 Programmable Pwr Strip "ON" Out2 Equalizer8 Band Room, Programable by Input Processor LoopOne Soft Mute Ultra Low Distortion0.002 LightingLED Fiber Optic Gold Connectors Regulated Power Supply Data Output Ports Shielded Power TransformerR-Core Headphone OutYes, 1/4" Ext. IR Sensor Jack

quad   PRE                                                                                                                                                                                                 €.    350,00

NAD  PRE 114                                                                                                                                                                                  €.    400,00

6 line inputs incl. 2 Tape in/outputs with dubbing facility •Switchable MM and MC phono input •2 line outputs•Gold plated phono and CD input sockets•Gold plated output sockets•Independent headphone amplifier •Tone defeat switch Based upon the highly praised NAD106, the model 114 is the latest in the range of NAD high quality /low price pre-amplifiers.Following in NAD's usual design brief of ‘sound quality first’� the 114 utilises reliable, uncomplicated circuit topology which allows for investment in high specification, close tolerance components such as a large, low noise transformer, metal film resistors, polypropylene capacitors and a precision volume control.  A carefully re-designed PCB layout contributes further to a noise and distortion free performance. The input selectors are operated by push rods and are located as closely as possible to the input sockets to minimise cross talk. Also featuring Gold plated RCA jacks (to give reliable signal transfer), and two tape loops to offer flexibility for tape dubbing in either direction (or the inclusion of a signal processor). Any input may be monitored whilst recording. A gold plated 1/4’� jack socket permits most non-electrostatic headphones to be connected to the dedicated headphone amplifier.  Still in demand by music lovers (but often disregarded by other manufacturers) is a good quality phono stage. The phono stage in the 114 is a fine example of what can be achieved at a reasonable price. The phono stage is switchable to allow moving coil or moving magnet cartridges to be used. Metal film resistors, polypropylene capacitors and seven discrete transistors provide extremely low noise performance, precise equalisation and a dynamic range of 105dB.

quad   PRE 44                                                                                                                                                                                        €.    550,00

 preamplificatore   quad  44  + finale  606    950,00  euro

The Quad 44 Pre Amplifier was the bigger brother of the Quad 34 Pre Amplifier and had the addition of an extra input over the Quad 34's four inputs. Ideally partnered with the Quad 405 and Quad 405-2 amplifiers although it is more than happy with any power amplifier, the Quad 44 Pre Amplifier has some nice features to it and clever electronics especially if your main source is vinyl. The Quad 44 Pre Amplifier has three tone filters, bass, tilt and a high pass filter which allow you to maximise the music from very old or poor recordings by removing a lot of distortion. The Quad 44 Pre Amplifier also is one of the very few home audio pre amplifiers that can cope with high output professional equipment and as well as having swappable modules for disc, radio, cd and tape, Quad were also able to supply a microphone pre-amp card as well meaning this amplifier was well suited to home recording as well as studio recording. These days people who mainly listen to CD will have dispensed with the Quad 44 Pre Amplifier because the sound quality can be bettered with more modern equipment. Some people have had success upgrading the capacitors in the Quad 44 Pre Amplifier with Black Gate or Elna types and replacing the Op Amps with superior Burr Brown types. No matter the Quad 44 Pre Amplifier is still a popular piece of equipment and given its value second hand is worth considering if you have a lot of old recordings in your collection. Quad 44 Pre Amplifier Specification Line Source Frequency Response : 30 Hz - 20 kHz (+/- 1db) Disc RIAA Frequency Response : 30 Hz - 20 kHz (+/- 0.5db) Distortion: < 0.05% Input Impedence: Variable according to modules (Radio & Tape typically 100mV) Interchannel Balance: +/- 0.5 db Crosstalk: > 70db Power consumption: 7 Watts Mains voltage : 110-120V or 220-240V (interchangeable on PCB) Dimensions (WxDxH) : 321 x 103 x 207 (mm) Weight: 4 kg

YARLAND   P7                                                                                                                                                                                            €.    450,00

SANSUI    BAF 1                                                                                                                                                                                       €.    700,00

TECHNICS   A800 MKII                                                                                                                                                                    €.    650,00

BK  PRO10MC                                                                                                                                                                                          €.900,00

Preamplificatore due telai made in USA (IMBALLO)

Description : The B&K PRO-10MC is sought after for it's solid Noble potentiometers, great phono stage(MM&MC) and straightforward design. The quality of the headphone section in the PRO-10MC is impressive which beats most "high-end" delicated headphone amplifiers. The B&K PRO-10MC is a "purist" version of the MC-101 which does not use any tone controls. This preamp comes with an outboard power supply to provide the cleanest possible power to unit. Its FET loading design maximizes linearity and minimize noise. Its wide bandwidth assures clear reproduction with all styles of music. Polyproylene film capacitors were used to produce a transparent sound with highly accurate musical timbre. Low noise 1% metal film resistors were used for better sound and greater degree of repeatability. The B&K PRO-10MC preamplifier was well reviewed years ago. It was a Stereophile Class C component, way back in the day. Though not a Class A amplifier, but it certainly made to the list of memorable gear. When played, the sound is clean, detailed and warm which is almost tube like.  Specifications : Moving Coil Sensitivity (at 1kHz).0.09 mVMoving Coil Overload (at 1kHz)17 mVMoving Coil Load ResistanceVariableMoving Coil Load CapacitanceVariable Moving Coil (S/N A Weighted)70 dBMoving Magnet Sensitivity (at 1kHz)0.8 mV Moving Magnet Overload (at 1kHz)225 mVMoving Magnet Load ResistanceVariable Moving Magnet Load Capacitance.Variable Moving Magnet (S/N A Weighted)82 dB THD0.02 % IM Distortion (SMPTE)0.02 % Frequency Response (± 1 dB)1 Hz - 150 kHz High Level Sensitivity45 mV Maximum Output14 V R.M.S. High Level (S/N A Weighted)89 dB Processor Loops 1 Dimensions(w x d x h) 43.5 x 27.5 x 9.5 cm (Main)  12 x 18.5 x 7 cm (Power Supply) Weight7 kg

NUFORCE   P8 (NUOVO EX DEMO)                                                                                                                                                                   €.    980,00

NuForce developed its prescient preamplifier technology from the ground up to reassess and redefine faithful music reproduction. The firstimpressions of listening to NuForce preamplifiersare those of pristine clarity, natural tonality,expansive imaging, and realistic proportions of themusicians and their instruments. Bass notes arewell defined and articulate, with addictive rhythmand drive. P-8 is NuForce's entry level high-endpre-amplifier.Specifications• Audio inputs: 3 sets of RCA inputs and a 3.5mm stereo input jack(for digital media player, PC sound devices).• Audio outputs: 1 set of RCA,1 set of balanced XLR,and a 3.5mm stereo headphone output withcross-feeding to create a natural soundstage.• Remote input selection and volume control with memory (last selection,volume level)• Mute and Sleep functions• Digitally-controlled switched attenuator. Volume Range: +30dB to –70dBwith 0.5dB steps• Dynamic Range: > 100dB• Input Impedance: 4K ohm• Output Impedance: 40 ohm• THD+N at 1kHz: <0.01%, typically 0.003-0.005%• S/N Ratio: > 85dB• Frequency Response:at 20-20kHz = +0dB/-0.2dBat 20-170kHz = +0db/-3dB• Maximum output : 8V RMS• Crosstalk: –130dBFS• Dimensions: 1.75”H x 8.5”W x 16”D• Weight: 6 lbs• 100W SMPS with PFC (Power Factor Correction)• Power Requirements: 90-240VAC, auto select.

