

      
  

GARANTITE E REVISIONATE DELLE MARCHE
MIGLIORI
Richiedere sempre la disponibilita'anche di apparecchi
non in elenco a: info@newaudio.it o
al tel.0174 670100


INFINITY
EPSILON
    
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Caratteristiche funzionali :Emissione dipolare controllata Livello di
emissione dei trasduttori regolabile individualmente Componenti passivi
selezionati Connettori massicci placcati in oro Possibilità di collegamento
normale, bi-wiring e bi-amping Mobile in legno HDF con rinforzi interni Pannello
frontale antirisonanza con spessore 60 mm. Finitura artigianale con lucidatura
manuale Colore noce Supporti per disaccoppiamento da terraAltoparlanti perfetti
Misure:151.8cmx47cmx
41.3
The Epsilon was the last of the truly top-of-the-line
speakers produced by Infinity. Designed by John Miller and Cary Christie after
Arnie Nudell had left Infinity, it was designed to be the heir to the IRS Betas,
but in a more compact package that was easier to place in a room. The Epsilon
was a departure for Infinity, in that, after many years of dipole speakers, it
was sealed in the back and was (primarily) monopole. The Epsilon may be the most
neutral speaker I’ve ever heard - no coloration of the music at all, just very
clean, detailed sound. Its only shortcoming may be a lack of deep bass response,
the result of trying to fit everything into a single cabinet.
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MARTIN LOGAN
MONOLITH III
     
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Perfette
The Martin Logan MONOLITH III represents
the culmination of an intensive, dedicated group research program directed
toward establishing a world class reference monitor utilising leading edge
technology. This was without compromising durability, reliability, craftsmanship,
or aesthetic design.The original Monolith made its official debut in June of
1982 at the International Consumer Electronics Show. it was selected for the
prestigious Design and Engineering Exhibition as one of the most innovative
consumer electronics products of that year. Since then, the Monolith has become
the speaker of choice by the most demanding musicians, electronics manufacturers,
and recording studios, as well as the most discerning critical listeners.As a
result of the continuous research and development program at Martin Logan, they
decided that it was time to incorporate some of their latest technologies into
the already outstanding Monolith. So, in January of 1990, the MONOLITH III was
introduced to the marketplace. With the MONOLITH III, Martin Logan have advanced
the current state of the art in many areas of loudspeaker design. Bass response
has better extension, superior impact and improved definition. High frequency
response also has better extension and is much more natural in character. Much
effort was spent on minimising all diffractive or reflective surfaces. This has
improved over all transparency and image quality.In addition, a great amount of
energy was spent on the interface between the electrostatic element and the
woofer, with astonishing results. The fruit of this labor was the passive IIIp
INTERFACE and the superior electronic IIIx CROSSOVER. With either of these two
devices, the transition from the electro-static element to the woofer becomes
invisible and an unbelievable continuity of sound prevails. With the IIIx
CROSSOVER another veil is lifted and you are brought even closer to the musical
truth. Dynamic information suddenly becomes frightening. Power handling and
system efficiency are enhanced as well.Like the original Monoliths, all
materials in the MONOLITH III speakers are of the highest quality to provide
years of enduring enjoyment and deepening respect. All trim pieces are
constructed from selected hard woods. They are then grain and colour matched and
finally hand finished. The cabinetry is constructed from a special high density
hardwood powder board for structural integrity and is finished with a durable
and attractive leatherette.Through rigorous testing, the curvilinear
electrostatic panel manufactured and used by Martin-Logan has proven itself to
be one of the most durable and reliable transducers available today. Fabricated
from a specially tooled, high-grade steel, the panel is then coated with a
special high dielectric nylon delrin based polymer that is applied via a
proprietary electrostatic deposition process. This panel assembly houses a
membrane 0.0005 of an inch thick! Ruggedly constructed and insulated, as much as
200 watts of continuous power has driven the MONOLITH III’s energised diaphragm
into massive excursions with no deleterious effects.
Specifications Frequency Response: 28–24,000 Hz ±3dBRecommended Amplifier Power:
20‒500 watts per channelHorizontal Dispersion: 30°Vertical Dispersion: 48″
(121.92cm) line sourceSensitivity: 89 dB/2.83 volts/meterImpedance: IIIp High
pass – 4 Ohms, 1 at 20kHz, IIIp Low pass – 4 Ohms, IIIx (Exos) High pass –47,000
Ohms, IIIx (Exos) Low pass – 100 Ohms . Compatible with 4, 6, or 8 Ohm rated
amplifiersCrossover Frequency: IIIp: 125 Hz. IIIx 125Hz 12dB/octave low-pass,
18db/octave high-passHigh Frequency Transducer: 48″ (121.92cm) CLS™
electrostatic transducerLow Frequency Transducer: 12″ (30.5cm) high excursion,
super light, high rigidity cone with extendedthrow driver assembly.
Non-resonance chamber.Components: Monolith III – Glass epoxy boards, Custom
wound audio transformer, polypropylenecapacitors, air core coils. IIIp Passive
Crossover – Glass epoxy boards, polypropylene capacitors, 100%oxygen free copper
coils, wire-wound resistors. IIIx (Exos) Active Crossover – Glass epoxy bards,
metalfilm resistors, polypropylene capacitors, hand picked J-FETs, TIFFANY
input/output connectors.Inputs: 30-amp gold plated 5-away bi-wire binding posts
Weight: 54.5 kg Dimensions: 187.3cm × 67.9cm × 29.8cm
PROAC D80
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Spearheading the ProAc range for the
last ten years, the imposing Response Fours have carved out their Mown exclusive
audio territory at the very top end of two-channel and extreme home cinema
performance. Now ProAc introduce the Response D80 - a smaller and more
affordable loudspeaker than the Four which nonetheless embodies a similar design
philosophy and technical excellence. At the same time, the D80’s bring their own
individual characteristics to bear, exhibiting a remarkable sensitivity and
breathtaking dynamism. Driving these loudspeakers, low output valve and Class A
transistor amplifiers will now be Mable to achieve their full potential. Like
the Fours, these new models feature twin bass drivers, twin midrange units and a
soft dome tweeter. Critical drive unit placement on the baffle and an intricate
and sophisticated crossover network harmonise these elements to produce a sound
of immense vitality and authority. As ever with ProAc, build quality is
unrivalled. The beautiful hand-crafted cabinets, finished In natural real wood
veneers, are heavily damped to Mprovide a solid platform for the sound. MThe two
studio quality eight inch bass drivers are mounted both top and bottom of the
enclosure and are ported through both the bottom and sides of the cabinet to
produce a clean bass response of great power and depth. Between the bass drivers
are a pair of new two-inch midrange domes which excel in producing faster and
more detailed midrange response with, in our view, much less colouration than
conventional cones. MCentrally mounted, the new ProAc one inch soft dome tweeter
is a revelation. Unusually, it incorporates a special roll surround and like the
Mmidrange units, a heavy duty, non-resonant front plate, to generate a
remarkably sweet and highly extended treble response. The true forte of the new
D80’s will always be pure two-channel applications, but their enhanced dynamics
and sensitivity also make them ideal for the Mvery best home cinema systems.
Whatever the source material - vinyl, CD, digital tape or DVD, these exciting
new loudspeakers will produce a highly detailed and satisfying listening
experience that will Mdelight for many years.Specification Nominal Impedance
4 ohmsRecommended Amplifiers 10 to 500 wattsFrequency Response 20hz to
30KhzSensitivity 91db linear for 1 watt at 1 metre Bass Driver (2) 8”
professional drivers with specially doped polypropylene cone. Midrange Driver
(2) 2” soft dome midrange with dedicated rear chamber and heavy duty
non-resonant front plate. Tweeter 1” soft dome with unique inner chamber and
front plate. Crossover Finest components on dedicated circuit board. Multistrand
oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping.
Dimensions 541 ⁄2” (1384mm) high on plinths with conical feet10” (254mm) wide
15” (381mm) deep Weight 121lbs (55kg) cabinet Mode Floorstanding Grille
Acoustically transparent crimplene
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B&W
802
DIAMOND
€. 6.000,00

Diffusore 3 vie, 4 altoparlanti, bass reflex, 2
woofer in Rohacell, midrange FST (Fixed Suspension Transducer) in Kevlar,
tweeter Nautilus con cupola in diamante. Struttura interna Matrix, testa
medio/alti in Marlan. Predisposta per bi-wiring, potenza 50-500W. Con tecnologia
“Flow Port System”. 802 Diamond è la versione “domestica” dell’800 Diamond.
Offre molte prerogative dell’800 Diamond – top di gamma – inclusa la “testa” per
mid e tweeter, ma con un ingombro più ridotto per essere compatibile con gli
ambienti residenziali.

B&W
803
NAUTILUS
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Il modello 803 utilizza la cupola in alluminio
B&W per l’unità alti, quest’ultimo migliorato dall’adozione di una sospensione
di nuova concezione, capace di lavorare in maggior in sincronia con la cupola.
Questa soluzione permette all’altoparlante di avere una risposta in basso più
estesa e quindi consentire a sua volta l’utilizzo di un crossover semplificato.
Altra caratteristica della tecnologia Nautilus è la camera di decompressione
dietro al tweeter, questo montato separatamente sul pannello superiore del
cabinet. Entrambe le cose - sommate - realizzano un suono di maggior chiarezza.
Al tweeter si associa, senza soluzione di continuità, l’unità medi con
tecnologia FST, responsabile di un palcoscenico acustico tangibile e
tridimensionale. La gamma bassa è affidata a due altoparlanti con cono da cm.18
in Rohacell, operanti in reflex con tubo di accordo frontale dotato di Flowport,
trattamento della bocca del condotto che elimina il soffio dell’aria in rapido
movimento. La forma a torre è tesa a contenere l'impatto nel'ambiente domestico,
differendo dalla serie 803D per l'adozione del tweeter in alluminio. Il sistema
acustico opera in configurazione bass-reflex, 3 vie/4 altoparlanti, con una
risposta in frequenza, in asse, da 35 Hz a 22 kHz. Struttura interna "Matrix"
antirisonanza e per l’irrigidimento del mobile. "Testa" medio/alti in Marlan.
L'803S può riprodurre una poderosa gamma bassa, sia estesa in frequenza, sia in
livello di pressione acustica. Nonostante la sensibilità elevata, il suo carico
minimo si attesta attorno ai 3 ohm, cosa che la rende compatibile al meglio cion
elettroniche di gran classe musicale e sapiente progettazione. Consigliamo al
riguardo di visitare le pagine del sito Audiogamma relative a: Primare, Classé
Audio, Jeff Rowland D.G. Potenza applicabile: 50-250W. Soluzione "Flow Port
System" per il contenimento del flusso dell'aria dal tubo di raccordo del
reflex. 90dB la sensibilità.Technical
Specifications Description 3-way vented-box system Dimensions Height:
1063mm (41.9 in) (not including feet) Width: 291mm (11.5 in) Depth: 433mm (17
in) Net Weight 41kg (90 lb) Freq. Response 35Hz - 22kHz ±3dB on reference axis
Freq. Range -6dB at 28Hz and 50kHz Sensitivity 90dB spl (2.83V, 1m) Normal
Impedance 8 ohms (minimum 3.0 ohms) Power Handling 50W - 250W into 8 ohms on
unclipped programme Drive Units Unit 1: 1x 25mm (1 in) aluminium dome
high-frequency Unit 2: 1x 150mm (6 in) woven Kevlar® cone FST midrange Unit 3:
2x 180mm (7 in) Rohacell® cone bass Finish Cabinet: Real wood veneers of
Cherrywood, Rosenut or Black Ash Grille: Black cloth Dispersion
Description: Within 2dB of reference response Horizontal: over 60º arc Vertical:
over 10º arc Harmonic Distortion 2nd and 3rd harmonics (90dB, 1m) <1% 70Hz -
22kHz <0.5% 80Hz - 20kHz Crossover Frequency 350Hz,
4kHz Max. Recommended Cable
Impedance 0.1 oh

SONUS
FABER
ELECTA
€. 1.200,00
Description: Two-way dynamic ported minimonitor.
Drive-units: 1" soft-dome tweeter, 7"-cone long-throw midrange/woofer.
Crossover: 2.8kHz, 6dB/octave slopes. Frequency response: 42Hz-20kHz, ±3dB.
Dimensions: 13" H by 8" W by 13" D. Weight: 65 lbs/pair. Read more at
https://www.stereophile.com/content/sonus-faber-electa-amator-loudspeaker-

RCF ARTESUONO
MA1.0
€. 800,00
Artesuono MA1.0 peso 18,5 kg. È un
diffusore bass reflex a due vie con una risposta in frequenza da 40-25 kHz e
l'impedenza è 8hom.

SONUS FABER
VENERE 2.0 Telefona/Email
SYSTEM 2 way standmount bookshelf vented box
LOUDSPEAKERS Tw: High definition precoated fabric dome driver with no ferrofluid,
Ø 29 mm Md: Free compression basket design and Curv cone, 1 x Ø 180 mm CROSSOVER
2.500Hz FREQUENCY RESPONSE 40 Hz – 30.000 Hz, tuning port included SENSITIVITY
88 dB SPL (2.83V/1M) NOMINAL IMPEDANCE 6 ohm SUGGESTED AMPLIFIER POWER OUTPUT
50W – 200W without clipping DIMENSIONS (HXWXD) 449 x 246 x 336 mm 17,7 x 9,7 x
13,2 in682 x 276 x 382 mm (optional dedicated stand) 26,8 x 10,8 x 15 in
(optional dedicated stand) WEIGHT 31 Kg ea – net weight 68,3 Ib ea – net
weight

jbl
L80T
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Type: 3 way, 3 driver loudspeaker
system MFrequency Response: 40Hz to 80kHz Recommended Amplifier: 150W (maximum)
Crossover Frequency: 800, 4500Hz Impedance: 8Ω Sensitivity: 90dB Bass: 1 x 250mm aquaplas cone Midrange: 1 x 125mm cone Tweeter: 1 x 25mm titanium dome Finish:
american walnut Dimensions: 850 x 355 x 305mm Weight: 23.5kg
INFINITY
DELTA
60
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sensitivity dB @ 1m/2.83V 90dB Impedance (ohms)
6Bass Driver 2 X 210mm Midrange Driver 110mm High Frequency Driver EMIT-R Power
Rating 25 - 200 watts Frequency Response 30 - 35kHz Dimensions 1121mm x 384mm x
420mm deep .Kg 26kg each
WILSON AUDIO
WATT PUPPY3
€. 6.500,00
WATT 3: Two-way,
stand-mounted loudspeaker with reflex bass loading (QB3, quasi third-order
Butterworth alignment fitted with 1"-diameter, 1.75"-deep port suitable for
amplifiers with damping factors (DF) of 100 to 400; alternative port supplied
for amplifiers with DF between 20 and 80). Drive-units: 1" inverted-dome tweeter,
6.5" doped-pulp–cone midrange/woofer unit. Estimated crossover frequency:
3.7kHz. Frequency response: 58Hz–18kHz +1, –3dB. Nominal impedance: 4 ohms (measured
minimum 1.7 ohms at 2.4kHz). Sensitivity: 91dBA/W/m. Amplifier requirements: 30W
minimum. Subjective performance Q: 1 (–6gb points). Dimensions: 13.625"
H by 11.1" (11.9" wood-paneled) W by 16.5" D. Enclosure volume: 12 liters.
Weight: 120 lbs/pair (166 lbs shipping weight).Puppy: floorstanding
subwoofer with integral high-pass crossover for WATT 2 and 3 and reflex bass
loading. Drive-units: two 7.5" plastic-cone woofers. Estimated frequency
response (–3dB) when driven by integral low-pass crossover: 30Hz–130Hz. Nominal
impedance: 4 ohms.Dimensions: 24" H
by 11.3" W by 16.5" D.

MARTIN LOGAN
SEQUEL
II
Telefonare/E-mail
Beyond our vigilant attention to aesthetic
design. Beyond our unswerving commitment to technology that fills your home with
harmonic purity, lies the concept of limitlesss horizons. Now you have the
freedom to move from the ordinary to the sublime. The Sequel II is designed to
reveal everything your present and future amplification systems can deliver.
Pure sound that grows as you grow
Sequel II Specifications Specifications are
subject to change without notice Frequency Response 28–24,000 Hz ±2dB
Recommended Amplifier Power 20‒400 watts per channelHorizontal Dispersion
30°Vertical Dispersion 48" (121.92cm) line source Sensitivity 89 dB/2.83 volts/meterImpedance
Nominal: 6 Ohms Minimum: 2 Ohms. Compatible with 4, 6, or 8 Ohm rated
amplifiers.Crossover Frequency250 Hz at 12dB per octave High Frequency
Transducer 48" (121.92cm) CLS™ electrostatic transducer Low Frequency Transducer
10" (25.4cm) high excursion, high rigidity cone with extended throw drive
assembly; sealed cabinet Components Custom-wound audio transformers
polypropylene bypass capacitors, 100% oxygen free copper coils. Audio Controls
Bass Control Switch: +2dB from 40-160 Hz Inputs 5-way bi-wire binding posts
Weight 110 lbs. (50 kg) Dimensions 72" × 14" × 13" (182.9cm × 35.6cm × 33cm

CELESTION
DITTON 4
€. 650,00

Tipologia di diffusore
: sospensione a bass reflex posteriore.Numero delle vie : 3 con 4 altoparlanti.
Altoparlanti istallati : 2 woofer da 21 Cm con sospensioni rovesciate in gomma,
1 midrange a cono da 11 Cm, 1 tweeter domme da 3,5 Cm. Frequenza di taglio del
crossover : 530 e 3.800 Hz. Risposta in frequenza : 45 - 20.000 Hz. Potenza
nominale (RMS) : 150 Watt. Potenza di utilizzo consigliata : dai 10 ai 150
Watt RMS Impedenza nominale : 8 ohm. Sensibilità : 92,5 dB.(1 watt/1 metro)
Griglia : in tessuto nero asportabile. Rifinitura del mobile : vinile
noce. Dimensione (L x H x P) : 35 x 70 x 30,5 Cm. Peso : 16 Kg. (cadauna)
IMBALLI
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esb
75LM
€. 450,00
ESB 75LM tre vie, unità medio alta regolabile,
woofer da 25 cm potenza 100 watt, impedenza 8 ohms. altezza 60 cm larghezza 34
cm profondità 28,5 cm

B&W
CDM7NT
€. 1.100,00

The Tallboy type speaker system of three ways.A
16.5cm paper Kevlar corn unit is adopted as low-pass. The mushroom type dust cap
of a large caliber is the feature, it has the structure where a voice coil
bobbin supports the back side of a dust cap directly, and a dynamic low-pass
play is possible. The corn type unit of a 16.5cm Kevlar fiber is adopted as the
inside region.The Kevlar corn unit is stopping the standing-wave generated on a
corn, and has equipped the center part with the projectile type phasing plug.
The metal dome tweeter of 2.5cm is carried in the high region.Radiation of an
unnecessary sound from the back of a diaphragm is effectively absorbed by
considering it as a tube loading tweeter.The enclosure has structure toward
which the upper part inclined, raised the degree of exposure of the tweeter by
this, and has obtained a spread and a feelingof opening of a better sound.There
are many small hollows in bass-reflex port opening, and the same work as the
surface of a golf ball is carried out.moreover, the surface -- the luck of
native wood -- it is finished with the board. There are three kinds, a black ash,
a red cherry, and a cherry.System 3 ways, 3 speaker bass-reflex system, and a
floor typeUnit Low-pass: 16.5cm corn typeInside region: 16.5cm corn typeHigh
region: 2.5cm dome shapePlay frequency band 30Hz - 30000Hz-6dBPlay frequency
response 40Hz - 25000Hz, �}3dBNominal impedance 8ohms (a minimum of 4.6ohms)Sensitivity
90dB/2.83V/1mCrossover frequency 150Hz, 4000HzPower handling (conformity
amplifier output) 50W-150W (8-ohm o'clock)Dimensions Width 220x height 950x
depth of 290mm Weight 22.0kg

B&W
DM620
€. 690,00

Floor
standing, two way passive loudspeaker, designed for domestic hi-fi systems.
Bi-wiring / bi-amplification facility. Drive units: One 200mm (8") bass/mid with
rigid diecast chassis, reinforced polypropylene diaphragm and 31mm (½") high
temperature voice coil on Kapton former. One 26mm (1") high frequency with metal
dome, high temperature voice coil and magnetic fluid cooling. One passive bass
radiator with long throw capability. Frequency range: -6dB at 44Hz and 30kHz
Frequency response: 58kHz - 20kHz (± 2dB) Reference Axis: Horizontal 605mm from
bottom of cabinet. Dispersion: within ±2dB of response on reference axis 20Hz -
15kHz Horizontal over 40° arc, Vertical over 10° arc Sensitivity: 90dB (2.83V, 1
metre) Impedance: Nominal 8 Ohms Crossover frequency: 3kHz Internal volume: 30.
litres Power handling: suitable for amplifiers 25 - 100 Watts Dimensions: 742
(H) x 236 (W) x 302 (D) mm Weight:: 14.2kg
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B&W
DM603
 
€. 690,00

Specifications
Type: 2 way, 3 driver loudspeaker system Frequency Response: 39Hz to 30kHz
Recommended Amplifier: 25 to 120W Crossover Frequency: 3000Hz Impedance: 8Ω
Sensitivity: 90dB Bass Radiator: 1 x 180mm passive radiator Midbass: 1 x 180mm
kevlar MTweeter: 1 x 26mm metal dome Enclosure: bass reflex Grille: black cloth
Finish: black ash vinyl Dimensions: 850 x 236 x 306mm Weight: 17.3kg

INDIANA LINE
ARBOUR
5.02
€. 280,00
Diffusore acustico da pavimento, con il mobile
rifinito in vero legno, color ciliegio; il complesso magnetico di tutti gli
altoparlanti è schermato, possono pertanto essere posizionati in prossimità di
televisori senza disturbare l'immagine o alterare i colori. ME' caratterizzato
dal doppio accordo reflex, che gli consente la riproduzione di frequenze molte
basse in relazione all'ingombro del box. TECHNICAL DATA: type: 3-way, double
load bass reflex suggested amplifier: 30÷130 Watt impedance: 4÷8 Ohm sensitivity
(2.83 V/1m): 91 dB frequency response: 36÷22000 Hz crossover frequency: 70 /
3100 Hz crossover slope: 12 / 12 / 12 dB/oct units: shielded magnet woofer
diameter: 135 mm Mmidrange diameter: 135 mm tweeter dome diameter: 26 mm
dimensions: 170 x 965 x 230 mm weight: 11.6 Kg design: real wood, cherry colour

INFINITY
RS 4000
€. 450,00
:
SPECIFICATIONS
INFINITY SYSTEMS INC., 250 Crossways Park Drive, Woodbury, New York 11797 REV A
7-98 Nominal Impedance: 6 ohms Power Rating: 25-125 watts RMS Sensitivity: 89dB
@ 1 watt, 1 meter Crossover Frequencies: 800Hz and 3,500Hz Frequency Response:
45Hz-45kHz +/-3dB ACOUSTIC & ELECTRICAL SPECIFICATIONS: 1x - EMIT Tweeter 1x -
3.5" (6.5cm) Midrange m1x - 8" (20.3cm) Polypropylene Woofe Dimensions: 22.5"H x
12.5"W" x 10.25"D mPolypropylene 57cm(H) x 31.75cm(W) x 26cm(D)


RCF
BR1037
€. 150,00
:
potenza 100W impedenza
8 hom
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McINTOSH
C50
NUOVO IN PROMOZIONE
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Preamplificatore Analogico/Digitale di
riferimento – sezioni audio analogiche e digitali (con relative alimentazioni)
fisicamente separate all’interno del cabinet – Vu-Meter fluorescenti - 8
Ingressi analogici sbilanciati di cui due phono sia MM che MC con regolazioni
accessibili da telecomando o pannello frontale – 2 ingressi bilanciati
assegnabili – due ingressi digitali coassiali e due ottici (TosLink) – 1 ingreso
USB – tutti gli ingressi digitali sono ricampionati a 32 Bit / 192 kHz ca un
circuito jitter free – due set di uscite analogiche bilanciate e due sbilanciate
– – equalizzatore a 8 bande escludibile - funzione pass-Thru controllata da
Power Conrol – Firmware aggiornabile – porta RS232 bidirezionale – uscita cuffia
– telecomando - dimensioni 194 x 445 x 452 mm (AxLxP) – peso Kg. 12,27
C50 is the first McIntosh preamplifier to
combine stereo analog sources with four assignable digital inputs. Music stored
on popular computer programs are available through dedicated USB input.
Programmable Eight band tone controls allow for personalized audio shaping. C50
may be combined with a multi-channel sytem using the Home Theater Pass Through
function.Features Output MetersNone Circuit DesignSemiconductor BalancedSingle
Ended Front Panel StylingNew Chassis Cover PanelsInverted Stainless Steel
Balanced Input2 Balanced Record Balanced Outputs1 Main & 2 Switched Input
Sources8 Programable + USB + Processor Loop Optical Controlled, 213 Step, Volume
AttenuatorYes; 2 Stage Precision Divider, + 0.05dB Blue Display for Vol & Input
Select22 Character Alpha Numeric Input Level Match HT Pass-Thru MM PhonoYes,
Adjustable Loading MC PhonoYes, Adjustable Impedance Dimensions H x W x D7 5/8”
(19.37cm) x 17 1/2" (44.45cm) x 18” (45.72”) List. & Rec. SwitchingListen Only
IR Remote Control Electromagnetic Input Switching All 1% Metal Film Resistors
0.5% Phono EQ Extra Wide Dynamic Range8VRMS Out; 16VRMS Balanced Pwr Amp or Acc
"ON" Outputs2 Programmable Pwr Strip "ON" Out2 Equalizer8 Band Room, Programable
by Input Processor LoopOne Soft Mute Ultra Low Distortion0.002 LightingLED Fiber
Optic Gold Connectors Regulated Power Supply Data Output Ports Shielded Power
TransformerR-Core Headphone OutYes, 1/4" Ext. IR Sensor Jack

JADIS
JPL
 
Telefona/ invia un e-mail
In its
comparatively few years in the marketplace, the line-level preamplifier appears
to have established commercial parity with its full-function big brother. That
this was inevitable was clear as far back as the mid-'80s. The advent of the CD
and the proliferation of digital sources argued for a modular approach to preamp
design. In such an environment, line-level sources (eg, DAT, CD, even analog
tape) deserve special attention.After a yearlong scrutiny of the state of the
art of line-stage design, two underlying principles suggest themselves. First,
the Gods, in having decreed that man shall labor long and hard in search of the
perfect preamp, must surely be crazy. In the trek toward sonic perfection,
mistakes are frequently made. The attempt to coax the signal from the program
source and nurture it to its full musical potential is fraught with labor pains.
Like the political process, the audio signal is subject to corruption. Small
sins early in the chain may become capital offenses by the time they reach the
loudspeakers. That there is only a handful of great-sounding preamps out there (line-level
or otherwise) is evidence prima facie of the difficulty in caring for the audio
signal at its formative stage. Aided by these few centurions of sonic truth, the
music can bloom, filling the soundstage with the fire, drama, and power that
only live music can communicate. Too often, however, the preamp sinks the ship,
and the "illusion of live" descends from the realm of the plausible into the
realm of yellow cling peaches. Most preamps can hope to simulate the flavor of a
fresh peach only to the extent afforded by the canned variety. Second, I feel it
essential for a preamp to incorporate the magic of the vacuum tube—especially
where digital source material is concerned. In my experience, the ultimate sound
of any CD player or digital processor is dependent upon the type of associated
line-level stage. If you doubt this for even a moment, I invite you to audition
the Theta DS Pre Generation III processor/preamp in my listening room. Through
the DS Pre's own solid-state line-level stage, the sound quality deteriorates to
the point that the bloom and dynamic breadth of the music are largely squashed.
The resultant harmonic textures are convincingly solid-statish, the overall
effect being to subdue the vital link between perception and belief. Route the
DS Pre's analog output from Tape Out to a good all-tube preamp or even a good
hybrid design, and the sound quality changes dramatically for the better. The
illusion of a real musical event ebbing and flowing before my ears becomes
enormously heightened. For whatever reason, it's clear (to me at least) that
digital sources require a tube buffer prior to the power amp. This is yet
another manifestation of "Futterman's First Law of Audio": Thou shalt use a
vacuum tube as early in the amplification chain as possible.
Description: Line-level preamplifier, with 4
general pairs of inputs, 1 CD pair of inputs, and 1 tape loop. Voltage gain:
35dB at 1kHz, for line-level inputs. Dimensions: 17" (430mm) W by 7"
(170mm) H by 11.8" (300mm) D. Weight: 29 lbs (13.2kg).