NAD   1000i (EXDEMO)                                                                                                                                                                             €.    980,00

APPARECCHIO DAL SUONO HI END MORBIDO E PRECISO STESSA TIMBRICA DEL FAMOSO NAD 3020 QUESTO PREAMPLIFICATORE DISPONE ANCHE DI UN OTTIMO STADIO PRE-PHONO CON VARIAZIONE DEL TIPO DI TESTINA MC E MM ABBINABILE A QUALSIASI FINALE DI POTENZA NATURALMENTE CON UN FINALE NAD SI ACCOPIA MEGLIO REGOLAZIONI BASS – TREBLE – BASS EQ-LOUDNESS INGRESSI: PHONO-CD-TUNER-TAPE1-TAPE2-OUTPUT1 E OUTPUT2 POSSIBILITA’ DI COLLEGARE 2 FINALI DI POTENZA

PRIMARE   PRE 30                                                                                                                                                                             €.  990,00

Preamplificatore hi-fi. Circuitazione dual mono. Componentistica selezionata. 7 ingressi (5 RCA e 2 XLR) e 3 uscite (2 RCA e 1 XLR). Preamplificatore PRE30 Ingressi analogici: 2XLR bilanciati, 5RCA Uscite analogiche: 1XLR bilanciato, 1RCA Uscite per registratore: 1RCA Livello ingresso XLR: 560mVrms Livello ingresso RCA: 280mVrms Altre uscite: Trigger out Guadagno: 16 dB Risposta in Frequenza: da DC a 100kHz +1dB Distorsione THD: <0,01% Rapporto S/N: 118 dB Alimentazione: 100/115/230V Dimensioni: 430x100x385mm (LxAxP) Peso: 9,5 kg  (IMBALLO)

PRIMARE   PRE 32                                                                                                                                                                             €. 1.250,00

Caratteristiche tecniche: Pre 32 Ingressi analogici: 2 XLR (L & R), 4 RCA (L & R) Altri ingressi/uscite: RS232, IR in/out, trigger in/out, RF Impedenza di ingresso: 15k (RCA e XLR) Record out: 1 RCA (L & R) Pre Out: 2 RCA (L & R), 1 XLR (L & R) Impedenza di uscita: 110 ohms Risposta in frequenza: 20 Hz – 100 kHz -3 dB Distorsione THD + Rumore: <0.003%, 20 Hz – 100 kHz Rapporto segnale/rumore: -115 dBV Max in /out level 10 VrmsGain 16 dB Power Consumption Standby: 0.2 W; operate: 23 W Dimensions (wxdxh) 430 x 385 x 105 mm Peso: 10.5 kg Colori: Nero ( IMBALLO)

The PRE32 is a high performance fully balanced pre-amplifier designed for ultra low noise and distortion, and as the perfect partner for any Primare stereo power amplifier. It features an OLED display and comprehensive menu-based control system established by the EISA award-winning I32 integrated amplifier.  The PRE32 is housed in a heavy gauge alloy steel chassis, and incorporates two pairs (L/R) of low-noise balanced XLR inputs and 4 pairs of RCA inputs. In addition there are two pairs of RCA outputs and a single pair of balanced XLR outputs, as well as a record output, RS232, trigger, IR and RF inputs.XLR 2 x stereo pair analog inputs RCA4 x stereo pair analog inputs  XLR1 x stereo pair analog PRE output RCA 2 x stereo pair analog PRE output RCA1 x stereo pair analog REC output IR C24 system remote control IR3.5 mm input/output12V trigger 3.5 mm input/output RS232 outboard system control port Dimensions430x385x105mm (WDH) Weight 10.5 Kg Finishes black

ELETTROCOMPANIET    EC 4.7                                                                                                                                                              €. 1.350,00

The Electrocompaniet EC 4.7 is a high resolution, high performance, DC coupled and fully balanced, remote controlled preamplifier. EC 4.7 has six single ended inputs, where one is fully balanced. One balanced and one single ended line output, and one fixed single ended output to be used as record. The remote controlled motorized volume is developed to not influence or degrade the sonic performance of the EC 4.7. Volume control and input sources can easily be navigated from the remote controller or via the navigators on the front panel. The navigator's window displays the selected source, and the volume position in analogy shown by a blue lit. The EC 4.7 features Electrocompaniets unique FTT technology, which is capable of deliver twice the current as conventional power supply designs. This combination with a Toroid transformer and a reservoir of capacitance far beyond necessary will give you more than adequate control of your system. Contains only high quality discrete components. It is a perfect combination with our own products or other manufacturers High-end equipment.Preamplifier section Single ended operation (gain) 0 dB Balanced operation (gain) 6 dB Input impedance single (fixed) 330 kohm Input impedance balanced (fixed) 165 kohm THD single ended (1 V in, 1 V out, 1 kHz) < 0.001 % Equivalent input noise < 3 µV THD balanced (1 V in, 1 V out, 1 kHz) < 0.0005 % Max. input single > 10 V RMS Max. input balanced > 20 V RMS Channel separation (1 V output, 1 kHz) > 90 dB Attenuation (minimum volume) - 75 dB Output impedance single 100 ohm(fixed) Output impedance balanced 50 ohm (fixed) Max. output Single ended 8 V RMS Max output Balanced 16 V RMS Output noise (400 Hz - 30 kHz) Single ended : 5 µV Balanced : 10 µV Signal to noise (400 Hz - 30 kHz) > 100 dB Frequency response (DC - 65 kHz) - 0.4 dB The EC 4.7 is DC coupled from input to output. Power consumption (no load or signal) 15 W Dimensions Width 483 mm / 19 inches Depth 410 mm / 16.1 inches Height 115 mm / 4.5 inches Weight 8 kg. / 17.6 lbs

THRESHOLD  FET 9/E                                                                                                                                                                             €. 1.250,00

Pre stereo in classe A -Risposta in  frequenza: 1.5-125.000-distorsione armonica:0,02% a 3v di uscita-distorsione diintermodulazione:0,02% a 3v di uscita-Sens/imp ingresso phono:-guadagno selezionabile 40o 60dB imp.variabileda 22 a 47.000 ohm-Sens/imp. ingressi aux-linea:25.000 ohm+20db-RAPPORTO S/N:-80dB a 1mv ingresso,-100dBingressi basso guadagno-Dimensioni 48x8x16.5cm -Peso 2kg -note: alimentazione separata compresa

THRESHOLD T ZERO (NUOVO)                                                                                                                                                                              €. 2.500,00

Pre stereo in classe A (IMBALLO)

Stereo High Level Preamplifier (FET-9e with Balanced Output)

BRYSTO BP26                                                                                                                                                                                                      €. 2.500,00

Preamplificatore linea con alimentazione MPS-2  IMBALLI  ORIGINALI

AUDIAFLIGHT  PRE                                                                                                                                                                                                 €. 2.890,00

Preamplificatore Stereo Polarizzazione in classe A Costruzione Dual mono Local current feedback e transimpedance amplification Controllo di volume ad impedenza costante Ingressi: 2 XLR, 4 RCA Uscite: 1 XLR Peso: 15 kg Dimensioni: 42(L)x38(P)x11,2(H) cm