KLIMO
MERLINO
GOLD
€. 2.300,00
Il Merlino Gold rappresenta l'evoluzione
del progetto Merlino. La componentistica selezionata appositamente per questa
versione, le schede dorate, i cablaggi con conduttori di riferimento ed i nuovi
connettori gold ne fanno un preamplificatore senza compromessi.Per questo
speciale modello su richiesta è possibile montare la speciale copertura
trasparente in policarbonato che ne esalta l'affascinante costruzione interna.È
possibile inoltre trasformare il Merlino Gold nel Merlino Gold plus, anche dopo
anni dalla data dell'acquisto del Merlino Gold.Al momento dell'intervento
verranno sostituite le schede pre nel preamplificatore ed installeremo la nuova
alimentazione Thor. Otterrete così un miglioramento significativo su tutti i
parametri di ascolto.Il Merlino Gold, così come il Merlino Gold plus, è dotato
di telecomando.Nella linea Gold gli stampati sono in oro e tutta la componentistica è
rigorosamente selezionata e di altissima qualità. Guadagno stadio MC 67 dB.
Nella sezione MC, grazie a due RCA posti sul pannello posteriore è possibile
modificare facilmente l'impedenza di carico. Una volta stabilito il valore di
carico giusto per la vostra testina, è possibile saldare la resistenza
direttamente sullo stampato. Questi pre fono hanno un'equalizzazione RIAA
passiva con resistenze di alta qualità a bassissimo rumore estremamente stabili
al variare di temperatura e frequenza.Condensatori in polipropilene a doppia
metallizzazione.Guadagno stadio MM 40db.Cablaggio preamplificatore con cavi
klimo.
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BK
PRO10MC
€. 800,00
Preamplificatore due telai made in USA (IMBALLO)
Description : The B&K
PRO-10MC is sought after for it's solid Noble potentiometers, great phono stage(MM&MC)
and straightforward design. The quality of the headphone section in the PRO-10MC
is impressive which beats most "high-end" delicated headphone amplifiers. The
B&K PRO-10MC is a "purist" version of the MC-101 which does not use any tone
controls. This preamp comes with an outboard power supply to provide the
cleanest possible power to unit. Its FET loading design maximizes linearity and
minimize noise. Its wide bandwidth assures clear reproduction with all styles of
music. Polyproylene film capacitors were used to produce a transparent sound
with highly accurate musical timbre. Low noise 1% metal film resistors were used
for better sound and greater degree of repeatability. The B&K PRO-10MC
preamplifier was well reviewed years ago. It was a Stereophile Class C component,
way back in the day. Though not a Class A amplifier, but it certainly made to
the list of memorable gear. When played, the sound is clean, detailed and warm
which is almost tube like.
Specifications : Moving Coil
Sensitivity (at 1kHz).0.09 mVMoving Coil Overload (at 1kHz)17 mVMoving Coil Load
ResistanceVariableMoving Coil Load CapacitanceVariable Moving Coil (S/N A
Weighted)70 dBMoving Magnet Sensitivity (at 1kHz)0.8 mV Moving Magnet Overload
(at 1kHz)225 mVMoving Magnet Load ResistanceVariable Moving Magnet Load
Capacitance.Variable Moving Magnet (S/N A Weighted)82 dB THD0.02 % IM Distortion
(SMPTE)0.02 % Frequency Response (± 1 dB)1 Hz - 150 kHz High Level Sensitivity45
mV Maximum Output14 V R.M.S. High Level (S/N A Weighted)89 dB Processor Loops 1
Dimensions(w x d x h) 43.5 x 27.5 x 9.5 cm (Main) 12 x 18.5 x 7 cm (Power
Supply) Weight7 kg
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NUFORCE
P8 (NUOVO EX DEMO)
€. 980,00
NuForce developed its prescient preamplifier technology from the ground up to
reassess and redefine faithful music reproduction. The firstimpressions of
listening to NuForce preamplifiersare those of pristine clarity, natural
tonality,expansive imaging, and realistic proportions of themusicians and their
instruments. Bass notes arewell defined and articulate, with addictive rhythmand
drive. P-8 is NuForce's entry level high-endpre-amplifier.Specifications• Audio
inputs: 3 sets of RCA inputs and a 3.5mm stereo input jack(for digital media
player, PC sound devices).• Audio outputs: 1 set of RCA,1 set of balanced
XLR,and a 3.5mm stereo headphone output withcross-feeding to create a natural
soundstage.• Remote input selection and volume control with memory (last
selection,volume level)• Mute and Sleep functions• Digitally-controlled switched
attenuator. Volume Range: +30dB to –70dBwith 0.5dB steps• Dynamic Range: >
100dB• Input Impedance: 4K ohm• Output Impedance: 40 ohm• THD+N at 1kHz: <0.01%,
typically 0.003-0.005%• S/N Ratio: > 85dB• Frequency Response:at 20-20kHz =
+0dB/-0.2dBat 20-170kHz = +0db/-3dB• Maximum output : 8V RMS• Crosstalk:
–130dBFS• Dimensions: 1.75”H x 8.5”W x 16”D• Weight: 6 lbs• 100W SMPS with PFC (Power
Factor Correction)• Power Requirements: 90-240VAC, auto select.
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THRESHOLD
FET 9/E
€. 1.250,00
Pre stereo in classe A -Risposta in frequenza: 1.5-125.000-distorsione
armonica:0,02% a 3v di uscita-distorsione diintermodulazione:0,02% a 3v di uscita
-Sens/imp. ingressi
aux-linea:25.000 ohm+20db-RAPPORTO S/N:-80dB a 1mv ingresso,-100dBingressi basso
guadagno-Dimensioni 48x8x16.5cm -Peso 2kg -note: alimentazione separata compresa
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THRESHOLD
T ZERO (NUOVO)
€. 2.500,00
Pre stereo in classe A
(IMBALLO)
Stereo
High Level Preamplifier (FET-9e with Balanced Output)
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BRYSTO
BP26
Telefona/ invia un e-mail
Preamplificatore linea con alimentazione MPS-2
IMBALLI ORIGINA
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Naim
NAC 32 +HICAP32+ FINALE
Telefona/ invia un e-mail
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quad
PRE 44
€. 550,00
preamplificatore quad 44
+ finale 606 950,00 euro
The Quad 44 Pre Amplifier was the bigger brother of the Quad 34 Pre Amplifier
and had the addition of an extra input over the Quad 34's four inputs. Ideally
partnered with the Quad 405 and Quad 405-2 amplifiers although it is more than
happy with any power amplifier, the Quad 44 Pre Amplifier has some nice features
to it and clever electronics especially if your main source is vinyl. The Quad
44 Pre Amplifier has three tone filters, bass, tilt and a high pass filter which
allow you to maximise the music from very old or poor recordings by removing a
lot of distortion. The Quad 44 Pre Amplifier also is one of the very few home
audio pre amplifiers that can cope with high output professional equipment and
as well as having swappable modules for disc, radio, cd and tape, Quad were also
able to supply a microphone pre-amp card as well meaning this amplifier was well
suited to home recording as well as studio recording. These days people who
mainly listen to CD will have dispensed with the Quad 44 Pre Amplifier because
the sound quality can be bettered with more modern equipment. Some people have
had success upgrading the capacitors in the Quad 44 Pre Amplifier with Black
Gate or Elna types and replacing the Op Amps with superior Burr Brown types. No
matter the Quad 44 Pre Amplifier is still a popular piece of equipment and given
its value second hand is worth considering if you have a lot of old recordings
in your collection. Quad 44 Pre Amplifier Specification
Line Source Frequency Response : 30 Hz - 20 kHz (+/- 1db) Disc RIAA Frequency
Response : 30 Hz - 20 kHz (+/- 0.5db) Distortion: < 0.05% Input Impedence:
Variable according to modules (Radio & Tape typically 100mV) Interchannel
Balance: +/- 0.5 db Crosstalk: > 70db Power consumption: 7 Watts Mains voltage :
110-120V or 220-240V (interchangeable on PCB) Dimensions (WxDxH) : 321 x 103 x
207 (mm) Weight: 4 kg

PROTON
PRE 1100
Telefona/ invia un e-mail

quad
PRE
€. 350,00

NAD
PRE
114
€. 400,00
6 line inputs incl. 2 Tape in/outputs with
dubbing facility •Switchable MM and MC phono input •2 line outputs•Gold plated
phono and CD input sockets•Gold plated output sockets•Independent headphone
amplifier •Tone defeat switch Based upon the highly praised NAD106, the model
114 is the latest in the range of NAD high quality /low price
pre-amplifiers.Following in NAD's usual design brief of ‘sound quality first’
the 114 utilises reliable, uncomplicated circuit topology which allows for
investment in high specification, close tolerance components such as a large,
low noise transformer, metal film resistors, polypropylene capacitors and a
precision volume control. A carefully re-designed PCB layout contributes
further to a noise and distortion free performance. The input selectors are
operated by push rods and are located as closely as possible to the input
sockets to minimise cross talk. Also featuring Gold plated RCA jacks (to give
reliable signal transfer), and two tape loops to offer flexibility for tape
dubbing in either direction (or the inclusion of a signal processor). Any input
may be monitored whilst recording. A gold plated 1/4’ jack socket permits most
non-electrostatic headphones to be connected to the dedicated headphone
amplifier. Still in demand by music lovers (but often disregarded by other
manufacturers) is a good quality phono stage. The phono stage in the 114 is a
fine example of what can be achieved at a reasonable price. The phono stage is
switchable to allow moving coil or moving magnet cartridges to be used. Metal
film resistors, polypropylene capacitors and seven discrete transistors provide
extremely low noise performance, precise equalisation and a dynamic range of
105dB.
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NAD
PRE
1000s  
€. 980,00
Behind its elegant and uncluttered front panel, the circuitry in the NAD 1000
provides performanceequal to pre-amplifiers costing up to twice the price, The
1000 incorporates inputs for CD, tuner tape and video, plus separate phono
pre-amp circuitry, using discrete transistors in an optimised circuit. The ‘Tone
Defeat’ button provides a ‘straight through’ signal path, by-passing the tone
control circuits. NAD’s resourceful engineering has resulted in a high
performance control unit for use with single or multiple power amplifiers (bi-amping)
and active loudspeakers PRE-AMP SECTION Phono input Input impedance (R and C)
47kΩ / 200pF Input sensitivity, 1kHz MM 1.25mV ref. 0.5V MC 0.08mV Input
overload at 20Hz / 1kHz / 20kHz 20 / 200 / 1700mV Signal/Noise ratio (A-weighted
with cartridge connected) MM 76dB ref. 5mV MC 76dB ref. 0.5mV THD (20Hz - 20kHz)
<0.2% RIAA response accuracy MM ±0.2dB (20Hz - 20kHz) MC ±0.2dB (50Hz - 20kHz)
Line level inputs Input impedance (R and C) 20kΩ / 450pF Input sensitivity ref.
0.5V 80mV Maximum input signal >10V Signal/Noise ratio (A-weighted ref 0.5V)
98dB Frequency response ±0.2dB THD 0.01% Line level outputs Output impedance
Pre-amp 220Ω Tape Source Z + 2kΩ Phones 120Ω Maximum output level Pre-amp >12V
Tape >10V Phones >8V into 600Ω >250mV into 8Ω Tone controls Treble ±7dB at 10kHz
Bass ±10dB at 50Hz Remote No NAD Link No PHYSICAL SPECIFICATIONS Dimensions (W x
H x D) 435 x 81 x 263mm Net weight 3.7kg Shipping weight 4.4kg Power consumption
(120 ~ 240V, 50/60Hz) 20W

SANSUI
CAF 1 Telefona/ invia un e-mail
Preamplifier The spec sheet reads like an
engineer’s dream. Frequencyresponse is 5 to 600kHz! THD and 8/ N are better than
0.005% and 90dBrespectively. But while these steady-state specs are
remarkable-in them- selves, the transient response of the Sansui CA-Ft is even
more impressive. As in our newest DC power amps, we’ve concentrated on improving
slew rate, lowering TIM and envelope distortion, and providing the closest thing
possible to “real—time” rise/fall characteristics so that pulsive musical
signals are reproduced with more natural sound quality. Achieving all this
without sacrificing the steady—state specs is a significant triumph in audio
engineering for Sansui, and is the result of our “StraightDC” design in which
major circuit blocks are DC. The CA—F1 features the Sansui-exclusive “Diamond
Differ- ential DC” circuit ( DD/ DC) for its phono equalizer. As you’d expect in
a pre— amplifier of this quality, in spite of its moderate price, there is also
a built-in MC head amplifier (or “Dre-preamp”) for Moving Coil cartridges. And
there’s a lot more.
TECHNICS
A800 MKII
€. 650,00
Power output: 55 watts per channel into 8Ω
(stereo) Frequency response: 5Hz to 70kHz Total harmonic distortion: 0.01%
Damping factor: 70 Input sensitivity: 1V Signal to noise ratio: 110dB
Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 136 x 348mm Weight:
8.7kg

/JEFF%20ROWLAND%20MODEL%209%20(1).jpg)
 
JEFF ROWLAND
MODEL 9
Telefona/ invia un e-mail
Reference poweramps and natural partners at the
time for the Coherence II consisting of two huge boxes per channel. There were a
few versions, one important difference being that the 9 could be ordered as an
AC or DC version, meaning normal AC operation or power via a BPS (Battery Power
Supply). Per channel, one box is the amp itself, the other is either the
combination of BPS and switched power supply or only the massive transformers of
a linear power supply. These big boxes deliver ample power but perhaps not as
much as one might think judged by their imposing looks: 350 watts per channel.
This seems lowish compared to big Brystons but Rowland watts are much like tube
watts: there’s always much more power than you’d think! The original 9’s are
super-stable and can drive virtually any loudspeaker. They draw a lot of current
from the wall outlet though: 500 watts idle (switched on but not playing music)
and 1200 watts maximum. That’s per channel! Even though these amps reportedly
sounded amazing; both delicate and refined as well as powerful and colourful,
there seemed to be a problem with (a part of) the 9ti switched power supply.
This supply has some parts in common with the model 10 that I owned and besides
my own model 10’s power supply problems, I’ve heard of and read about a few
other occasions where (part of) the switched power supply broke down. I think
there may have been a reliability issue in a batch of parts of the power supply
but this is not confirmed. Nevertheless, sonically these amps are supposed to be
amongst the very best available. A long time user recently reported that his
model 9ti HC’s have been working utterly reliably. He has never had a problem.
So much as is the case with the Model 10’s, there are some samples that are
problematic but when your sample is working just fine it need never break down.
Model 9 Technical Specifications
The specs below refer to the latest iteration of the product, not HC version
OUTPUT POWER CONTINUOUS RMS WATTS @ 8 OHMS 350 WATTS @ 4 OHMS 700 WATTS
BANDWIDTH 0.1 Hz to 160 kHz, -3 dB SLEW RATE 30 volts per microsecond THD AND
NOISE less than 0.06% at rated power DAMPING FACTOR greater than 300, 20 Hz to
20 kHz, 8 ohms OUTPUT CURRENT 70 amps continuous, 140 amps peak OVERALL GAIN &
SENSITIVITY (1 WATT, 8 OHMS) user selectable on back panel 26 dB or 32 dB; 141
mV or 71 mV INPUT IMPEDANCE BALANCED 36k or 600 ohms UNBALANCED 36k or 600 ohms
user selectable on back panel COMMON MODE REJECTION RATIO greater than 60 dB, 20
Hz to 20 kHz ABSOLUTE PHASE user selectable on back panel normal or
phase-inverted INPUT MUTE user selectable on back panel POWER CONSUMPTION
(PER CHANNEL) 50 watts standby; 500 watts operating, idle; 1200 watts maximum
INPUTS BALANCED/UNBALANCED user selectable on back panel 2 per channel (XLR) 2
per channel (RCA) OUTPUTS 2 pair binding posts per channel DIMENSIONS POWER
SUPPLY 17.5 in (W) x 22.0 in (D) x 11.4 in (H) 44.5 cm (W) x 56.0 cm (D) x 28.5
cm (H) AMPLIFIER 17.5 in (W) x 22.0 in (D) x 11.4 in (H) 44.5 cm (W) x 56.0 cm
(D) x 28.5 cm (H) WEIGHT (PER CHANNEL) POWER SUPPLY 128 lbs. (58 Kg)AMPLIFIER 92
lbs. (42 Kg)


BRYSTON 2BSST
Telefona
Finale stereofonico, 2x100Wrms/8ohm,
2x200Wrms/4ohm IMBALLI PARI AL NUOVO
The 2B SST sits relatively low in a range that extends all the way up to the
massive 28B SST monoblocs, which can pump out 1kW of power without breaking a
sweat.But while it is a junior model, it's no lightweight: it tips the scales at
well over 12kg, and is capable of delivering 100w per channel into an 8ohm load,
or 180w into 4 ohm speakers.And that's not the end of the story: upgrade your
system with the addition of another 2B SST and, at the flick of a bridging
switch, the amp becomes a 350w monobloc, with some serious stump-pulling
power.So it's a chunky hunk of Canadian-made metal, with the solidity of the
build backed up with a 20-year warranty. And under the skin there's a hefty
twin-transformer power supply, output devices specifically developed for the SST
series and computer-modelled heatsinks to keep the whole plot on the island even
when your driving your speakers hard. The 2B SST sounds effortlessly huge There
are selectable RCA phono and XLR inputs, 12V trigger switching for remote
start-up/standby, and a choice of silver or black finishes plus Bryston's usual
17in (43.2cm) and 19in (48.2cm) faceplate options. In use, the 2B SST sounds
effortlessly huge: it combines refinement, transparency and punch in a way that
eludes all but the very best. Carl Orff's Carmina Burana is delivered with
immense scale and dynamic reach, with each instrumental strand easy to follow no
matter how complex the piece gets. In addition, there's a lovely openness to the
presentation that makes speakers like our ATC SCM 50s disappear. Move to the
White Stripes, and the Bryston delivers rock solid bass, crisp timing and a
truckful of detail.
This is a must-hear amp, and a fine partner for Bryston's preamps.https://www.whathifi.com/bryston/2b-sst/review
2Bsst SPECIFICATIONS: Power Output: 100 watts per channel into 8 ohms Input
Impedance: 10K ohms single ended (unbalanced) 15K ohms double ended (balanced)
Sensitivity: 2v setting 2 Volts in = 100 Watts into 8 ohms - gain 23 dB 1v
setting 1 Volt in = 100 Watts into 8 ohms - gain 29 dB Distortion: THD+noise: <
0.010% 20Hz to 20kHz at 100 watts into 8 ohms, IMD: < 0.010% 60Hz + 7KHz mixed
4:1 Noise: Measured with input shorted - 20Hz to 20kHz. >108dB below rated
output (with 20Hz to 22KHz bandpass filter) Slew Rate: >60 volts per microsecond
Power Bandwidth: <1 Hz to over 100 kHz Damping Factor: Over 500 at 20 Hz, ref. 8
ohms Power consumption: idle 30va, maximum power 600va Heat load: idle 100 btu/hr.,
max power 288 btu/hr Dimensions: Regular model: Front Panel: 17.2” x 4” Body:
16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and protrusion
of rear panel connectors) PRO model: Front Panel: 19” x 3.5” (2 rack units)
Body: 16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and
protrusion of rear panel connectors) Weight: approx. 28 lbs (12.7kg.)