The high-end audio is a hobby of variety and objectivity. In each of the industry’s primary product categories, there are polarities in approach and technology – such as the RIAA-based phonograph and the 16-bit/44.1kHz-based digital playback systems, MOSFET and tube-based amplifications, and finally, cone and planar loudspeaker technologies – that the proponents for each consider indispensable and superior. Yet, there is one component type that everyone has contemplated getting rid of one way or the other, and it is the preamplifier. Transistor or tube, line preamplifiers have always occupied a bittersweet spot in everyone’s heart, considering its property for either making or breaking a system from the level of synergy created. To many audiophiles, brackets of price range represent a safe route for matching components: budget components dominate the sub-$2,000 range, while high-performance ones reside in the $9k+; and any higher would be considered exotic by many. Audiophiles contemplating the purchase of either $2,000 or $50,000 line preamplifiers have an easier time than those of us considering a $7k one, for the polarity in prices provides clarity and guideline in respective buyers’ decision-making process, at the same time represent an approximate indicator for system matching; while a $7,000 line preamplifier falls into a somewhat grayish area. If one has a $10,000 power amplifier of commendable performance, then a $20,000 preamp of competent caliber may continue to compliment the power amplifier’s inherent strength. However, a $7k preamplifier would likely accentuate the relative weakness of a $3,000 power amplifier that was designed to a budget, and then the audiophile with the $10k+ power amplifier would tend to doubt if a $7k preamplifier is adequate for his system. If you are the Dagogo reader contemplating a $7k preamplifier purchase, this review may accelerate your heartbeat. For the Audia Flight PRE has a multitude of virtuous qualities that remain elusive among many of today’s sub-$10k contenders in active solid-state preamplification. From a design viewpoint, the PRE is a two-box design implemented into a single chassis, in which upper and lower sections are provisioned and horizontally partitioned. Per Audia Flight, the single-chassis design is to eliminate variables involved in connecting multiple chassis. The PRE is one of a kind in being given three 10,000 Gauss toroidal transformers mounted upside down at the lower half of the chassis into the centrally positioned circuit board. Among the toroidals, two are rated at 50VA each for stereophonic reproduction, and one at 30VA for control logics. The upper section is consisted strictly of the main audio board. To generate a 50V output for each channel, the dual-mono transformers are flanked by four “Ultra Fast Recovery” diodes and eight 3,300μF, 63V ROE-EYS series filtering capacitors. In addition, to ensure the integrity of each channel’s signal during internal propagation between circuitry sections, four dual discrete stages are provided, amounting to an unheard of total of 18 discrete stages for each channel. With such vigor, the PRE is then class A-biased and regulated by Audia’s current-feedback technique. Contrary to the widely adopted voltage feedback technique, which yields lower levels of input noise and low frequencies distortion, current feedback provides unlimited slew rate and wide bandwidth. Audia’s implementation of the current feedback culminated supposedly in a high-current, low-noise output stage. Combined with what is perhaps Audia’s most remarkable feature – a metal film resistors- and metal film relays-laden impedance-constant attenuator that Audia claims to be able to preserve frequency responses at all attenuation level, hence solving the impedance fluctuating, frequency skewing and propagation damping characteristics of conventional attenuator – the PRE is supposedly capable of such gain range as 127dB, plus a bandwidth of such magnitude that it would overpower standard attenuators anyway. The PRE chassis is machined out of aluminum via Numerical Control (NC) units and laser machines. NC micro millers further crafted the front panel out of a 25mm thick aluminum ingot. Chassis-width damping plates are inserted under the top cover, as well as between the two boards. To root out possible interference, the logic control circuitry is encased in metal and positioned behind the front pane Fully equipped and intended to be used as a reference preamplifier, the PRE is adorned with four RCA and two XLR inputs, along with one RCA Record output, one RCA Main output and one XLR Main output. The inputs are provisioned near the center of the rear panel, whereas the outputs are grouped at the farthest left and right. The PRE’s front panel sports dainty, tidy lines, with beautifully subtle curves. Embedded into this tastefully crafted front panel are, from left to center right, ON/OFF, INPUT, REC, DIM, BAL and MUTE. On the right is a large dial for setting of each aforementioned control, in addition to being the attenuator. At upper center left is the large display, the brightness of which can be trimmed or defeated altogether via the remote. An aluminum, milled remote control mimics all functions on the PRE’s front panel, except for REC: the record monitor. A SET button on the remote further enables customization of input gains and input characterization. Despite repeated attempts and examinations on my part, the PRE would not reconfigure its operational mode into the “Single-Ended Triode” kind. Blast! Finally, the PRE is to be left in the blinking, standby mode when not in active use, in which the amplification stages remain powered, and the attenuation at minus-117.5db. Once powered on, the attenuation adjusts itself instantly, with the display jumping from -117.5dB to the former level prior to the shutdown. Input gain can be adjusted plus and minus 6dB to facilitate uniform volume, and each input can be custom named with a maximum of 13 characters. Display brightness can be dimmed through 5 levels, including my favorite one, display off. The Sound To gauge the finesse of the Audia Flight PRE, DACs from both solid-state and tube camps were mobilized, including my longstanding champion of DACs, the $30k tubed Audio Note DAC5 Special, and the best solid-state DAC I’ve heard to date, the $5,700, 32bit/384kHz Accustic Arts DAC I Mk3. Primary amplification was via Audia’s own $11k Flight 100, a 32-IGBT-equipped current-feedback design of superlative finesse, which I reviewed in October, 2005. 47 Lab’s PiTracer helmed the tracing of pits from CDs. The Flight 100’s high-power, high-current capacity facilitated auditioning via a variety of loudspeaker, thus the 89dB/4Ω, $12k GamuT L5, the 95dB/8Ω, $20k Audio Note AN-E SEC Silver and the 93dB/8Ω, $26k Acapella La Campanella were the primary speakers rotated for this review. Audio Note’s Sogon digital cable, interconnects and SPx silver speaker cables handled the delicate task of signal transmission, with the 27-strand Vx linking the preamplifier to the power amplifier. 4 of Harmonix Reimyo’s X-DC Studio Master 350 Wattagate power cables supported the DACs 24/7, while powering the amplifications. Although the PRE provides level adjustments of individual inputs, my use of only one Audio Note Sogon digital cable inadvertently involved frequent unplugging and plugging of the cable from the Audio Note and Accustic Arts DACs, hence rendering input customization irrelevant. Many audiophiles prefer tube preamps for the nonexistent tonal artificiality and graininess that solid-state preamps are known to impart, especially in reproducing vocals. Atop a platform of its companion Flight 100 amplifier and GamuT’s L5 loudspeaker, the PRE’s manifestation of tenor Toby Spence’s “Vallon Sonore” [O echoing vale] from the Berlioz opera Les Troyens [The Trojans] (LSO 0010 CD) via the solid-state DAC yielded a pristine and yet smooth vocal that though not of the $30k Audio Note DAC5 Special’s caliber, was nevertheless the most remarkable and reverberating of solid-state DACs. CDs produced prior to the common high-bit remastering of late, such as my favorites from Deutsche Grammophon and Philips, consistently demonstrated less refined tonal balance with pronounced top-end carelessness via the PRE – a sharp contrast to the absence of such inherent information as rendered by lesser amplification designs. Accordingly, sonics from archaic CDs processed with comparatively primitive standards were consistently found wanting in the presence of the PRE. Also noteworthy was the PRE’s highly differentiating disposition on dimensionality, whether it was of jazz or orchestral music, as it revealed the GamuT L5’s soundstaging prowess as the most differing from what the Acapella La Campanella could single-handedly achieve. During a separate session with one Audio Note M8 preamp ($31,750), the GamuT’s soundstage expansiveness and 3-dimensionality was contrasted most explicitly by the Acapella’s full-range rendition of instrument tonality. To hear a $7k solid-state preamp being able to trail in the same direction was most riveting. On dynamics, the PRE’s handling of the signal from the solid-state Accustic Arts DAC was also to be applauded for its ability to track the scales of dynamics most diligently. The Italian preamplifier’s reenactment of Anne Weerapass singing the Cole Porter classic, “Night & Day” (Out Of Nowhere, Jazznote 170702-02-2), delicately preserved the sound engineer’s intent in the highly dynamic, resolving and yet well-balanced vocalization amidst the jazz band in the background. Transistor preamplifiers I owned in the past tended to smudge the differentiation between fore- and background. I have also yet to find a sub-$10k solid-state preamplifier with comparable spectral uniformity than the PRE. The Audia Flight not only preserved the DAC 1 Mk3’s presentations in meticulous tonal balance when driving the matching Flight 100, it never obscured the $24k Harmonix Reimyo PAT-777 300B SET stereo amplifier’s spectacular resolution and tonal balance neither. Per PRE, the Harmonix Reimyo SET was able to display its standard compliment of sonic feat through the $26k Acapella La Campanella horn speakers, demonstrating a full suite of tonal vibrancy with no sonic detriment that lesser solid-state preamplifiers would have impeded upon. Resultantly, the German horn speakers produced the most effectuating spectral uniformity, with integrated spectral liquidity and tonal lucidity so resplendent as to redefine what today’s horn speakers could accomplish. In comparison to the now-defunct Reference Line’s top preamplification offering, the Preeminence Two passive preamplifier, the PRE established itself as the first solid-sate active preamp in my system conceding to zero percent of loss in resolving power, at the same time summarily eclipsing the Reference Line in dynamic vigor and soundstaging, along with superior consistency in tonal shading at all relevant volumes. Summary  With the Flight PRE, Audia demonstrated the pinnacle in solid-state preamplification design. Constructed with attenuation cells and relays for maintaining constant impedance, with the ability to preserve the same frequency response at any attenuation value, the Audia Flight PRE was a precision device of a most spectacular order. It possessed a spectral uniformity of such delicacy as to be highly conducive towards tonal differentiation. Though of solid-state birthright, the Audia Flight PRE’s exceeding resolution and bandwidth propagated a sonic presentation that was the antithesis of yesterday’s solid-state preamplifiers. In manifesting powerful showcases of dynamics, delicate texturing and extended spectral reproduction, it traverses alongside the $10,000 Audio Note M5, complete with a level of resolution I’ve yet to experience from another solid-state preamplifier. In addition, it did not constitute the minutest in sonic contamination or deviation. In fact, as proven by its coupling to the $24k Harmonix Reimyo PAT-777 300B tube amplifier, the Audia Flight PRE’s fundamental lack of coloration and distortion illuminated its brilliance, as to be the one solid-state preamplifier exceedingly conducive in driving the SET amplifier. Then, its regal spectral composure and dynamic prowess, when driving the matching, $11k Audia Flight 100, was of statutory achievement – amazing and breathtaking in action. Finally, the Audia Flight’s fundamental absence of electronic coloration in musical recreation makes it a fitting solid-state candidate in service of the 47 Laboratory 4704 PiTracer CD transport and Audio Note DAC5 Special. Not all audiophile will recognize the Audia Flight PRE’s subtle and enduring virtues amidst other instantly gratifying solid-state preamplifiers; but I am confident that the PRE will move the discriminating Dagogo readers employing top amplifications with competent front-ends, as solid-state designs capable of such refinement and strength are rare. /www.dagogo.com/audia-flight-preamplifier-review/