MARK LEVINSON
N°336
Telefona/ invia un e-mail
Mark Levinson N°336 Dual Monaural Power
Amplifier, Madrigal Audio Laboratories, Designer: Madrigal design team. Power
rating: 350 watts @8 ohms; 1400 watts @2 ohms. Frequency response: 20 to 20,000
Hz ± 0.1 dB. Damping factor: >800 (20-20,000 Hz @8 ohms). Input impedance: 100 K
(balanced), 50 K (single-ended). Input sensitivity: 2.42 V. Output impedance:
<0.05 ohms (20- 20,000 Hz @8 ohms). Connections: four custom binding posts per
channel for biaming; one 3-pin XLR balanced connector/channel; one RCA input
connector/channel. two-4 inch mini-jacks for remote turn-on; two Mark Levinson
communication ports; two PHAST communication ports. Non-detachable AC cord.
Dimensions: 171⁄2" x 9" x 19" (w x h x d). Shipping weight: 150 lbs
MARK LEVINSON
N°333
Telefona/ invia un e-mail
MARK LEVINSON Nº333 Rated power output: 300 w/ch
continuous rms power @ 8Ω 600 w/ch continuous rms power @ 4Ω 1200 w/ch
continuous rms power @ 2Ω all above power ratings from 20 Hz–20kHz at <0.5% THD
_ Frequency response: within 0.1 dB from 20 Hz to 20 kHz _ Signal to Noise ratio
(main outputs): better than –80 dB (ref. 1 w) _ Input impedance: 100kΩ (balanced)
50kΩ (single-ended) _ Voltage gain: 26.8 dB _ Input sensitivity (2.83V output):
130 mV (all models) _ Input sensitivity (full output): 2.25V for Nº333 1.80V for
Nº332 1.30V for Nº331 _ Power consumption (Nº333): 350W (±5%) at idle, 200W
(±5%) in standby _ Mains voltage: determined by the needs of country for which
the unit was manufactured; cannot be reset by dealer or user _ Overall
dimensions: See “Dimensions” _ Nº333 Shipping weight: 150 lbs. (68.2kg) each _
Connector complement: four custom binding posts per channel one 3-pin XLR
balanced input connector per channel one RCA input connector per channel two
1⁄8" mini-jacks for remote turn-on two Mark Levinson communications ports one
captive high current AC mains cord (Nº333 only), or one IEC-standard high
current AC receptacle (Nº332, Nº331) _ Output impedance: less than 0.05Ω from
20–20,000 Hz _ Damping factor: greater than 800, 20–20,000 Hz @ 8Ω peso: 70kg
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MARK LEVINSON
N°436
Telefona/ invia un e-mail
Description: Solid-state monoblock power
amplifier with one pair Madrigal speaker binding posts, one 3-pin XLR balanced
input, two 1/8" minijacks for remote turn-on, one RS-232 port on RJ-11, two Mark
Levinson communication ports on RJ-45, and two PHAST communications ports on
RJ-45. Rated power output (20Hz-20kHz, <0.3%. THD, FTC): 350Wpc into 8 ohms
(25.4dBW), 700W minimum continuous into 4 ohms (25.4dBW), 1400W minimum
continuous RMS power at 2 ohms (25.4dBW). Frequency response: 20Hz-20kHz,
±0.2dB. Output impedance: ±0.05 ohm, 20Hz-20kHz. S/N Ratio: better than -89dB (ref.
2.83V). Damping factor: >800, 20Hz-20kHz into 8 ohms. Power consumption: 100W in
standby, 180W at idle. Current draw at rated output at 120V: 8.5A (350W into 8
ohms), 14.6A (700W into 4 ohms), 25.6A (1400W into 2 ohms). Dimensions: 17.75"
(455mm) W by 7.65" (194mm) H by 20.2" (518mm) D. Weight: 85 lbs (38.6kg) net, 95
lbs (43.2kg) shipping. serial number :1028
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YARLAND
FVB34B
€. 700,00
Specifiche tecniche Valvole di potenza:
4 x EL34, KT66 o KT77 Valvole driver: 2 x 6N3 o JAN5670W Valvola
preamplificarice: 1 x 12AX7 o ECC83 Banda passante: 20 ÷ 20.000 Hz +/– 1dB e 12
÷ 45.000 Hz +/– 2dB Potenza: 36 + 36 W RMS - 1% distorsione
(IMBALLO)
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CROWN
XLS 1000 Telefona/ invia un e-mail
Crown's XLS Series amplifiers define the standard for portable PA systems with
unmatched performance, technology and affordability. Its advantageous
flexibility includes multiple inputs so you can plug in anything and play
anywhere, along with several system setup configurations. The integrated
crossovers and switch-mode power supply produce superior sound, and Peakx™
limiters protect your speakers. Weighing less than 12 pounds, compared to 40
pounds for its competitors, it's much easier to set up and move from show to
show. Simply put, the XLS is most reliable, versatile, efficient amp available
today.Two-channel, 350W @ 4Ω Power Amplifier.Specifications Sensitivity
1.4Vrms (for full rated power at 4 ohms) Frequency Response (at 1W, 20 Hz - 20
kHz) + 0 dB, -1 dB Signal To Noise Ratio (A-weighted) >97 dB (rated as dBr to
full rated 8 ohm power output) THD > 0.5% Intermodulation Distortion (60 Hz and
7 kHz at 4:1, from full rated output to -30 dB) <0.3% Damping Factor (8 ohms, 10
Hz to 400 Hz) >200 Crosstalk (below rated power) 20 Hz to 1 kHz >85 dB, >55 dB
Input Impedance (nominal) 20k ohms balanced, 10k ohms unbalanced Load Impedance
2 to 8 ohms per channel in Stereo, 4 to 8 ohms in Bridge Mono AC Line Voltage
and Frequency Configurations Available (+/- 10%) 120VAC 60 Hz, 100 VAC 50/60 Hz,
220 and 240VAC 50 Hz Dimensions 19" x 3.5" x 7.7" (48.3cm x 8.9cm x 19.6cm)
Weight 8.6 lbs (3.9 kg) Shipping Weight 13.6 lbs (6.2 kg) IEC Power Connector
15A
Naim
€. 1.100,00
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Naim
NAC 32 +HICAP32+ FINALE
Telefona/ invia un e-mail
HARMAN
HK775
€. 1.100,00
(IMBALLO)
Power output: 130W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total
harmonic distortion: 0.03% Damping factor: 100 Input sensitivity: 1.2V Signal to
noise ratio: 123dB Dimensions: 385 x 72.5 x 320mm Weight: 10.1kg
/SANSUI BAF%201%20%20%20(1).JPG)
SANSUI BAF 1
Telefona/ invia un e-mail
Specifications Power output: 110 watts
per channel into 8Ω (stereo) Frequency response: 1Hz to 600kHz Total harmonic
distortion: 0.008% Damping factor: 100 Input sensitivity: 1V Signal to noise
ratio: 125dB Speaker load impedance: 8Ω (minimum) Dimensions: 430 x 187 x 430mm
Weight: 20.4kg
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denon POA-T3
Telefona/ invia un e-mail
(IMBALLO)
Specifications: 120 Watt per channel into 8
Ohms RMS; 0.008% THD at rated output; FR. 1 Hz - 100 KHz +0dB -3 dB; Input
sensitivity 1.1V; Input Impedance 47 KOhms; Signal to noise ratio 110 dB;
Power requirements 220 - 230 V 50 Hz; Please note the voltage is for UK / EU
Only. Weight - 12.3 kg.
AERON
A07
Con i suoi sette canali da 120 watt rms, l'A-07 è
uno degli amplificatori più potenti oggi disponibili. Il progetto è stato
elaborato per dar vita ad un apparecchio prestigioso, inappuntabile sotto il
profilo qualitativo e stupefacente come potenza pura. La sua massa di ben 28kg
toglie ogni eventuale dubbio sul dimensionamento elettro-meccanico, garante
dell'affidabilità e della tenuta in potenza a lungo termine. Partner naturale
del pre/decoder AV-1003, quest'apparecchio (robusto meccanicamente ed
elettronicamente, ma delicato musicalmente) è l'amplificatore ideale per i
sistemi home cinema che richiedano sette canali, elevate potenze e prestazioni "audiophile
Dati tecnici
Power output 7 x 100W rms / 8 ohm Power
output 7 x 160W rms / 4 ohm All power figures at 20Hz-20kHz, 0,1% THDSensitivity
1V / 47k ohms Frequency response 20Hz-20kHz +/- 0.5dB Signal to noise ratio
>95dB at 100W (A weighted) Harmonic distortion <0.1% from 20Hz to 20kHz, 1 to
100 watts Intermodulation distortion <0.2% (IHF A) Power supply 230V, 50/60Hz
Absorption 1100 VA Dimension (WxHxD) 430 x 200 x 460 mm Finish Silver Weight 23
kg
YAMAHA
A-100
€. 250,00
Specifications Power output: 50 watts per channel into 8Ω (stereo), 100W into
16Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.2%
Damping factor: 70 Gain: 38.2 dB Input sensitivity: 0.245V Signal to noise
ratio: 105dB Speaker load impedance: 8Ω to 16Ω Dimensions: 220 x 96 x 296mm
Weight: 4.6kg
denon
POA-
F100
€. 250,00
Amplificatore finale di potenza
a 3 canali. 25 W x 3 canali su 8 ohm (canale centrale e canali surround). Ideale
in abbinamento al AVRF100 per creare un sistema multicanale A/V.Stadi finali
separati a componenti discreti. Accensione e spegnimento controllati dal
telecomando in dotazione all'AVR-F100.
Denon-Design-Endstufe
POA-100 Dreikanal.Äußerlich sehr gut erhalten. Technisch i.O. Aus Ausstellung gekauft und von mir
seither fast unbenutzt. Reduziere jetzt meine Sammlung.
Design: silber. Leistungseigenschaften: - Anzahl der Signal-Kanäle: 3 - Mitte:25
W Sinusleistung - Hinten:25 W Sinusleistung, pro Kanal - Sinusleistung (Mitte)
gemessen an 6 Ohm - Sinusleistung (Hinten) gemessen an 6 Ohm -
Frequenzgang-Untergrenze, Line: 20 Hz - Frequenzgang-Obergrenze, Line: 50000 Hz
- bei max. Abweichung, Line von + 1 dB - bei max. Abweichung, Line von - 3 dB -
Eingangsempfindl., normal/direkt: 0,435 V - Eingangsimpedanz: 47 KOhm Geräuschspannungsabstand: 90 dB.Anschlüsse: - Cinch-IN, gesamt: 3. Konstruktionsmerkmale:diskreterVerstärkeraufbau.Leistungsaufnahme/Spannungsversorgung: - Leistungsaufnahme, Betrieb: 72 W.GehäuseEigenschaften: - Breite: 27 cm - Höhe: 8,4 cm - Tiefe: 25 cm- Gewicht:
3,9 kg.
LIIN
LK85
€. 700,00
TECHNICS
A800 MKII
€. 700,00