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

LECTOR  FONIX                                                                                                                                                                                           €.    550,00

Costituito da due circuiti distinti e completamente separati per testine MM e MC.E' possibile utilizzare due giradischi contemporaneamente.L'ingresso MM-MC dispone di terminazioni resistive RCA per adattare l'impedenza.Tutti i componenti sono di alta qualitá: condensatori film and foil a basso rumore ad alta precisione, alimentazione a bassa resistenza tipo Shunt, connessioni dorate ed isolatori in teflon. In dotazione: Cavo di alimentazione Fiancatine disponibili in massello o plexiglass opzionali Libretto d'uso e manutenzione Garanzia 2 anni

Type of Unit Solid State Phono RIAA Preampfor MM/MC Harmonic Distortion THD < 0.01 % Input Sensitivity MM 1.5 mV / 47 kW / 100 pFMC 0.4 mV / 47 kW / 1,500 pF S/N Ratio MM 70 dB ( A-weighted ) MC 65 dB ( A-weighted ) Frequency Response 20 - 20 kHz +/- 0.5 dB Output Inpedance & Voltage 100 W / 10 Vrms Line Input Chanels MM / MCwith two turntables Recording Output Line Main Outuput1 Switchable Main Voltage 100/110/230/240 VAC - 50/60 Hz - 50 VA Dimensions (W x D x H) 400 mm x 300 mm x 85 mm Weight ( Net - Gross ) 7 kg - 8 kg

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

BRYSTON          2BSST                                                                                                                                                                                       €. 2.200,00  

Finale stereofonico, 2x100Wrms/8ohm, 2x200Wrms/4ohm   IMBALLI  PARI AL NUOVO

The 2B SST sits relatively low in a range that extends all the way up to the massive 28B SST monoblocs, which can pump out 1kW of power without breaking a sweat.But while it is a junior model, it's no lightweight: it tips the scales at well over 12kg, and is capable of delivering 100w per channel into an 8ohm load, or 180w into 4 ohm speakers.And that's not the end of the story: upgrade your system with the addition of another 2B SST and, at the flick of a bridging switch, the amp becomes a 350w monobloc, with some serious stump-pulling power.So it's a chunky hunk of Canadian-made metal, with the solidity of the build backed up with a 20-year warranty. And under the skin there's a hefty twin-transformer power supply, output devices specifically developed for the SST series and computer-modelled heatsinks to keep the whole plot on the island even when your driving your speakers hard. The 2B SST sounds effortlessly huge There are selectable RCA phono and XLR inputs, 12V trigger switching for remote start-up/standby, and a choice of silver or black finishes plus Bryston's usual 17in (43.2cm) and 19in (48.2cm) faceplate options. In use, the 2B SST sounds effortlessly huge: it combines refinement, transparency and punch in a way that eludes all but the very best. Carl Orff's Carmina Burana is delivered with immense scale and dynamic reach, with each instrumental strand easy to follow no matter how complex the piece gets. In addition, there's a lovely openness to the presentation that makes speakers like our ATC SCM 50s disappear. Move to the White Stripes, and the Bryston delivers rock solid bass, crisp timing and a truckful of detail.
This is a must-hear amp, and a fine partner for Bryston's preamps.https://www.whathifi.com/bryston/2b-sst/review 2Bsst SPECIFICATIONS: Power Output: 100 watts per channel into 8 ohms Input Impedance: 10K ohms single ended (unbalanced) 15K ohms double ended (balanced) Sensitivity: 2v setting 2 Volts in = 100 Watts into 8 ohms - gain 23 dB 1v setting 1 Volt in = 100 Watts into 8 ohms - gain 29 dB Distortion: THD+noise: < 0.010% 20Hz to 20kHz at 100 watts into 8 ohms, IMD: < 0.010% 60Hz + 7KHz mixed 4:1 Noise: Measured with input shorted - 20Hz to 20kHz. >108dB below rated output (with 20Hz to 22KHz bandpass filter) Slew Rate: >60 volts per microsecond Power Bandwidth: <1 Hz to over 100 kHz Damping Factor: Over 500 at 20 Hz, ref. 8 ohms Power consumption: idle 30va, maximum power 600va Heat load: idle 100 btu/hr., max power 288 btu/hr Dimensions: Regular model: Front Panel: 17.2” x 4” Body: 16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and protrusion of rear panel connectors) PRO model: Front Panel: 19” x 3.5” (2 rack units) Body: 16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and protrusion of rear panel connectors) Weight: approx. 28 lbs (12.7kg.)

JEFF ROLAND      MODEL 112                                                                                                                                                               €.    2.700,00                                                                                                

jeff Rowland | Model 112  Amplificatori Finali Stereo Serie Amplifiers   Finale di potenza stereo da 150 W + 150W RMS su 8 ohm (250 W RMS/4 ohm). Ingressi sbilanciati e bilanciati, guadagno selezionabile, chassis interamente in alluminio.

Description Internally, the Model 112 uses an ultra-fast, integrated circuit input/output topology that couples unquestioned reliability with unparalleled sonic performance. Specifications Power output: 150 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.008% Damping factor: 60 Gain: 32 dB Dimensions: 445 x 335 x 145mm Weight: 24.5kg

JEFF ROLAND      MODEL 201   COPPIA                                                                                                                                                €.    3.450,00  

Finale di potenza mono da 250W RMS su 8 ohm, 500W RMS su 4 ohm, 1 Ingresso bilanciato o sbilanciato tramite adattatore opzionale, 1 uscita. Costruzione interna ad "H" non-risonante.

Jeff Rowland imaging, staging, and musicality in a beautifully crafted monoblock chassis capable of capturing the often elusive music and theater experience with grace and authority. Model 201 delivers a compelling musical experience with a linear frequency extension that ranges from a deep pitched bass to a textured treble, with rippling harmonics and nuanced low level resolution. This work of art, in both sight and sound, is a true Rowland.Housed in an elegant and compact chassis milled from aircraft-grade Aluminum ingots, the Model 201 monoblock power amplifier has been created to exacting JRDG artistic and engineering standards. The advanced green technology that delivers its refined performance, make the Model 201 monoblock power amplifier ideal for the most sophisticated stereo and multi-channel audio systems at a real world price. Output Power Continuous RMS @ 8 ohms - 250 watts / @ 4 ohms - 500 watts Frequency Response 5 Hz - 70kHz, 3dB Peak Output Current > 35 amps Dynamic Range 117 dba Load Impedance Range 2 ohms - 16 ohms THD + Noise 0.1W-500W/4 ohm <.05%, typically .006 @ 1kHz CCIF Intermod. Dist., 19/20kHz <.002% Damping Factor @ 1 kHz 1000 Overall Gain Selectable Internal Jumper, 26 or 32 dB Input Impedance 40k Ohms Common Mode Rejection Ratio >90dB, 20 Hz 20 kHz Absolute Phase Non-inverting, Pin 2 Positive Inputs 1 x Balanced XLR (Unbalanced operation requires an optional XLR to RCA adapter) Outputs 1 Pair CE-Approved Binding Posts Power Consumption Idle - 9 watts Maximum - 650 watts Amplifier Weight 13 lbs/6 kg. Amplifier Dimensions 2.6" x 8.4" x 11.5"

YARLAND              FVB34B                                                                                                                                                                                  €.    700,00

Specifiche tecniche Valvole di potenza: 4 x EL34, KT66 o KT77 Valvole driver: 2 x 6N3 o JAN5670W  Valvola preamplificarice: 1 x 12AX7 o ECC83 Banda passante: 20 ÷ 20.000 Hz +/– 1dB e 12 ÷ 45.000 Hz +/– 2dB Potenza: 36 + 36 W RMS - 1% distorsione (IMBALLO)

AUDIOANALOGUE   DONIZETTI                                                                                                                                                                  €.    700,00

quad            Finale 606                                                                                                                                                                           €.    600,00

Finale  140+140 watt  8 ohm  preamplificatore   quad  44  + finale  606    950,00  euro

Descriptio The Quad 606 is a two-channel power amplifier designed for high quality sound reproduction when used with a Quad 66 control unit or other source. While Quad high fidelity equipment is designed to reproduce music at realistic levels, there is a world of difference between the sound pressure levels produced by a string quartet and a heavy metal group. Please be aware that very high sound pressure levels will also cause severe annoyance to neighbours. Specifications Power output: 140 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Input sensitivity: 0.5V Signal to noise ratio: 105dB Speaker load impedance: 4Ω (minimum) Dimensions: 321 x 140 x 238mm Weight: 12kg

HARMAN            HK775                                                                                                                                                                                                    

(IMBALLO)

Power output: 130W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 100 Input sensitivity: 1.2V Signal to noise ratio: 123dB Dimensions: 385 x 72.5 x 320mm Weight: 10.1kg

SANSUI              BAF 1                                                                                                                                                                                          €.    890,00

Specifications  Power output: 110 watts per channel into 8Ω (stereo) Frequency response: 1Hz to 600kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 1V Signal to noise ratio: 125dB Speaker load impedance: 8Ω (minimum) Dimensions: 430 x 187 x 430mm Weight: 20.4kg

denon          POA-T3                                                                                                                                                                                 €.    400,00

(IMBALLO)

Specifications: 120 Watt per channel into 8 Ohms RMS;  0.008% THD at rated output;  FR. 1 Hz - 100 KHz +0dB -3 dB;  Input sensitivity 1.1V;  Input Impedance 47 KOhms;  Signal to noise ratio 110 dB;  Power requirements 220 - 230 V 50 Hz;  Please note the voltage is for UK / EU Only.  Weight - 12.3 kg.

NAKAMICHI      PA5                                                                                                                                                                                                      

Potenza2x100 W,  Dimensioni : 435x135x412, Peso 22 Kg

100wpc into 8ohms,160wpc into 4ohmsDynamic power 150wpc into 8ohms, 270wpc into 4ohms Dynamic Headroom 1.7db into 4ohms, 2.2db into 4ohms Output current capability 12 amps continuous, 35 amps peak per channel Power supply; 450 watt toroidal transformer. 700 Watt toroidal transformer, dual rectifiers 17" wide x 15" deep x 6" tall

MARK LEVINSON N°333                                                                                                                                                                                                      

(IMBALLO)

Nº333 Rated power output: 300 w/ch continuous rms power @ 8Ω 600 w/ch continuous rms power @ 4Ω 1200 w/ch continuous rms power @ 2Ω all above power ratings from 20 Hz–20kHz at <0.5% THD _ Frequency response: within 0.1 dB from 20 Hz to 20 kHz _ Signal to Noise ratio (main outputs): better than –80 dB (ref. 1 w) _ Input impedance: 100kΩ (balanced) 50kΩ (single-ended) _ Voltage gain: 26.8 dB _ Input sensitivity (2.83V output): 130 mV (all models) _ Input sensitivity (full output): 2.25V for Nº333 1.80V for Nº332 1.30V for Nº331 _ Power consumption (Nº333): 350W (±5%) at idle, 200W (±5%) in standby _ Mains voltage: determined by the needs of country for which the unit was manufactured; cannot be reset by dealer or user _ Overall dimensions: See “Dimensions” _ Nº333 Shipping weight: 150 lbs. (68.2kg) each _ Connector complement: four custom binding posts per channel one 3-pin XLR balanced input connector per channel one RCA input connector per channel two 1⁄8" mini-jacks for remote turn-on two Mark Levinson communications ports one captive high current AC mains cord (Nº333 only), or one IEC-standard high current AC receptacle (Nº332, Nº331) _ Output impedance: less than 0.05Ω from 20–20,000 Hz _ Damping factor: greater than 800, 20–20,000 Hz @ 8Ω peso: 70kg

MARK LEVINSON N°336                                                                                                                                                                                                      

(IMBALLO)

Mark Levinson N°336 Dual Monaural Power Amplifier, Madrigal Audio Laboratories, Designer: Madrigal design team. Power rating: 350 watts @8 ohms; 1400 watts @2 ohms. Frequency response: 20 to 20,000  Hz ± 0.1 dB. Damping factor: >800 (20-20,000 Hz @8 ohms). Input impedance: 100 K (balanced), 50 K (single-ended). Input sensitivity: 2.42 V. Output impedance: <0.05 ohms (20- 20,000 Hz @8 ohms). Connections: four custom binding posts per channel for biaming; one 3-pin XLR balanced connector/channel; one RCA input connector/channel. two-4 inch mini-jacks for remote turn-on; two Mark Levinson communication ports; two PHAST communication ports. Non-detachable AC cord. Dimensions: 171⁄2" x 9" x 19" (w x h x d). Shipping weight: 150 lbs 

MARK LEVINSON N°436                                                                                                                                                                                                      

(IMBALLO)

Description: Solid-state monoblock power amplifier with one pair Madrigal speaker binding posts, one 3-pin XLR balanced input, two 1/8" minijacks for remote turn-on, one RS-232 port on RJ-11, two Mark Levinson communication ports on RJ-45, and two PHAST communications ports on RJ-45. Rated power output (20Hz-20kHz, <0.3%. THD, FTC): 350Wpc into 8 ohms (25.4dBW), 700W minimum continuous into 4 ohms (25.4dBW), 1400W minimum continuous RMS power at 2 ohms (25.4dBW). Frequency response: 20Hz-20kHz, ±0.2dB. Output impedance: ±0.05 ohm, 20Hz-20kHz. S/N Ratio: better than -89dB (ref. 2.83V). Damping factor: >800, 20Hz-20kHz into 8 ohms. Power consumption: 100W in standby, 180W at idle. Current draw at rated output at 120V: 8.5A (350W into 8 ohms), 14.6A (700W into 4 ohms), 25.6A (1400W into 2 ohms). Dimensions: 17.75" (455mm) W by 7.65" (194mm) H by 20.2" (518mm) D. Weight: 85 lbs (38.6kg) net, 95 lbs (43.2kg) shipping. serial number :1028