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MUSICAL FIDELITY
A308 Telefona
Output: Voltage RMS:
35 Volts 20Hz to 20kHz Peak: 99 Volts Power: 150 Watts per channel into 8 Ohms
(21.8dBW), 300 Watts per channel into 4 Ohms Peak-to-peak output current: 48
Amps Damping factor: 140 Output devices per channel: 4 Pre-output impedance: 50
Ohms Line inputs: Total harmonic distortion + noise, 20Hz to 20kHz < 0.008%
Signal / noise ratio > 100dB ‘A’-weighted Input sensitivity for 150 Watts into 8
Ohms 270mV Input impedance 220k Ohms Overload margin 26dB Channel separation >
70dB 20Hz to 20kHz Frequency response 20Hz to 20kHz, +0, -0.2dB Auxilliary 2
(Home Theatre Direct) input: Input sensitivity 30dB gain (31.5 times) nominal
Phono input: Frequency response reference IEC RIAA - see graph.... Signal /
noise ratio > 96dB Moving Magnet ‘A’-weighted > 89dB Moving Coil ‘A’-weighted
Input sensitivity 2.5mV Moving Magnet 350µV Moving Coil Input impedance 47k Ohms
Overload margin 24dB Inputs: 4 pairs line level RCA connectors, 1 pair (Aux 2)
direct power amplifier input RCA connectors, 1 pair phono (MC or MM, switchable)
RCA connectors Outputs: 2 amplifier channels via 2 pairs per channel binding
posts. 1 pair RCA audio outputs controlled by the volume, 1 pair RCA tape record
fixed line level output. Power requirement: 100 / 115 / 230Volts AC 50 / 60Hz (factory
pre-set), 550 Watts maximum into 8 Ohms 39 Watts idle Weight: 20.5 kg, 45.5 lbs
unit only, unboxed Dimensions: 440 mm, 17.3 inches wide 23.5 kg, 48.5 lbs in
shipping carton 143 mm, 5.6 inches high including feet 420 mm, 16.5 inches deep
including terminals
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DENON
PMA-1500SE
Telefonare/e-mail
Specifications
Power output: 70 watts per channel into 8Ω (stereo) Frequency response: 20Hz to
20kHz Total harmonic distortion: 0.07% Input sensitivity: 0.2mV (MC), 2.5mV (MM),
125mV (line) Signal to noise ratio: 74dB (MC), 89dB (MM), 108dB (line)
Dimensions: 434 x 134 x 410mm Weight: 14.6kg Accessories: remote control
VERSIONE 110V
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TECHNICS
SU-MA 10
€.
850,00
Massive integrated audio amplifier with built-in 1-bit MASH digirtal stages and
monitoring loop - plus bombastic reservoirs of caps, heatsinks and transformers.
Each X-Pro capacitor is in fact two-in-one: one for positive phase and one for
negative. Besides this, these beer cans are copper topped and plotted into
composite materials for less vibrations and even less magnetic leakage. The two
300VA transformers are of the EI kind and wound with OFC copper. The dual-mono
structure is followed through the back with the input terminals centered
vertically and the output posts being, previsibly, spread over the left and
right sections.The MASH d/a section, running the entire depth near the bottom
plate, is typical of MASH sections: multi-stage noise shaping with several PLL
loops to output every digital bit in good order and amplitude. This MASH section
is connected directly to the power output section. Added to it is "Class AA":
stabilizing input and output voltages for a 140dB digital s/n ratio...Part of
the penultimate high-end Technics full lineup, at 107,000¥, loaded as it was,
the 25kg SU-MA10 was quite a bargain. It still is but it's pretty rare anywhere.
Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency
response: 20Hz to 20kHz Total harmonic distortion: 0.005% Damping factor: 110
Input sensitivity: 0.25mV (MC), 2.5mV (MM), 150mV (line) Signal to noise ratio:
70dB (MC), 79dB (MM), 92dB (line) Channel separation: 55dB (line) Output: 150mV
(line) Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 186 x 433mm Weight:
25kg
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NAD
3300
€.
350,00
The
3300 is a Monitor Series integrated amp made of most of the 1300 preamp and half
of the 2600 power amp : MM & MC inputs with 3-step capacitance switch,
low-impedance outputs, buffered tape i/os, "lab" input (to be fed from the
preamp out and bypass all filters and controls), 30A and 400W of peak current/output
available maintained in listenable regions with NAD's staple Soft-Clipping
circuit. That much output goes with the Power Envelope circuit : two voltage
rails for high and low power ranges. When listening loud, switching back and
forth between rails therefore happens... I believe the 3300 was first available
without the Product: NAD 3300Specifications: Power output: 60 watts per
channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic
distortion: 0.03% Damping factor: 100 Signal to noise ratio: 80dB (MC), 80dB (MM),
100dB (line) Speaker load impedance: 4Ω to 8Ω Weight: 10kg Code Amplifier
Measures: 432 x 105 x 381 mm
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advance acoustic
MAP-305ll
Telefona
Superb design together with a remarkable construction, high technical
thoroughness and a finish beyond reproach allow the MAP305 II to meet the
expectations of the greatest number of stereo freaks at a reasonable cost.
Technically speaking, the AB class operating mode of the famous MAP-303 has been
kept and optimized featuring a new ultra-rigid chassis with sealed compartments,
new internal architecture and ubiquitous use of best quality circuit components.Musically speaking, the MAP-305 II expresses delicate subtlety and the right
balance, always ready to deliver the right amount of power and dynamics.
Neutrality, transparency and energy gathered in the AB class are making the
MAP-305 II a unique musical instrument.
Moreover, the MAP-305DA II comprises a stereo digital converter (24-bits/ 192
kHz) having 5 inputs capable of reprocessing, at the highest level, audio
digital signals from, for example, a CD/DVD .Output
power 8Ω : Classe AB - 2 x 100 W Output power 4 Ω : Classe AB : 2 x 200 W
Frequency response : 10Hz - 60kHz (+1/-3dB) Distorsion : < 0,05% S/N Ratio : >
100dB Channel separation : > 70dB Input impedance : 20K Phono input impedance :
47k-100 Input level (CD-Aux): < 300mV Phono input level MM/ MC: 2,5mV & 0,2mV 4
Input : CD, Tuner, AUX, et Phono MM ou Phono MC Pre-Out Amp IN IR Remote control
Dimension (L x H x D): 44 cm x 15,5 cm x 45 cm Weight : 19 kg
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ARCAM
ALPHA 9
€. 450,00
Description The Arcam Alpha 9 integrated amplifier has 6 line level inputs and
an optional phono input Specifications Power output: 70 watts per channel into
8Ω (stereo) Total harmonic distortion: 0.02% Input sensitivity: 0.26mV (MC),
2.6mV (MM), 160mV (line) Signal to noise ratio: 73dB (MC), 79dB (MM), 90dB
(line) Output: 0.8V (Pre out) Dimensions: 430 x 330 x 110m Weight: 6.1kg
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NAKAMICHI
AMPLIFIER 2 €. 550,00
Merkmale /
Funktionen / Ausstattung: Harmonic Time Alignment Prinzip - Minimum an
Verzerrung für bessere Tonqualität Hochpegelstufe mit diskreten
Bauelementen großzügig dimensionierte Leistungstrafos für enorme
Stromkapazität niederohmige Aussteuerung für besseren Klang Netzteil
in "Multi-Regulated"-Technik - separate Transformatorwicklungen "Isolated Group"-Prinzip
- Referenzpotential bleibt immer konstant, was stabiles Arbeiten aller
Schaltungen garantiert Phono: MM/MC - Schalter hinten Tone Schalter-
der Klang kann mit den entsprechenden Reglern eingestellt werden
Systemsteuerung RI - zur Steuerung weiteren RI- fähigen Nakamichi-Geräte
Muting Funktion Bass, Treble, Balance Regler Rec Selector
Input Selector: Tape2, Tape1, Phono, Tuner, CD, AUX
Lautsprecherwahlschalter: A/B, A+B Anschlüsse s. Bilder Technische
Daten: (alle Angaben ohne Gewähr) DIN Ausgangsleistung an 4 Ohm: 2 x 80 W
RMS Ausgangsleistung an 8 Ohm: 2 x 50 W Musikleistung an 2 /4 Ohm: 2 x 140
W / 2 x 90 W Gesamtklirrfaktor: 0,01% Aufnahmeleistung: 370 W
Abmessungen ca. (B x H x T): 430 x 125 x 360 mm Gewicht: ca. 12,5 kg
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EXPOSURE
1010 Telefonare/e-mail
amplificatore
integrato 50W / canale - Trasformatore toroidale customizzato 120VA ad elevata
capacità - Ingresso AV dedicato a guadagno fisso - Circuitazione Cascode per
migliorare l’immunità dell’alimentazione
High capacity 120VA custom made toroidal transformer Anodised aluminium
faceplate High quality capacitors used in signal path Short signal
path PCB MRelay switching of input signals MDedicated fixed gain AV input
Cascode circuitry used for improved power supply immunity MHigh quality remote
control MThree year guarantee • Power
Output (1KHz): 50W per channel RMS 8ohms • Input sensitivity: 250mV • Input
Impedance: >14K Ohms • Frequency Response: 20Hz - 20KHz ± 0.7dB • Total Harmonic
Distortion: <0.05% at rated power • Signal to Noise Ration: >95dB, A Weighted,
ref rated power • Channel Separation: >60dB • Mains Supply: 110/120V or
220/240V, 50/60Hz (factory set) • Power Consumption: <120W • Dimensions - H x W
x D: 90mm x 420mm x 300mm • Nett weight (unpacked): 5Kg • Gross Weight (packed):
7Kg
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HARMAN
HK640 Telefonare/e-mail
Specifications:Power output: 55 watts per
channel into 8Ω (stereo)Frequency response: 1Hz to 90kHz
Total harmonic distortion: 0.1%Damping factor: 85 MInput sensitivity: 0.13mV (MC),
2.4mV (MM), 140mV (line) Signal to noise ratio: 75dB (MC), 79dB (MM), 84dB
(line)Channel separation: 65dB (MM), 65dB (MC), 60dB (line)Speaker load
impedance: 4Ω (minimum)Dimensions: 443 x 134 x 359mm
Weight: 8.8kg
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MARANTZ
PM50
Telefonare/e-mail
Potenza 70W/8 Ohm per
canale, risposta freq.10Hz/70kHz, Tot. distors. armon.0.06% Fatt.smorz.100 IN
sensibil. 0.25mV(MC) 2.5mV(MM) 150mV(line), SNR(S/N) 86dB(MM) 86dB(line),
Channel separation 65dB (line), OUT 300mV(line), Kg.10, dimens. mm.
L420xA132xP334.
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MARANTZ
PM4001
Telefonare/e-mail
Specification Power
output: 40 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz
Total harmonic distortion: 0.01% Damping factor: 100 Input sensitivity: 2.5mV (MM),
170mV (line) Signal to noise ratio:
80dB (MM), 104dB (line) Channel separation: 70dB (line) Speaker load impedance:
4Ω (minimum) Dimensions: 440 x 117 x 341mm Weight: 6.6kg Accessories: RC4001PM
remote control
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KENWOOD KA57 €. 180,00
Specifications MPower output: 50 watts per
channel into 8Ω (stereo) Frequency response: 10Hz to 70kHz Total harmonic
distortion: 0.09% Damping factor: 40 Input sensitivity: 2.5mV (MM), 150mV (line)
Signal to noise ratio: 75dB (MM), 100dB (line) Output: 150mV (line) Dimensions:
420 x 110 x 277mm MWeight: 6.1kg

DENON
PMA720
€. 250,00
Beautiful amplifier of 2 x 80 watts in 8 ohms.
Very good sound, one of the best in its class. 7 inputs Phono MM and MC. Pre and
power amplifier can be disconnected. Dimensions: 434x142x343 mm Weight 8.2 kg
Colour: black

YAMAHA
AX550
€. 250,00
TECHNICS SU-X911
Prezzo
€. 220,00
Power output: 40 watts per channel into 8Ω (stereo) Frequency response: 10Hz to
50kHz Total harmonic distortion: 1% Damping factor: 30 Input sensitivity: 3mV
(MM), 200mV (line) Signal to noise ratio: 79dB (MM), 83dB (line) Channel
separation: 55dB (line) Output: 200mV (line) Speaker load impedance: 8Ω to 16Ω
Dimensions: 360 x 106 x 304mm Weight: 5.3kg Finish: black

YAMAHA
AX490
Prezzo
€. 250,00
Power output: 85 watts per channel into 8Ω (stereo) Frequency response: 20Hz to
20kHz Total harmonic distortion: 0.008%Damping factor: 240 Input sensitivity:
2.5mV (MM), 150mV (line) Signal to noise ratio: 88dB (MM), 110dB (line) Output:
150mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 435 x 146 x 386mm
Weight: 9.2kg Accessories: remote control
YAMAHA
AX390
Prezzo
€. 190,00
Specifications Power output: 60 watts per channel into 8Ω (stereo) Frequency
response: 20Hz to 20kHz Total harmonic distortion: 0.04% Damping factor: 100
Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 82dB (MM),
102dB (line) Channel separation: 65dB (MM), 60dB (line) Output: 150mV (line)
Dimensions: 435 x 146 x 309mm Weight: 7.3kg

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UNION RESEARC
NIMBLY €.
1.100,00
Amplificatore stereo 2x50 watt
8/4/2 ohm pentodo ,2x25 watt watt 8/4/2 ohm triodo,
classe a pura fino a meta' potenza, thd 0.1%,commutatore
pentodo -triodo Misure 470x210x360mm 32 kg prova ar 99
pag.171
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simel
€.
1.300,00
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LINEAR ACOUSTIC
LA TUBE 1
Nennleistung/Rated power Triodenmodus/"Triode"
mode of operation: Ultralinearmodus/"Ultra-linear" mode of operation: 2x45 W an
4 oder 8 Ω/ 2x45 W at 4Ω or 8Ω 2x80 W an 4 oder 8 Ω/ 2x80 W at 4Ω or 8Ω
Eingangsempfindlichkeit für Nennleistung/ Input sensitivity for rated power
Cinch: 450 mV XLR: 850 mV Eingangsimpedanz/ Input impedance Cinch: 7 kΩ XLR: 26
kΩ Ausgangsimpedanz/ Output impedance 0.17 Ω (am 4Ω-Anschluß/at the 4Ω-terminal)
0.29 Ω (am 8Ω-Anschluß/at the 8Ω terminal) Signal/Rauschabstand bezogen auf
Vollaussteuerung/ Signal/noise ratio(SNR) rel. full modulation better than 98 dB
(A) Klirrfaktor/ Distortion factor (THD+N) 1 kHz/10 W 4Ω-Anschluß/4Ω-terminal:
0.03% 8Ω-Anschluß/ 8Ω-terminal: 0.07% Frequenzgang/ Frequency response 20 Hz-20
kHz Cinch: + 0.1/-1.2 dB XLR: +0.1/-0.4 dB Garantie/ Guarantee 3 Jahre
inkl. Röhren/ 3 years including tubes Gewicht/ Weight 45 kg Abmessungen/
Dimensions HxBxT/ H x W x D: 230 mm x 450 mm x 446 m

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LECTOR
Digitube s 192
NUOVO IMBALLATO IN PROMOZIONE
D A C a valvole 32/192
Khz input: aes-ebu / spdif / USB Con selettore 5
ingressi selezionabili / WC input / spdif out
The new Digitube S-192 digital tube D to A converter is
based on 32 bit dac from AKM, high-resolution dac,
output circuits is design around vacuum tube type
miniwatt as ECC-81/12AT7. Digital signals are accepted
up to 192 kHz 24-bit on all inputs, USB input too. The
Digitube S-192 is also equipped with word clock input
and digital spdif output for general purpose application.
T h e d i g i t a l i n p u t s : - Spdif IEC-958
as RCA connector @ resolution 192 Khz 24 bit - Spdif
IEC-958 as BNC connector @ resolution 192 Khz 24 bit -
AES-EBU AES-3 as XLR connector @ resolution 192 Khz 24
bit - Opto toslink digital input @ resolution 192 Khz 24
bit - Asyncronous USB PC/MAC input @ resolution 192 Khz
24 bit support stable KS/WASAPI protocol at high speed
comunication O u t p u t / i n p u t d i g i t a l s
e r v i c e s : - Word Clock (W.C.) clock input -
Spdif as BNC output A n a l o g o u t p u t : -
Unbalanced output as 2.5 volt 250 ohm P e r f o r m a n
c e s : Input selector by sequential single shot
by push button, led indicator for selected input. Led
indicator for analog and digital supply Led lock for
spdif / aes-ebu input Display frequency indicator for 32
/ 44.1 / 48 / 88.2 / 96 / 176.4 / 192 / Windows driver
for XP/Vista/Seven at 32 and 64 bit supplied by CD rom,
update service downlod from web No any driver required
for OSX-Apple mac computer ( the USB interface is native
as real USB-2) Type of Unit Digital to
Analog converter with usb input Output impedance 250 ohm
Jitter interface 20 ps Frequency Response 15 - 96
kHz +/- 1 dB @ hi-res input 192 Khz Input digital
Impedance 75 ohm spdif / 110 ohm aes-3 Harmonic
Distortion THD < 0.1 % S/N Ratio 100
dB ( A-weighted ) Tube output ECC-81/12AT7 x 4 AC
Main Voltages 100/110/230/240 VAC - 50/60 Hz - 100
VA Dimensions ( W x D x H ) 430 mm x 300 mm
x 55 mm Weight ( Net - Gross ) 8 kg - 10 kg
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ADVANCE ACOUSTIC 503

€. 750,00
SPECIFICATIONS
OUTPUT LEVEL UNBAL./BAL 0-1,8V FREQUENCY RESPONSE 10Hz-70kHz DAC DIGITAL AUDIO
CONVERTER (2X2) 24bit-384kHz DISTORSION < 0,06% S/N RATIO >= 90 dB CHANNEL
SEPARATION >= 90 dB INPUT IMPEDANCE 50-110Ω AC INPUT 115-230V POWER CONSUMPTION
S/BY OFF NC POWER CONSUMPTION S/BY ON NC POWER CONSUMPTION MAX < 40W
TRANSFORMER(S) 2 DIMENSIONS H.11x l.44x D.35 NET WEIGHT / GROSS WEIGHT 1,6 / 9,1
kg
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THRESHOLD
DAC1/E