AERON          A07                                                                                                                                                                                                       €.    ,00                         

Con i suoi sette canali da 120 watt rms, l'A-07 è uno degli amplificatori più potenti oggi disponibili. Il progetto è stato elaborato per dar vita ad un apparecchio prestigioso, inappuntabile sotto il profilo qualitativo e stupefacente come potenza pura. La sua massa di ben 28kg toglie ogni eventuale dubbio sul dimensionamento elettro-meccanico, garante dell'affidabilità e della tenuta in potenza a lungo termine. Partner naturale del pre/decoder AV-1003, quest'apparecchio (robusto meccanicamente ed elettronicamente, ma delicato musicalmente) è l'amplificatore ideale per i sistemi home cinema che richiedano sette canali, elevate potenze e prestazioni "audiophile Dati tecnici Power output 7 x 100W rms / 8 ohm Power output 7 x 160W rms / 4 ohm All power figures at 20Hz-20kHz, 0,1% THDSensitivity 1V / 47k ohms Frequency response 20Hz-20kHz +/- 0.5dB Signal to noise ratio >95dB at 100W (A weighted) Harmonic distortion <0.1% from 20Hz to 20kHz, 1 to 100 watts Intermodulation distortion <0.2% (IHF A) Power supply 230V, 50/60Hz Absorption 1100 VA Dimension (WxHxD) 430 x 200 x 460 mm Finish Silver Weight 23 kg

YAMAHA            A-100                                                                                                                                                                                     €.    250,00

Specifications Power output: 50 watts per channel into 8Ω (stereo), 100W into 16Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.2% Damping factor: 70 Gain: 38.2 dB Input sensitivity: 0.245V Signal to noise ratio: 105dB Speaker load impedance: 8Ω to 16Ω Dimensions: 220 x 96 x 296mm Weight: 4.6kg

denon           POA- F100                                                                                                                                                                       €.    250,00

Amplificatore finale di potenza a 3 canali. 25 W x 3 canali su 8 ohm (canale centrale e canali surround). Ideale in abbinamento al AVRF100 per creare un sistema multicanale A/V.Stadi finali separati a componenti discreti. Accensione e spegnimento controllati dal telecomando in dotazione all'AVR-F100.

Denon-Design-Endstufe POA-100 Dreikanal.Äußerlich sehr gut erhalten. Technisch i.O. Aus Ausstellung gekauft und von mir seither fast unbenutzt. Reduziere jetzt meine Sammlung. Design: silber. Leistungseigenschaften: - Anzahl der Signal-Kanäle: 3 - Mitte:25 W Sinusleistung - Hinten:25 W Sinusleistung, pro Kanal - Sinusleistung (Mitte) gemessen an 6 Ohm - Sinusleistung (Hinten) gemessen an 6 Ohm - Frequenzgang-Untergrenze, Line: 20 Hz - Frequenzgang-Obergrenze, Line: 50000 Hz - bei max. Abweichung, Line von + 1 dB - bei max. Abweichung, Line von - 3 dB - Eingangsempfindl., normal/direkt: 0,435 V - Eingangsimpedanz: 47 KOhm Geräuschspannungsabstand: 90 dB.Anschlüsse: - Cinch-IN, gesamt: 3. Konstruktionsmerkmale:diskreterVerstärkeraufbau.Leistungsaufnahme/Spannungsversorgung: - Leistungsaufnahme, Betrieb: 72 W.GehäuseEigenschaften: - Breite: 27 cm - Höhe: 8,4 cm - Tiefe: 25 cm- Gewicht: 3,9 kg.

LIIN             LK85                                                                                                                                                                                          €.    700,00

TECHNICS             A800 MKII                                                                                                                                                                     €.    700,00

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

NAD  3300                                                                                                                                                                                              €.    350,00

The 3300 is a Monitor Series integrated amp made of most of the 1300 preamp and half of the 2600 power amp : MM & MC inputs with 3-step capacitance switch, low-impedance outputs, buffered tape i/os, "lab" input (to be fed from the preamp out and bypass all filters and controls), 30A and 400W of peak current/output available maintained in listenable regions with NAD's staple Soft-Clipping circuit. That much output goes with the Power Envelope circuit : two voltage rails for high and low power ranges. When listening loud, switching back and forth between rails therefore happens... I believe the 3300 was first available without the Product: NAD 3300Specifications: Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 100 Signal to noise ratio: 80dB (MC), 80dB (MM), 100dB (line) Speaker load impedance: 4Ω to 8Ω Weight: 10kg Code Amplifier Measures: 432 x 105 x 381 mm

EXPOSURE  1010                                                                                                                                                                                    €.    500,00        

Amplificatore integrato 50W / canale – Trasformatore toroidale customizzato 120VA ad elevata capacità – Ingresso AV dedicato a guadagno fisso – Circuitazione Cascode per migliorare l’immunità dell’alimentazione.

1. High capacity 120VA custom made toroidal transformer2. Anodised aluminium faceplate3. High quality capacitors used in signal path4. Short signal path PCB5. Relay switching of input signals6. Dedicated fixed gain AV input7. Cascode circuitry used for improved power supply immunity8. High quality remote control9. Three year guarantee • Power Output (1KHz): 50W per channel RMS 8ohms• Input sensitivity: 250mV• Input Impedance: >14K Ohms• Frequency Response: 20Hz - 20KHz ± 0.7dB• Total Harmonic Distortion: <0.05% at rated power• Signal to Noise Ration: >95dB, A Weighted, ref rated power• Channel Separation: >60dB• Mains Supply: 110/120V or 220/240V, 50/60Hz (factory set)• Power Consumption: <120W• Dimensions - H x W x D: 90mm x 420mm x 300mm• Nett weight (unpacked): 5Kg • Gross Weight (packed): 7Kg

advance acoustic MAP-305ll                                                                                                                                                             €.    890,00

Superb design together with a remarkable construction, high technical thoroughness and a finish beyond reproach allow the MAP305 II to meet the expectations of the greatest number of stereo freaks at a reasonable cost. Technically speaking, the AB class operating mode of the famous MAP-303 has been kept and optimized featuring a new ultra-rigid chassis with sealed compartments, new internal architecture and ubiquitous use of best quality circuit components.Musically speaking, the MAP-305 II expresses delicate subtlety and the right balance, always ready to deliver the right amount of power and dynamics. Neutrality, transparency and energy gathered in the AB class are making the MAP-305 II a unique musical instrument.
Moreover, the MAP-305DA II comprises a stereo digital converter (24-bits/ 192 kHz) having 5 inputs capable of reprocessing, at the highest level, audio digital signals from, for example, a CD/DVD .Output power 8Ω : Classe AB - 2 x 100 W Output power 4 Ω : Classe AB : 2 x 200 W Frequency response : 10Hz - 60kHz (+1/-3dB) Distorsion : < 0,05% S/N Ratio : > 100dB Channel separation : > 70dB Input impedance : 20K Phono input impedance : 47k-100 Input level (CD-Aux): < 300mV Phono input level MM/ MC: 2,5mV & 0,2mV 4 Input : CD, Tuner, AUX, et Phono MM ou Phono MC Pre-Out Amp IN IR Remote control Dimension (L x H x D): 44 cm x 15,5 cm x 45 cm Weight : 19 kg

TECHNICS  SU-MA 10                                                                                                                                                                          €.    990,00