€. 1.500,00
Description
High-performance processor for converting a digital audio input stream To
an analog output signal at fixed line level. Operating format is an ultra linear
1 bit system performing @ 24 bit equivalent static linearity in a dual parallel
balanced differential configuration. Computer optimized passive filtration
maintains phase linearity to 80 kHz. Proprietary "jitter" reduction circuitry
assures extreme accuracy in the conversion of each bit. Master clocking is
performed by three separate precision lithium-tantalite crystals each clocking
an associated PLL reference oscillator and dedicated to a single one of the
processor's sampling rates. Analog signal output is developed by a proprietary
discrete FET /bi-polar buffer. Four digital inputs are provided, 2 via coaxial,
and 2 via optical connectors. One optical digital output and balanced or
single-ended characteristic stereo analog output signals are available. The
analog output signal characteristic may be phase rotated 1800 • Front panel
controls: INPUT SELECTOR, PHASE. Front panel displays indicate: sampling rate;
emphasis present; lock lost; standby mode. Frequency response 48 kHz sampling:
DC to 22 kHz ± 0.15dB. 44.1 kHz sampling: DC to 20 kHz ± 0.15dB 32 kHz sampling:
DC to 15 kHz ± 0.15dB. Decoding system 1 bit performing @ 24 bit
equivalent static linearity. (500Hz, pass band filtered) Oversampling
clocked @ 768 times incoming data Jitter MApproximately 20 picoseconds
Linearity Within ± 0.3 dB @ - 120 db below digital maximum level Output
filtration 3rd order (passive) with phase linearity to 80 kHz De-emphasis
MPassive analog Distortion Below 0.002% typical 20 Hz through 20 kHz.
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MICROMEGA
DAC
(NUOVO EX DEMO)
€. 690,00
convertitore D/A Dac1
( 3 ingressi digitali , ottico , coassiale e AES-EBU , uscite analogiche
bilanciate e sbilanciate)
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ESOTERIC
D07
€. 1.950,00
ESOTERIC is pleased to introduce a new 32-bit D/A converter model D-07 that
supports the playback of Super Audio CD, CD and high-resolution, hard drive
based music files. The D-07 is a dual mono D/A converter capable of 32bit
resolution throughout the signal path. The D-07 features a variety of digital
inputs, including a USB terminal, that support the playback of Super Audio CDs
together with ESOTERIC's Super Audio CD Transport products, as well as the
playback of high-resolution music files. The D-07's USB input can accept native
resolution up to 24bit/96kHz. The digital processing in the D/A conversion input
is realized by utilizing a variety of D/D conversion functions, and thus
represents the pinnacle of ESOTERIC's digital processing technology. The new
D-07 features high-definition functions that employ state-of-the-art technology,
such as format conversion for converting PCM digital signals to DSD, PCM
up-conversion (2x/4x), and two digital filters (Including "pre-echo” reduction).
These functions can be freely selected and used to fit your needs. WORD SYNC
allows you to synchronize playback with other digital devices, and a 2nd PLL
effectively reduces the jitter for digital devices without WORD SYNC - these are
the kind of high-definition functions that can only be found on high-end,
specialized devices. The D-07 also has an attenuator for controlling the level
of analog output. This can be combined with selector functions that are used for
a variety of digital inputs, and allow the DAC to serve as a high-end digital
preamplifier. The D-07, which can be used with both audio-visual devices and the
PC, maximizes the potential of ESOTERIC's state-of-the-art technology. It is the
ultimate high-end D/A converter for people that demand the utmost in quality for
high-resolution music sources.32bit D/A converter strives for the highest
qualityTo achieve that perfect sound, the D-07 uses the Asahi Kasei Microdevices
Corporation's AK4392 (*1) DAC device. It also comes equipped with an in-house
developed high-speed and high-performance digital signal processing section, and
an improved analog section for receiving processed data. The 32bit processing
capacity is maintained throughout the unit, from the input I/F and the digital
filter, to the Delta-Sigma modulator. The digital computing section provides
high-precision computing, even if data below 24bit is input, helping to produce
that high sound quality. In the analog section, the layout of channels is
completely symmetrical, and a dedicated power supply is used for each circuit.
This helps to prevent cross channel interference. The internal master clock is
also equipped with a dedicated power supply, thus minimizing effects caused by
jitter. Dual mono configuration from the DAC to the audio output This
configuration follows ESOTERIC's proven dual mono configuration. It contains
separate DAC devices and analog audio circuits on each L/R, and the same parts
positioned on the same path. To reduce crosstalk between channels, the same
parts are positioned in the same pattern for each L/R on the board. This
minimizes differences in sound quality between L/R to ensure superior channel
separation. This allows you to experience high-definition playback with a
rich sense of localization and depth. XLR audio output is set up in fully
balanced configuration, allowing you to select between HOT (pin=2) and HOT
(pin=3). You can also select from the analog outputs (RCA/XLR/OFF). Analog
output Output terminals XLR (2ch) ×1RCA (2ch) ×1Output impedance XLR: 100Ω RCA:
100ΩMaximum output level 2.2Vrms (1kHz, full scale, 10kΩ)Frequency response 5Hz
- 40kHzS/N ratio 130dBTotal harmonic distortion 0.001% (1kHz)Digital input
Balanced digital input XLR ×1 24bit/192kHzCoaxial digital input RCA ×2
24bit/192kHzOptical digital input Optical ×1 24bit/192kHzUSB input USB Type B ×1
24bit/96kHzWord Sync output Output terminal BNC ×1Output frequency
44.1/88.2/176.4/48/96/192kHz(rectangular wave) Output level TTL level (75Ω)Word
Sync input Input terminal BNC×1 Input frequency
44.1/88.2/176.4/48/96/192/100kHz(rectangular wave) Input impedance 75ΩInput
level TTL level General Power supply AC 230V 50HzAC 120V 60HzAC 220V 60HzPower
consumption 7W External dimensions(W×H×D) 442mm×103.5mm×346mm
(17-3/8"×4-1/16"×13-5/8") Weight 9.5kg
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ASUS XONAR ESSENCE
ONE MKII (demo)
€. 450,00
Convertitore D/A
HiEnd con 11 amplificatori operazionali sostituibili, Rapporto Segnale/Rumore
120dB, risposta in frequenza <10Hz - 48kHz, ingresso USB/SPDF/TOS,
velocità di campionamento/trasferimento
44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz, frequenza di campionamento e
risoluzione DSD 64/2.8 MHz,
44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz@16bit/24bit/32bit, Upsampling fino a
352.8kHz (ingresso 44.1kHz/88.2kHz/176.4kHz) oppure 384kHz (ingresso
48kHz/96kHz/192kHz)32bit, 3 uscite analogiche (XLR bilanciato, RCA sbilanciato,
cuffia), DAC principale TIPCM1795, kit sostituzione Op- Amp n. 4 TI Burr-Brown
OPA2132PA + n. 2 NS LM4562NA, amplificatore cuffie NS LME49600TS ottimizzato
sino ad impedenza 600Ohm, Dimensioni
(LxAxP): 261 x 230 x 60 mm.
USB digital-to-analog converter with exclusive
8x symmetrical upsampling and Op-Amp swap kit • Exclusive Op-Amp swap kit
includes 6 Op-Amps and tools for easy tone tuning • World’s first 8X symmetrical
upsampling technology restores lossless audio • Eleven swappable Op-Amps for
user-tunable tone characteristics • Built-in 600ohm headphone amplifier drives
all headphones on the market • Ultra-high 120dB SNR for the purest sound •
Dedicated internal linear power supply ensures the cleanest audio , Tune your
essence of sound Tune your essence of sound Xonar Essence series is
dedicated to pursuing the purest listening experiences and the highest fidelity.
Thousands of years ago, our ancestors crystallized their precious knowledge of
materials and music into the Chime of the Tiger, one of the first audio
masterpieces in human history. The Chime of the Tiger totem has inspired the
Xonar team’s passion for audio, in honor of the accomplishments of those who
came before. The team has made its own mark on history, contributing new audio
innovation, thus maintaining humanity’s endless pursuit of the essence of sound.
Redefine high fidelity and clarit The ASUS Xonar Essence One digital-analog
converter (DAC) and headphone amplifier has earned considerable critical acclaim,
winning a 2012 CES Innovations Award in the audio component category with the
industry’s only 8x symmetrical upsampling, The ASUS Xonar Essence One Plus
Edition further adds a bundled Op-Amp tweaking kit with six extensively-tested
Op-Amps to make sound characteristic tuning easier out of the box, with no
soldering required. It also saves customers the need to purchase Op-Amps
separately. Note: CES 2012 Innovations Award for Xonar Essence One (original
edition). Redefine high fidelity and clarity Multi-tone tuning With
a bundled Op-Amp swap kit Multi-tone tuning with a bundled Op-Amp swap
Op-Amps serve a critical role in audio hardware, amplifying analog signals and
determining tone and timbre characteristics. As user taste in tone character
varies, dedicated audiophiles often choose to change Op-Amps to fine-tune
performance, something the original Xonar Essence One supported with its eleven
swappable Op-Amps. This feature proved highly popular, leading the Xonar team to
extensively test over a hundred different Op-Amps with the original Xonar
Essence One in order to explore the finest combinations . The six Op-Amps deemed
most unique in their impact on sound character were selected to be part of the
Xonar Essence One Plus Edition, the first USB DAC with a bundled Op-Amp swap
kit. Op-Amp Six extra Op-Amps included By combining the
original Texas Instruments TI-NE5532 Op-Amps with four Texas Instruments
TI-OPA2132PA and two NS-LM4562NA Op-Amps, the special edition allows for five
unique tonal impression customization options. User-friendly tools and
Op-Amp swap guide The kit even includes IC clamps, a screw driver, and an Op-Amp
swap guide which shares various Op-Amp tips based on the Xonar team’s findings.
These make swapping any of the existing eleven Op-Amps easy for quick audio
modification based on personal preference. The kit further offers compatibility
with other Xonar products, including the Xonar Essence ST/STX, Xonar Xense, and
Xonar DS/DSX Audio Performance Output
Signal-to-Noise Ratio (A-Weighted) (Front-out) : 120 dB Output THD+N at 1kHz (Front-out)
: 0.000316 %(-110 dB) Frequency Response (-3dB, 24bit/192KHz input) : 10 Hz to
48 KHz Output/Input Full-Scale Voltage : Balanced Output : 4 Vrms ( Vp-p)
Unbalanced Output : 2 Vrms ( Vp-p) Headphone : 7 Vrms ( Vp-p) Bus Compatibility
USB Chipset Audio Processor :C-Media CM6631 High-Definition Sound Processor
Sample Rate and Resolution Analog Playback Sample Rate and Resolution
:44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit S/PDIF Digital Input :
44.1K/48K/96K/192KHz @ 16bit/24bit ASIO 2.2 Driver Support : Hz @ with very low
latency Upsampling capability : Up to 352.8 kHz (44.1K 88.2K 176.4KkHz input) or
384 kHz (48K/96K/192KkHz input), 32bit Connectivity Analog Output 1
x 6.3 mm jack (1/4") Headphone out 2 x RCA (Un-Balanced) 2 x XLR (Balanced)
Digital 2 x S/PDIF in (1 x Optical (Toslink)/1 x Coaxial) Accessories Driver CD
x 1 6.3mm to 3.5mm stereo adapter x 1 Audio Precision (AP) test report x 1 USB
cable x 1 Power cord x 1 Op-Amp Swap Kit x 1 Dimensions 261.33 x 230 x 60.65 mm
( L x W x H ) Note Components: ● S/PDFI Receiver: AKM 4113 ● DSP: ADI ADSP-21261
● D-A Converter for Analog Inputs: TI PCM1795 ● Power Input Jack: IEC AC Inlet ●
Volume controller: Balanced Output: Quad Units Taper B Potentiometer; Headphone
Output: Quad Units Taper B Potentiometer ● Voltage Selector: AC 115V/223V Slide
Switch Operational amplifier: ● Balanced/Un-balanced I/V:4 x NE5532 ●
Balanced/ Un-balanced LFP: 2 x NE5532 ● Balanced /Un-balanced Buffer: 3 x
LM4562NA ● Headphone: 2 x LME49600 Clock: ● Crystal clock: 12MHz For USB;
24.576MHz For S/PDIF ● Oscillator: 45.1584MHz (for 44.1KHz sample rate);
49.152MHz (For 48KHz sample rate) LED Indicator: ● One color LED: Ø3mm
Lamp LED Blue color ● 2 color LED: Ø3mm Lamp LED Multi color(Blue and Red)
Op-Amp Swap Kit Content:● TI-OPA2132PA x 4 (Op-Amp) ● NS-LM4562NA x 2 (Op-Amp) ●
Screw driver x 1 ● IC clamp MAC OS X support: The Essence One supports Mac
OS X 10.8 or later version without any driver needed
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ASUS XONAR ESSENCE
ONE MUSES (demo)
€. 750,00
Flagship USB DAC and headphone amplifier uses
premium MUSES 01 Op-Amps for high-fidelity audio reproduction• Powered by six
top-notch MUSES 01 Op-Amp for crystal clear and spacious sound •MUSES 01 is the
first ever oxygen-free copper interconnect and custom layout Op-Amp for truthful
sound reproduction •8x symmetrical upsampling technology for ultra-low sound
distortion •Dedicated 600ohm headphone amplifier for clearest detail •Ultra-high
120dB SNR for purest sound Audio Performance MUSES 01 Op-Amps help deliver
premium audio Xonar Essence One MUSES Edition includes six MUSES 01 Op-Amps,
produced by the New Japan Radio Company. MUSES 01 are the top-of-the-line
Op-Amps from the brand, which is considered a leader in quality audio components.
Together with ASUS Xonar engineering, MUSES 01 Op-Amps take audio to new levels,
with lifelike reproduction capturing every nuance. Truthful audio MUSES 01
components are notable as the first to use oxygen-free copper interconnects,
allowing for better circuit conductivity and thus improved reproduction. They
use exclusive fabrication techniques, including advanced symmetry die-bonding, a
custom layout that lowers component crosstalk and generates better-balanced left/right
channel symmetry. Ultra spacious sound field To achieve better stereo
symmetry, the MUSES 01 employs exclusive technology, the Advanced Symmetry
Die-bonding (ASD) Technology.The specialized layout techniques offer super low
cross-talk and well-balanced symmetry between both left and right channels and
create the most ever spacious sound field. Proved performance with a test
report Excellent achievement granted by New Japan Radio. During the development,
the prototype of Xonar Essence One MUSES edition was tested by the MUSES
engineer team and received a testing report Output Signal-to-Noise Ratio (A-Weighted)
(Front-out) : 120 dB Output THD+N at 1kHz (Front-out) : >0.000316 %(-110 dB)
Frequency Response (-3dB, 24bit/192KHz input) : 10 Hz to 48 KHz Output/Input
Full-Scale Voltage : Balanced Output : 4 Vrms ( Vp-p) Unbalanced Output : 2 Vrms
( Vp-p) Headphone : 7 Vrms ( Vp-p) Bus Compatibility USB Chipset Audio
Processor :C-Media CM6631 High-Definition Sound Processor Sample Rate and
Resolution Analog Playback Sample Rate and Resolution :
44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit S/PDIF Digital Input :
44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit ASIO Driver Support :
44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit with very low latency Upsampling
capability : Up to 352.8 kHz (44.1K 88.2K 176.4KkHz input) or 384 kHz
(48K/96K/192KkHz input), 32bit Connectivity Analog Output 1 x 6.3 mm
jack (1/4") Headphone out 2 x RCA (Un-Balanced) 2 x XLR (Balanced) Digital2 x S/PDIF
in (1 x Optical (Toslink)/1 x Coaxial) Accessories Driver CD x 1 6.3mm to 3.5mm
stereo adapter x 1 Audio Precision (AP) test report x 1 USB cable x 1 Power cord
x 1 Dimensions 261.33 x 230 x 60.65 mm ( L x W x H ) Note Components: ● S/PDFI
Receiver: AKM 4113 ● DSP: ADI ADSP-21261 ● D-A Converter for Analog Inputs: TI
PCM1795 ● Power Input Jack: IEC AC Inlet● Volume controller: Balanced Output:
Quad Units Taper B Potentiometer; Headphone Output: Quad Units Taper B
Potentiometer ● Voltage Selector: AC 115V/223V Slide Switch Operational
amplifier: ● Balanced/ Un-balanced I/V:4 x MUSES 01 ● Balanced/
Un-balanced LFP: 2 x MUSES 01 ● Balanced/ Un-balanced Buffer: 3 x LM4562NA ●
Headphone: 2 x LME49600 Clock: ● Crystal clock: 12MHz For USB; 24.576MHz
For S/PDIF ● Oscillator: 45.1584MHz (for 44.1KHz sample rate); 49.152MHz (For
48KHz sample rate) LED Indicator: ● One color LED: Ø3mm Lamp LED Blue
color ● 2 color LED: Ø3mm Lamp LED Multi color(Blue and Red) MAC OS X support:
The Essence One supports Mac OS X 10.8 or later version without any driver
needed
         