Massive integrated audio amplifier with built-in 1-bit MASH digirtal stages and monitoring loop - plus bombastic reservoirs of caps, heatsinks and transformers. Each X-Pro capacitor is in fact two-in-one: one for positive phase and one for negative. Besides this, these beer cans are copper topped and plotted into composite materials for less vibrations and even less magnetic leakage. The two 300VA transformers are of the EI kind and wound with OFC copper. The dual-mono structure is followed through the back with the input terminals centered vertically and the output posts being, previsibly, spread over the left and right sections.The MASH d/a section, running the entire depth near the bottom plate, is typical of MASH sections: multi-stage noise shaping with several PLL loops to output every digital bit in good order and amplitude. This MASH section is connected directly to the power output section. Added to it is "Class AA": stabilizing input and output voltages for a 140dB digital s/n ratio...Part of the penultimate high-end Technics full lineup, at 107,000¥, loaded as it was, the 25kg SU-MA10 was quite a bargain. It still is but it's pretty rare anywhere. Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.005% Damping factor: 110 Input sensitivity: 0.25mV (MC), 2.5mV (MM), 150mV (line) Signal to noise ratio: 70dB (MC), 79dB (MM), 92dB (line) Channel separation: 55dB (line) Output: 150mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 186 x 433mm Weight: 25kg

ARCAM  ALPHA 9                                                                                                                                                                                   €.   450,00

Description The Arcam Alpha 9 integrated amplifier has 6 line level inputs and an optional phono input Specifications Power output: 70 watts per channel into 8Ω (stereo) Total harmonic distortion: 0.02% Input sensitivity: 0.26mV (MC), 2.6mV (MM), 160mV (line) Signal to noise ratio: 73dB (MC), 79dB (MM), 90dB (line) Output: 0.8V (Pre out) Dimensions: 430 x 330 x 110m Weight: 6.1kg

NAKAMICHI AMPLIFIER 2                                                                                                                                                               €.   550,00

Merkmale / Funktionen / Ausstattung: Harmonic Time Alignment Prinzip - Minimum an Verzerrung für bessere Tonqualität  Hochpegelstufe mit diskreten Bauelementen  großzügig dimensionierte Leistungstrafos für enorme Stromkapazität  niederohmige Aussteuerung für besseren Klang  Netzteil in "Multi-Regulated"-Technik - separate Transformatorwicklungen "Isolated Group"-Prinzip - Referenzpotential bleibt immer konstant, was stabiles Arbeiten aller Schaltungen garantiert  Phono: MM/MC - Schalter hinten  Tone Schalter- der Klang kann mit den entsprechenden Reglern eingestellt werden  Systemsteuerung RI - zur Steuerung weiteren RI- fähigen Nakamichi-Geräte  Muting Funktion  Bass, Treble, Balance Regler  Rec Selector  Input Selector: Tape2, Tape1, Phono, Tuner, CD, AUX  Lautsprecherwahlschalter: A/B, A+B  Anschlüsse s. Bilder  Technische Daten: (alle Angaben ohne Gewähr) DIN Ausgangsleistung an 4 Ohm: 2 x 80 W  RMS Ausgangsleistung an 8 Ohm: 2 x 50 W  Musikleistung an 2 /4 Ohm: 2 x 140 W / 2 x 90 W  Gesamtklirrfaktor: 0,01%  Aufnahmeleistung: 370 W  Abmessungen ca. (B x H x T): 430 x 125 x 360 mm  Gewicht: ca. 12,5 kg

PROTON AM 452                                                     Prezzo   €.  390,00 

PROTON AM452 AMPLIFICATORE INTEGRATO CON PRE-OUT 25 WATT X 2 SU 8 OHM 5 INGRESSI RCA (DI CUI 1 INGRESSO PHONO) 2 USCITE RCA

PIONEER A717 mark ll                                            Prezzo  €.  390,00

Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency response: 1Hz to 150kHz Total harmonic distortion: 0.003% Damping factor: 70 Input sensitivity: 0.2mV (MC), 2.5mV (MM), 150mV (line) Signal to noise ratio: 77dB (MC), 95dB (MM), 108dB (line) Output: 150mV (line) Dimensions: 420 x 435 x 162mm Weight: 19kg

NAD    3020                                   Per offertaTelefonare/ invia  un e-mail
The NAD 3020 can be used as the heart of an elaborate audiophile sound system. For example, the pre-amp out jacks may be connected via a stereo patch cord to any high quality separate power amplifier.To use a separate high power amplifier for your main stereo speakers while continuing to use the nad 3020'S inbuilt power amp for headphones or extension speakers, simply install Y adaptors to split the signal from the pre-amp out jacks. The pre-amp stage is capable of driving several power amplifiers in parallel, or the long signal cables required to connect to power amplifiers located near the speakers, or to powered speakers. Specifications Power output: 20 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 70kHz Total harmonic distortion: 0.02% Damping factor: 55 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 75dB (MM), 110dB (line) Dimensions: 420 x 96 x 240mm Weight: 5.26kg
 

MARANTZ 1150                               Per offertaTelefonare/ invia  un e-mail

Power output: 75 watts per channel into 8Ω (stereo) Frequency response: 15Hz to 50kHz Total harmonic distortion: 0.1% Input sensitivity: 1.8mV (mic), 1.8mV (MM), 180mV (line) Signal to noise ratio: 78dB (MM), 88dB (line) Output: 0.775mV (line) Speaker load impedance: 8Ω (minimum) Dimensions: 376 x 144 x 301mm Weight: 14.8kg
 

MARANTZ   PM 6010 OSE KI SIGNATURE                             Prezzo   €.  400,00
Specifications RMS power into 8/4 ohms  50/ 70W    DIN power into 8/4 ohms  52/ 72W  IHF dynamic power into 8/4 ohms  60/ 80W  Linear Drive Power Supply  Total Harmonic Distortion  0.008%  Damping factor  100 CCNE Signal-to-noise CD/Phono (MM/MC) 96/ 85 dB Frequency range 10 - 60k Hz Power Transformer EI Channel separation (1kHz/10kHz) >90/ 85 dB Cabinet dimensions (W x H x D)  440 x 138 x 343 mm  HDAM  Copper Weight 6.7 kg Symmetric PCB Layout Chassis Metal High Grade Audio Components Customized Components System Block Shielding  Metal BTL Possibility  Treble, Bass Balance Loudness Source Direct  Separate Solid Heatsinks  Speaker A/B Record Selector Tape Monitor  Temperature Gauge  Standby mode Gold Plated Cinch IN/OUTPUTS Audio Inputs  6  Phono Input  MM  Audio Outputs  2 Balanced I/O External Control In  Processor I/O  Pre-out / Main in  D-Bus I/O  Speaker Terminal  Screw  AC Outlets SPECIFICATIONS  Power Output (8/4 Ohm RMS)  50 / 70 Watts  Frequency Range  10Hz-50kHz (+0, -1 dB)  Total Harmonic Distortion(THD)  0,008% Bridged Power Output  Damping Factor  100  Input Sensitivity MM/MC  2.5mV / - mV   Input Sensitivity High Level  150 mV  Input Sensitivity Balanced  -- Signal to Noise MM/MC  85 dB / - dB  Signal to Noise High Level  97 dB  Channel Separation  1kHz / 10kHz > 90 dB / 85 dB  Headphone Out  GENERAL  Color  Black / Gold  Front Panel  Metal  Remote Control  RC8000PM, System (NOT SUPPLIED) Power Consumption  --  Detachable Power Cable  Dimensions WxHxD (mm)  440x138x338   Weight   6,7 Kg

MARANTZ   PM7000                                                Prezzo  €.  350,00  
Power output: 95 watts per channel into 8Ω (stereo)Frequency response: 10Hz to 50kHz Total harmonic distortion: 0.03% Damping factor: 130 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 85dB (MM), 109dB (line) Channel separation: 70dB (line) Dimensions: 440 x 159 x 370.5mm Weight: 12.3kg
 

MARANTZ   PM610                                                Prezzo   €.  280,00
output: 50 watts per channel into 8Ω (stereo) Frequency response: 5Hz to 70kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 2.5mV (MM), 150mV (line)Signal to noise ratio: 87dB (MM), 97dB (line) Dimensions: 440 x 138 x 338mm Weight: 6.7kg