HARMAN KARDON DMC
1000
DMC 1000 Four-Stream
Digital Media Centre 4-Stream Digital Media Center With Progressive-Scan
DVD-Video Playback and 250GB Internal Hard Drive Smaller but vastly smarter and
better looking than your average CD storage rack, the DMC 1000 will digitize,
catalogue and store as many as 60,000 songs as you play them, allowing you to
banish all those aging jewel cases to the attic. It will also let you distribute
four separate audio streams from your music library to different locations in
your home. With touch-sensitive front-panel controls (the ultimate no-button
design), a concealed front-panel USB jack and hidden memory card slots, the DMC
1000 will even let you transfer your music for use in portable players,
card-equipped cars and cell phones. And your iPod? Full audio/video playback and
charging with The Bridge universal dock (sold separately, and very much worth it).
Substantially smaller but vastly smarter and better-looking than your average CD
storage rack, the DMC 1000 will digitize, catalogue and store as many as 60,000
songs as you play them, allowing you to banish all those aging jewel cases to
the attic. It will also let you distribute separate audio streams from your
music library to two, three or four locations in your home. With touch-sensitive
front-panel controls and concealed front-panel USB jack and memory-card slots,
the DMC 1000 will even let you transfer your music for use in portable players
and media card-equipped cars and cell phones. And your iPod? Full audio/video
playback and charging with The Bridge universal dock (sold separately and very
much worth it)

JADIS
J1 DRIVE     
Telefona
Meccanica trasporto cd state
of art
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Esoteric
SA-60 Telefonare/e-mail
Dotato della leggendaria meccanica VRDS-Neo,
punta di diamante del produttore giapponese, l'SA-60 si candida a essere
sorgente di assoluto riferimento. MPlayer universale in grado di leggere CD,
SACD, DVD-Video, DVD-Audio, VCD e SVCD, l’SA-60 è dotato dei più moderni
circuiti di conversione attualmente disponibili, racchiusi in uno chassis in
alluminio mutuato dai fratelli maggiori.Esoteric SA-60 è capace d’evolute
funzioni di conversione e up-conversion audio ed è dotato di uscite multi-canale
analogiche.Ricco il parco uscite audio: bilanciate XLR o sbilanciate RCA per i
canali L e R e solo sbilanciate per i restanti canali surround. Completa la
dotazione una uscita audio digitale ottica o coassiale e l’ingresso “word sync”
per unità di clock esterne (p.es. Esoteric G25S).
Analog audio output: dedicated 2-channel outputs (balanced, XLR,
and unbalanced, RCA), plus multichannel RCA outputs. Maximum output level at
1kHz: 2.2V RMS, unbalanced and unbalanced. Output impedance: not specified.
Frequency range: 5Hz–88kHz (DVD-A). Signal/noise ratio: 130dB. Dynamic range:
107dB. THD: 0.002%.
Dimensions: 17.4" (445mm) W by 5.9" (150mm) H by 13.9" (355mm) D. Weight: 37 lbs
(17kg).
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BLACK NOTE
CDP 300  Telefonare/e-mail
Significant area of the front panel there is a
huge dot LCD scarlet. He perfectly readable from a distance, but the main
advantage of such a decision in the absence of spurious interference - in this
sense LCD matrix is much preferred the traditional fluorescent displays. All
nodes apparatus assembled on a solid steel plate. This part is covered with a
special vibration-damping enamel, which is commissioned by Blacknote.
Effectively suppress the vibration of the three-layer composite also helps
faceplate. n the CDP 300 realized the idea of driving Natural-Speed. Special
measures devised to maintain the "natural rate", provide smooth rotation of the
disc so that reading takes place almost without mistakes. The mechanism does not
create vibrations and noiseless operation. Together with high-precision clock
generator Burr-Brown PLL1705 it provides a low jitter than standard transports.
The second feature of the CDP 300 - Separate power to all units. Analog, digital,
and mechanical control of the machine get energy from their own transformers,
each carefully matched power system with the consumer. Digital paths are used
24-bit converters AKM Japanese and American Texas Instruments (brand Burr-Brown).
They are included so as to obtain 368-times oversampling data source. This
solution allows us to derive far beyond the audible range of the quantization
noise signal and simplify the analog output circuit. The latter, in turn, is
built on a balanced circuitry on two 6922 tubes. Player wins his passionate
musical temperament. The device has a sound SuperDynamic handwriting beautifully
conveys the attack, so drums are played very lively and natural. Gulkovaty
reverberation, but it is suspected that they are caused by microphonic. Despite
the fact that the developers have taken all measures for vibration protection,
extra soundproofing platform under the player will not be superfluous. The
average range is transmitted openly and slightly restrained by the dynamics. In
this band, the Blacknote CDP 300 sounds generous, but without expansion -
smoothly and accurately. Hear everything spotless cleanliness, unaccustomed
sound may even seem less vivid and moving than any other player. Playing
uppercase also does not cause complaints. Figure HF absolutely right - there is
no color, found the right balance between comfort and informative. Treble
plucked from the general web, as sometimes happens, and are a natural part of
the musical picture. That's Italian unit creates the strongest presence. There
are, however, and weaknesses in the sound. Powerful dynamic contrasts,
especially concentrated in the high range, transmitted not as clean as we would
like. Looks like the lamp still make some limitations here. There are errors in
the sound stage. She "painted" broad strokes and wider than usual. Imagine how
the video looks like 4:3, stretched on the wide screen - here the effect is
about the same. On the other hand, the scene has all the signs of a clear
separation according to the plans. The problem extended panorama solved very
simply - the restriction of stereo speakers.
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TEAC
VRS10
€.
600,00
Caratteristiche
tecniche Sistema di conversione: doppio Philips bitstream "DAC-7" +
sovracampionamento ottuplo e filtro digitale a 20 bit + filtro di butterworth
del 3 ordine. Risposta in frequenza: 1 : 20.000 Hz +- dB RCA Distorsione
armonica totale: 0,0013% (1 kHz) Separazione fra i canali: > 110 dB (1 kHz)
Rapporto S/N: 110 dB (1 kHz) Livello d'uscita: analogica: 2,2 V RMS uscita RCA,
digitale: 0,5 Vp-p/75 Ω coassiale, 15 : 21 dBm ottica MDimensioni: 43,5 x 14,9 x
33,1 c Peso: 10 kg
DENON
DCD-DS10II
€.
900,00
Lettore cd nuovo fine
magazzino 1 anno di garanzia imballo
Disc format: CD Digital converter: 4 x PCM1702-J
CD Mechanism: KSS-240A Frequency response: 2Hz to 20kHz Dynamic range: 100dB
Signal to Noise Ratio: 118dB Channel separation: 110dB Total harmonic distortion:
0.0018% Line output: 2V Dimensions: 343 x 135 x 340mm Weight: 10kg Accessories:
RC-253 remote control

NAKAMICHI
OMS3
€. 350,00
Lettore cd revisionato 1 anno
di garanzia
Specifications Disc
format: CD Digital converter: PCM54HP-J CD Mechanism: KSS-121A / KSS-123A
Frequency response: 5Hz to 20kHz Dynamic range: 92dB Signal to Noise Ratio: 97dB
Channel separation: 90dB Total harmonic distortion: 0.007% Line output: 2.5V
Dimensions: 430 x 100 x 322mm Weight: 6.6kg Accessories: RM-3CDP remote control
PIONEER
PD-S801G
€. 350,00

Lettore cd revisionato 1 anno
di garanzia
Specifications Disc format: CD Digital
converter: 2 x PD2028B CD Mechanism: PEA1030 Frequency response: 2Hz to 20kHz
Dynamic range: 98dB Signal to Noise Ratio: 110dB Total harmonic distortion:
0.0021% Line output: 2V Digital outputs: optical Dimensions: 420 x 276 x 135m
Weight: 5kg

TASCAM CDRW900
Lettore cd revisionato 1 anno
di garanzia
Specifications Disc
format: CD, MP3 Frequency response: 20Hz to 20kHz Dynamic range: 95dB Signal to
Noise Ratio: 95dB Channel separation: 90dB Total harmonic distortion: 0.006%
Digital outputs: coaxial, optical Dimensions: 483 x 94 x 308mm Weight: 4.9kg
Accessories: RC-RW900 remote control

MARANTZ
7001
€.
399,00

Lettore cd revisionato 1 anno
di garanzia
EISA WINNER SA-CD
playback The CS4397 ’Super DAC’ from Cirrus Logic Current Feedb Customized
components Dedicated power supply Dedicated top quality headphone circuitry with
a fast current-buffer amp Display off possibility Quick Replay Marantz D-Bus
Frequency Response CD 2Hz-20 kHz mSACD 2Hz-50kHz(-3dB) Dynamic Range CD
<100dB SACD 114dB Signal-to-Noise Ratio CD 103dB SACD 109dB Total Harmonic
Distortion CD 0.002% SACD 0.0009% Dimensions Width 440mm Height 113mm Depth
335mm Weight 7.5kg

TECHNICS
SLP 202A  €.
150,00
Lettore cd revisionato 1 anno
di garanzia
Disc
format: CD Digital converter: 16 bit linear Frequency response: 2Hz to 20kHz
Dynamic range: 96dB Signal to Noise Ratio: 96dB Total harmonic distortion:
0.005% Line output: 2V Dimensions: 430 x 92 x 274mm Weight: 3.6kg
.JPG)
TECHNICS
SLPG 390  €.
170,00
Lettore cd revisionato 1 anno
di garanzia
Specifications
Disc format: CD Digital converter: MN662713, 1 bit MASH CD Mechanism:
CDM-12.1/15 Frequency response: 2Hz to 20kHz Dynamic range: 92dB Signal to Noise
Ratio: 100dB Total harmonic distortion: 0.007% Line output: 2V Dimensions: 430 x
92 x 283mm Weight: 3.1kg
TECHNICS
SLP 477A €.
180,00

Lettore cd revisionato 1 anno
di garanzia
Specifications
Disc format: CD Digital converter: MN6474, MASH CD Mechanism: CDM-4/19 Frequency
response: 2Hz to 20kHz Dynamic range: 96dB Signal to Noise Ratio: 100dB Total
harmonic distortion: 0.002% Line output: 2V Digital outputs: optical Dimensions:
430 x 92 x 288mm Weight: 3.6kg

PIONEER
W739

DENON
DCM5000

The Denon DCM-5000 offers a variety of control options that make it easier than
ever for the user to organize and access an entire CD music library. Standard
control functions such as play, stop, random play and so on can be activated
from either the ergonomically designed front panel or via the supplied remote
control—but that’s just the beginning. The user can also connect a standard PC
keyboard directly to the DCM-5000 and enter disc/name information into the
DCM-5000’s memory; once entered, this information is displayed for easy
identification when the disc is selected for playback. Each CD can be assigned
to any of up to eight musical categories (i.e., "Rock," "Jazz," "Country" and so
on), and the user can choose to listen to only CDs within a particular category
at any time. CD TEXT CDs are also supported.The DCM-5000 also includes a standard RS-232 serial port, allowing it to be
controlled by a personal computer. And for the ultimate user interface, the
Denon DCM-5000 is compatible with the Escient Tune-Base CD management system.
Escient’s Tune-Base system, which has an Internet PC-based engine and
proprietary software, connects to the DCM-5000 and the home theater system’s
monitor TV. Because every CD has a unique Table of Contents, the Escient
Tune-Base system is able to look up the names of each CD (using the CD’s unique
identification code) and enters its title, artist’s name, song title and even
album cover into a custom, personalized database. A graphical on-screen
interface then allows the user to choose and play the desired music simply by
clicking on album cover art and song titles!Advanced Engineering for Audiophile Sound QualityAlong with its unparalleled playback versatility, the Denon DCM-5000 provides
true audiophile sound quality, superior to even esoteric high-end CD transport/
D/A converter combinations. Key to the DCM-5000’s superb audio performance is
Denon’s new 24-bit ALPHA processing technology, a proprietary analog waveform
reproduction technology that uses newly developed interpolation algorithms to
provide 24-bit resolution from conventional 16-bit CDs. The DCM-5000
incorporates the finest available 24-bit Burr-Brown D/A converters for ultimate
sound quality. The DCM-5000’s ALPHA processor also incorporates an adaptive
digital filter that automatically adjusts the low pass cutoff frequency, for
improved pass-band and impulse response. The result is a dramatic leap forward
in CD sound quality, with vastly improved low-level detail resolution,
outstanding dynamic range, precise imaging, a wider and deeper soundstage and a
far more natural musical presentation.Built-In HDCD Decoding
In addition, the DCM-5000 incorporates the Pacific Microsonics HDCD decoder chip
to obtain the full sonic benefits of HDCD-encoded CDs, which offer greater
resolution and dynamic range than standard CDs. HDCD is a multi-stage process
that overcomes the limitations of the 16-bit CD format by using a patented
system to extend the dynamic range of CDs to a 20-bit level, while remaining
completely compatible with the CD format. The DCM-5000’s built-in HDCD decoder
also improves the sound of non-HDCD discs, thanks to its high-precision digital
filter. More than 2,000 HDCD titles from major artists are currently available,
with the list growing rapidly. The Denon DCM-5000 carries a suggested retail
price of $1,800, and the DCM-5001 100-disc slave changer unit is available at
$1,300 suggested retail.Denon Electronics is Japan’s oldest audio company.
Founded nearly 90 years ago, the company has a long history of technical
innovations, including the development and first commercialization of PCM
digital audio recording.100 disc CD Changer •
Dual CD drives • Slide-out, non-removable linear CD tray • HDCD decoding via
Pacific Microsonics PMD-100 filter/decoder • 24 bit Burr-Brown premium DACs
(Audio output 1) • 20 bit digital filter, 18 bit Burr-Brown premium DACs(Audio
output 2 - second zone) • CD Text • Disc naming function, via front panel
controls or via external PC keyboard input, or via remote control • 8 Music
groups • 40 step programming X 4 functions = 160 step programming capacity • 2
sets analog ouptuts (main and second zones) • 2 sets digital outputs (coaxial) •
Digital inputs for connection to optional DCM-5001 auxilliary drives • Crossfade
in analog mode • Up to 5 DCM-5001 aux drives can be connected to DCM-5000
control drive • Remote control supplied • RS-232/422 serial port • Composite
video output for on-screen display •
assorbimento: 42 W-misure: 434(B) x 243 (H) x 474,5 (T) mm-peso 16,2 Kg.
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DENON
DCM5001


100 disc CD Changer •
Companion to DCM-5000 • Dual CD drives • Slide-out, non-removable CD tray • 20
bit digital filter, 18 bit premium Burr-Brown DACs for both analog outputs • 2
sets analog outputs (main zone/second zone) • Digital connections (2 coaxial) to
DCM-5000 for all digital transfer • Up to 5 DCM-5001 drives can be connected to
DCM-5000 master drive • RS-232/422 serial port •
misure :434(B) x 243 (H) x 474,5 (T) mm-peso 16,2 Kg.
DENON
DN-1200C