MARANTZ   PM53                                               Prezzo     €.  200,00
Specifications Power output: 55 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 70kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 86dB (MM), 102dB (line) Channel separation: 85dB (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 420 x 118 x 300mm Weight: 6.2kg
 

TECHNICS SU-X911                                              Prezzo    €. 220,00
Power output: 40 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz Total harmonic distortion: 1% Damping factor: 30 Input sensitivity: 3mV (MM), 200mV (line) Signal to noise ratio: 79dB (MM), 83dB (line) Channel separation: 55dB (line) Output: 200mV (line) Speaker load impedance: 8Ω to 16Ω  Dimensions: 360 x 106 x 304mm Weight: 5.3kg Finish: black
 

YAMAHA  AX490                                                 Prezzo  €.  250,00

Power output: 85 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.008%Damping factor: 240 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 88dB (MM),                      110dB (line) Output: 150mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 435 x 146 x 386mm Weight: 9.2kg Accessories: remote control
 

YAMAHA  AX390                                                 Prezzo   €.  190,00

Specifications Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.04% Damping factor: 100 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 82dB (MM), 102dB (line) Channel separation: 65dB (MM), 60dB (line) Output: 150mV (line) Dimensions: 435 x 146 x 309mm Weight: 7.3kg

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

PRIMALUNA  PROLOGUE TWO                                                                                                                                                   €.    890,00 

Integrato a valvole con KT88 (45 watt/ch)

Designed in Holland and made in China, PrimaLuna's amps are essentially classic valve designs, but they bring distinctive aesthetics and a few modern design touches to the party. One such notable feature in the PrimaLuna Prologue Two amp we are reviewing here is 'Adaptive auto bias'. Bias is a long-standing pain in the neck of valve amps: quite simply it's the DC ('standing') current in the valves under conditions of no audio signal and it's critical. Usually amps either have manually adjusted bias, which may even require test equipment to set, or auto-bias (also called 'self-bias'), which does what it says but, in the traditional implementation, reduces maximum output power. It's really surprising how few firms have done what PrimaLuna does and made solid-state monitoring circuits which control bias. It makes the amp far more tolerant of imbalance between output valves. Input switching and volume control use good-quality mechanical components and behind them a good deal of the amp's circuitry is based on solid wiring and tag strips, with large resistors in most positions. Critical capacitors are brand-name plastic-film parts, while a couple of substantial electrolytic capacitors are joined by a smoothing choke in the power supply. The valve complement, apart from the output KT88s, runs to two each of the ECC83 and ECC82The cover over the transformers is so very resonant that we'd be tempted to remove it! Sound quality Definitely a qualified success, this amp made a very favourable impression on one of our listeners and a mostly favourable one on a second, but failed to inspire the third. It turns out that the unimpressed listener missed detail and insight more than anything and found it a struggle to hear details even in familiar recordings. On the other hand, the best-pleased listener referred to 'sublime vocals' and clearly enormously enjoyed the overall musicality of the amp's presentation, which certainly has great charm across the midband. Opinions were united on the subject of imaging, which is good laterally but tends to bring the performers a bit further forward than one is accustomed to hearing. Treble wasn't explicitly mentioned by our 'blind' listeners, but our sighted experience suggests it is well-extended without sibilance or spit. That's probably a contribution to the amp's good handling of vocals and it scores highly for the ease with which lyrics can be understood. There was also specific praise for the PrimaLuna's handling of dynamics, which are full but surprisingly subtle – you often don't notice the music is growing in volume until it's really loud.https://www.techradar.com/reviews/audio-visual/hi-fi-and-audio/amplifiers/primaluna-prologue-two-945738/review

AUDIOSPACE GALAXY 34                                                                                                                                                              €.    950,00 

Amplificatore integrato stereo a valvole. Costruzione di alto livello meccanico e circuitale. Chassis in acciaio. Piedini ammortizzanti e regolabili. Basi valvole in ceramica. Componentistica superselezionata. Regolazione BIAS semplice ed intuitiva grazie al VuMeter frontale. Possibilità di selezionare la modalità di funzionamento dal frontale e da telecomando. Ingresso PHONO MM. Ingresso DIRECT. Uscita Linea RCA. Valvole AudioSpace selezionate a quartetto per massima qualità ed efficienza. Grande capacità di pilotaggio anche su diffusori a bassa efficienza. Uscita cuffia. Ingressi: PHONO MM (1) – LINE (2) – DIRECT (1) – LINEOUT (1) - Class-AB Push-Pull - 16 W Triode/ 32 W Ultralinear - Remote control - EL34 output tubes - Headphone output - Point-to-point wiring Operation Mode: Class-AB Push-Pull Output Power: 16W/ch (triode) - 32W/ch (ultralinear) Output Impedance: 4, 8 ohms Input: RCA (CD, AUX1, AUX2, Dir-In) Output: RCA (Rec Out) Tube Complement: 2x6SL7, 2x6SN7, 4xEL34 Dimension: 400(W) x 330(D) x 190(H) Weight: 22.5Kg

Class-AB Push-Pull . Point-to-point wiring . Hand wound transformers . Headphone Jack . Remote control . EL34 output tubes . 16W (triode), 32W (ultralinear) o Integrated mode or Stereo-amp mode (via Direct-In RCA) o Triode or ultralinear mode selector (hot switching) o Fixed bias adjustment with meter readout on front panel or measuring testpoints on chassis o Remote control - mute, volume, source selection, triode/ultralinear selectionOperation Mode: Class-A Push-Pull Output Power: 16W/ch (triode) 32W/ch (ultralinear) Output Impedance: 4, 8 ohms Input: RCA (CD, AUX1, AUX2, Dir-In) Output: RCA (Rec Out) Tube Complement: 2x6SL7, 2x6SN7, 4xEL34 Dimension: 15.7"(W) x 13"(D) x 7.5"(H) Weight: 50 lbs

UNION RESEARC   NIMBLY                                                                                                                                                               €.    1.100,00 

Amplificatore  stereo  2x50   watt  8/4/2 ohm pentodo  ,2x25 watt   watt  8/4/2 ohm triodo, classe  a pura  fino  a meta' potenza, thd 0.1%,commutatore pentodo -triodo  Misure  470x210x360mm 32 kg  prova  ar 99 pag.171

simel                                                                                                                                                                                            €.    1.300,00 

LINEAR ACOUSTIC  LA TUBE 1    

Nennleistung/Rated power Triodenmodus/"Triode" mode of operation: Ultralinearmodus/"Ultra-linear" mode of operation: 2x45 W an 4 oder 8 Ω/ 2x45 W at 4Ω or 8Ω 2x80 W an 4 oder 8 Ω/ 2x80 W at 4Ω or 8Ω Eingangsempfindlichkeit für Nennleistung/ Input sensitivity for rated power Cinch: 450 mV XLR: 850 mV Eingangsimpedanz/ Input impedance Cinch: 7 kΩ XLR: 26 kΩ Ausgangsimpedanz/ Output impedance 0.17 Ω (am 4Ω-Anschluß/at the 4Ω-terminal) 0.29 Ω (am 8Ω-Anschluß/at the 8Ω terminal) Signal/Rauschabstand bezogen auf Vollaussteuerung/ Signal/noise ratio(SNR) rel. full modulation better than 98 dB (A) Klirrfaktor/ Distortion factor (THD+N) 1 kHz/10 W 4Ω-Anschluß/4Ω-terminal: 0.03% 8Ω-Anschluß/ 8Ω-terminal: 0.07% Frequenzgang/ Frequency response 20 Hz-20 kHz  Cinch: + 0.1/-1.2 dB XLR: +0.1/-0.4 dB Garantie/ Guarantee 3 Jahre inkl. Röhren/ 3 years including tubes Gewicht/ Weight 45 kg Abmessungen/ Dimensions HxBxT/ H x W x D: 230 mm x 450 mm x 446 m