Master unit for
DN-1200F-TELECOMANDO
DENON
DN-1200F

Master unit for
DN-1200F-TELECOMANDO

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DENON
DVD2500 BT
Per offertaTelefonare/e-mail
Differente come sempre, Denon. Con una visione
del mercato Hi-Tech che verrebbe da definire 'aristocratica', ma che con maggior
lucidità è più esatto definire lungimirante e pragmatica, Denon ha risposto alla
richiesta di lettori in formato Blu-ray con il distacco e l'autorevolezza di un
leader che non ama gettarsi nella corrente dei consumi ma - semmai - dettarli
con scelte di alto profilo. Queste operazioni possono sembrare azzardate fino ad
apparire arroganti, ma in realtà c'è dietro la volontà di esprimere un'opinione,
un indirizzo, un suggerimento per il consumatore. Ecco qual è.Una scelta
intelligenteDebuttare con una meccanica di lettura, piuttosto che con un lettore
integrato dotato di decoder ci sembra una scelta razionale e motivata. Guardando
la diretta concorrenza, sono molti i competitors di Denon dotati di decoder HD
audio incorporati che possono offrire 'attracco' al DVD-2500BT senza problema
alcuno di compatibilità. Lo standard Blu-ray, anche se da tempo in commercio,
solo da relativamente poco è stato legittimato come unico standard per l'audio e
il video in alta definizione, sotterrando definitivamente l'HD-DVD.Il mercato
dei lettori Blu-ray, vista anche l'ubiqua presenza della PlayStation Sony, si
sta ancora strutturando, soprattutto nell'alto di gamma, dove non esiste - o per
meglio dire, non esisteva - una vera e propria leadership.Denon come è sua
tradizione, ha preferito aspettare il momento adatto per debuttare con un
prodotto di livello assoluto, capace di affermare immediatamente la propria
leadership.Semplice, nella sua complessitàIl DVD-2500BT è una 'meccanica di
lettura' o una 'transport unit', per dirla con gli anglofili. E' una unità con
sola uscita HDMI 1.3 che veicola sia il segnale audio, sia quello video,
entrambi in formato digitale. Può essere collegata a qualsiasi dispositivo
dotato di ingresso HDMI (compatibile HDCP High Definition Content Protocol), ma
è ovviamente possibile fruire dell'audio in HD solo nel caso che il DVD-2500BT
venga collegato ad un apparato (sintoamplificatore, preamplificatore o
amplificatore AV) dotato di decodificatore audio HD. Nulla vieta, però, di
utilizzare ilDVD-2500BT con un qualsiasi Flat-TV dotato di ingresso HDMI (e che
abbia la possibilità di gestire l'audio tramite quel tipo di interfaccia).Dal
DVD-2500BT è infatti prelevabile un segnale video a risoluzione massima di
1080/24p, che può essere poi personalizzata tra 480p, 576p, 720p, 1080i/p.Il
processo video, e quindi l'upscaling e la conversione i/p
(interlacciato/progressivo) avviene tramite sofisticati circuiti che lavorano il
segnale nel dominio digitale attraverso circuitazione di grado High-End, quindi
al massimo livello prestazionale, normalmente utilizzati nelle migliori
applicazioni professionali. Per realizzare questo lettore, Denon ha sviluppato
una nuova meccanica, pesantemente schermata al fine di creare il miglior
'ambiente' di lettura al pick-up ottico. La tecnica costruttiva è denominata SVH
(Suppressed Vibration Hybrid), che accoppia, per gli elementi della meccanica,
materiali di tipo diverso, in modo da rendere la rotazione più stabile
possibile, ottenendo una più precisa lettura del disco. Tutto questo racchiuso
in uno chassis composto da tre strati di materiali differenti, così da isolare
il più possibile gli elementi interni dalle vibrazioni. Il DVD-2500BT è
naturalmente compatibile con lo standard BD, quindi con quello DVD-Video, DVD+R/RW,
DVD-R/RW, CD, CD-R/RW e MP3, WMA, JPEG (solo su CD-R/RW) e con DivX (V.6).Sul
pannello frontale è presente uno slot per schede 'SD' (è possibile leggere
miniSD e microSD con un adattatore opzionale) che permette di vedere le proprie
fotografie digitali. Il DVD-2500BT è un lettore 'totale', universale nel vero e
più completo senso della parola.Visione Il DVD-2500BT è in grado di produrre
prestazioni di pura classe High-End, a partire dal suo funzionamento
meccanico.Il caricamento del disco avviene in modo istantaneo e si può accedere
in modo rapido al contenuto, per ogni tipo di disco, Blu-ray compreso. La
qualità video è ai massimi livelli ottenibili con questa tecnologia. Con il
Blu-ray si gode di un dettaglio, di una profondità di campo e di una 'potenza
espressiva' davvero inediti.Le immagini sembrano prender vita e materializzarsi
tra le pareti domestiche, con un realismo ed un partecipazione emotiva che
sembra provenire direttamente dal regista, dagli attori, dal direttore della
fotografia del programma che stiamo al momento guardando.Il Blu-ray è il vero
salto di cui il video aveva bisogno, limitato fin oggi dalla bassa definizione
dei DVD standard. Anche quest'ultimi poi, letti dal DVD-2500BT, danno il meglio
di sè, con un miglioramento generale nelle prestazioni. Si gode sempre di
immagini di ottimo livello, spinte al massimo delle loro potenzialità,
percependo con nettezza il talento della macchina Denon, capace di estrarre dal
DVD l'essenza della qualità possibile. Conclusioni Il DVD-2500BT si candida come
'la' sorgente video per eccellenza. Prestazioni world-class da una macchina
costruttivamente allo stato dell'arte, ma economicamente ancora abbordabile
grazie al 'risparmio' operato in partenza sul decoder, ed in grado di estrarre
ogni stilla di informazione audio o video da qualsiasi supporto digitale a 5'.
In sintesi, una opzione di acquisto tipicamente Denon: altissima tecnologia,
grandi prestazioni e prezzo di inconfutabile onestà. In più ci sono una
versatilità ed una 'longevità' tecnologiche pressochè sconosciute nel volatile
mercato dell'home-cinema, anche di grande livello. Da mettere in cima delle
preferenze dagli amanti della qualità.
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CAMBRIGEAUDIO
752 BD
€. 950,00
AZUR 752BD
UNIVERSAL UPSAMPLING BLU-RAY, DVD & CD PLAYER Our best ever universal player
gets the very most from video and audio discs, digital files and streaming. One
box to do it all and do it all brilliantly - the ultimate universal player is
here! No matter what format you have your video and audio in, the Azur 752BD
universal player will bring it to life in your living room.DISC TYPES Blu-ray
(BD) including BD-3D, DVD, DVD-A, AVCHD, SACD, CD, HDCD, Kodak Picture CD,
CD-R/RW, DVD+-R/RW, DVD+-R DL, BD-R/RE VIDEO OUTPUTS 2 x HDMI 1.4a with ARC, 1 x
composite diagnostic video AUDIO OUTPUTS 7.1 multichannel analogue RCA/Phono
output, 1 x S/PDIF, 1 x Toslink, Dedicated 2 channel stereo analogue RCA/Phono
output HDMI INPUTS 2 x 1.4a (one with MHL compatibility via the front panel)
AUDIO INPUTS 1 x S/PDIF, 1 x Toslink CUSTOM INSTALLATION CONNECTIONS 1 x RS232,
1 x IR emitter input DACS 5 x Wolfson WM8740 24bit DACs DECODER Mediatek MTK8580
AUDIO UP-SAMPLER Analog Devices ADSP-21261 32 bit SHARC(R) DSP running Anagram
Technologies (TM) Q5 up-sampling to 24 bit/192kHz (All 10 channels) VIDEO SCALER
Marvell DE2750 QDEO Video Scaler (on primary output) EXTERNAL STORAGE 3 x USB
2.0 NETWORK Ethernet: 100BASE-T, Wi-fi: 802.11 b/g/n via supplied dongle THD+N @
1KHZ < 0.001% THD+N 20HZ-20KHZ < 0.003% IMD 19/20KHZ < 0.0002% S/N RATIO< -108dB
CROSSTALK @ 1KHZ < -100dB TOTAL CORRELATED JITTER < 50pS MAX. POWER CONSUMPTION
35W STANDBY POWER CONSUMPTION <0.5W DIMENSIONS (W X H X D) 430 x 85 x 312mm
(16.9 x 3.3 x 12.3’’) WEIGHT 5.0Kg (11.0lbs)
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OPPO
BDP 103
Per offertaTelefonare/e-mail
High End Oppo
bdp-103 2d/3d 2 K/4 K Oppo Digital bdp-103 Multi region Code Free lettore
Blu-ray 3d 4 K Upscaling a/b/c, nonché nuovo questo lettore è stato sbloccato
per giocare sia Blu-ray DVD Region 0,1,2,3,4,5,6,7,8. (RegionFree). Due ingressi
USB supplementare permette per una moltitudine di dispositivi collegati (si
potrebbe immaginare almeno cinque possibilità) rendendo il Oppo bdp-103 non solo
un lettore Blu-ray Top della linea ma un processore video indipendente. RS-232 e
connessioni IR rendono possibile per installatori e utenti personalizzati per
integrarsi facilmente l' Oppo bdp-103 nel loro sistema di telecomando
universale.
'bdp-103 è l' ultimo consumer-level universale lettore Blu-ray da Oppo. Questo è
un giocatore che vengono riprodotti su ogni disco (solo circa) che hai
acquistato anche se il formato è morto (no HD-DVD,). Questo significa SACD e
dvd-a Lovers può continuare ad ascoltare i dischi Legacy senza dover ricorrere a
una minore Player. Il reparto bdp-103, invece, ha veramente fatto alcuni
profitti nel video. mentre l' ultimo lettore è stato 3d Capable, il bdp-103
Sports Dual-Core SOC e Marvell QDEO con 4 K Upscaling. sulla parte superiore di
questo, il bdp-103 può convertire i contenuti 2d a 3d in modo che si ottiene il
massimo utilizzo del vostro display 3d.
La parte anteriore Sport non solo un ingresso USB, ma un ingresso HDMI che
raddoppia come un ingresso MHL (Mobile High-Definition Link). Questo consente di
collegare i dispositivi portatili più facile. Puoi anche collegare il set-top
box o lo streaming di rete ai dispositivi bdp-103 e sfruttare i processori video
superiore del Oppo. Flipping il giocatore intorno e troverete sia più e meno che
ci si aspetterebbe. La Oppo bdp-103 Sports due uscite HDMI e un secondo ingresso
HDMI. Vi è un ingresso per una connessione cablata Ethernet. Uscite audio
digitale coassiale e ottico sono a bordo sono 7.1, stile RCA, uscite audio
analogiche. Queste uscite di uscita può essere configurata per 7.1, 5.1 o 2.0.
Ciò che manca sul retro della Oppo bdp-103 è qualsiasi tipo di uscita video
analogica. È presente un' uscita video composito etichetta "Diag" ma questo è
solo per utilizzare il menu quando non c' è la riproduzione multimediale. Questo
non è Oppo s Fault. Come abbiamo precedentemente riportate, aacs prevede che il
giocatore "non autorizzato che passa decodificati aacs contenuto per uscite
video analogico può essere prodotto o venduto da adottante dopo il 31 dicembre,
5.113 cm Oppo, invece di avere a che fare con altri sconfiggendo le uscite
analogiche in pochi mesi, non ha proprio quelle uscite video.
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PROCEED
PDMT
Per offertaTelefonare/e-mail
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CAMBRIGE
DVD 300
Per offertaTelefonare/e-mail
Cambridge DVD-300 è un lettore DVD che combina la
leggendaria qualità audio di Cambridge con un altissimo livello di prestazioni e
una finitura di alta qualità. Questo nuovo lettore Cambridge offre prestazioni
eccezionali che sbloccano tutto il potenziale del suono DVD e dell'immagine
digitale. Musica e film sono riprodotti con profondità e realismo, lasciando
solo una cosa: il live! Solo i sistemi molto tecnologicamente avanzati possono
eguagliare le prestazioni del DVD-300 di Cambridge. Un riferimento.Decodificatore
Dolby Digital multizona Uscita DTS Bitstream Convertitore 24 bit / 96 KHz
uscite digitali ottiche e coassiali Uscite S-Video, component (YUV) e video
composito RGB su scart 5.1 uscite audio surround Compatibile con CD / VCD / CD-R
/ CD-RW / MP3 EQ regolabile tramite telecomando Pal / NTSC commutabile tramite
telecomando Lettore DVD compatibile con i formati CD, CD-R / RW, MP3 Audio DTS
Dolby Digital / Composite integrato PCM / 96KHz a 24 bit Video MPEG 1 e 2, Pal /
NTSC Connettività Analogico: x1 stereo Down Mix, x1 in 5.1 (RCA) Digitale: x2 (Opt.
E coassiale.) Video: x2 composito (RCA / Scart), Y / C (Ushiden), YUV (RCA) o
RGB (Scart) configurabile tramite il menu Dimensioni: 430 x 78 x 335 mm Peso:
4,2 kg
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DENON
A11
 
Per offertaTelefonare/e-mail
■
Il nuovo circuito Progressive di FAROUDJA (Uscita NTSC / PAL) Oltre al Motion
Adaptive Deinterlacer, che elabora i segnali video in unità di pixel, la
tecnologia video a scansione progressiva ad alta definizione è resa
possibile da un processore in modalità mFilm, che supporta materiale pulldown
3:2 e 2:2. La tecnologia DCDi, famosa per la sua capacità m,di elaborare
linee diagonali e bordi, produce immagini omogenee, naturali e prive di
disturbi. m,Il DVD-A11 è inoltre dotato di 5 modalità di scansione progressive
che permettono all’utente di selezionare la conversione progressiva ideale per
ciascuna delle sorgenti di programma scelte fra un’ampia gamma. ■ Convertitore
Video Dual a 12-bit, 216-MHz Il DVD-A11 utilizza un totale di sei convertitori
D/A video 12 bit/216 MHz per trarre il massimo potenziale dalle prestazioni del
nuovo circuito di FAROUDJA. Il DVD-A11 utilizza convertitori D/A indipendenti
per la riproduzione delle immagini Progressive med Interlacciate. Questi
convertitori garantiscono una frequenza di campionatura molto elevata, pari a
216 MHz, con una sovracampionatura 8x utilizzata per il funzionamento in
modalità Progressiva ed una sovracampionatura 16x in modalità Interlacciata,
ottenendo come risultato la conversione D/A più precisa attualmente disponibile.
■ Sezione Video Utilizzando un filtro con estese caratteristiche di sezionamento
come filtro analogico passa basso, il DVD-A11 riesce a riprodurre le delicate
sfumature dei segnali video, consentendo allo spettatore di apprezzare le
immagini originali al massimo livello di realismo. ■ Alimentazioni indipendenti
Sono state studiate alimentazioni indipendenti per lo stadio di elaborazione del
segnale audio, lo stadio del segnale video ed altre sezioni, allo scopo di
eliminare le interferenze reciproche. L’alimentazione di potenza che viene
fornita ai vari circuiti contribuisce ad una elevata qualità delle immagini e
del suono. ■ Noise Shaped Video (NSV) ■ Filtro Super Sub Alias ■ Circuito di
Riduzione Rumore Rumore di fondo e sfarfallio, caratteristici problemi dei
segnali video compressi in formato MPEG, vengono efficacemente eliminati per
produrre un’immagine video più naturale. Inoltre, la riduzione del rumore 3D
elimina i disturbi minori presenti nell’immagine video per riprodurre
splendidamente solo le informazioni video richieste. ■ Modalità Pure Direct Il
DVD-A11 include due modalità Pure Direct che migliorano ulteriormente la qualità
del suono. Ad esempio, durante l’utilizzo dell’uscita audio analogica, il Pure
Direct può disattivare le alimentazioni della sezione digitale, della sezione
video ed il display frontale, che potrebbero influire sulla qualità sonora dei
segnali audio analogici. ■ Elaborazione AL24 per tutti i canali Denon ha
ulteriormente sviluppato la propria tecnologia brevettata AL24 Processing per la
riproduzione delle forme d’onda analogiche, a supporto della frequenza di
campionatura di 192 kHz del DVD-Audio. Questa nuova tecnologia, AL24 Processing
Plus, sopprime efficacemente il rumore di quantizzazione associato alla
conversione D/A dei segnali LPCM, per riprodurre i segnali di basso livello con
un’eccezionale chiarezza, che mette in luce tutte le delicate sfumature
musicali. ■ DENON Link Quando il DVD-A11 è collegato tramite un apposito cavo
con terminali RJ-45, ad un amplificatore A/V dotato di ingresso Denon Link, il
trasferimento bilanciato di segnali offre una tensione inferiore rispetto ai
cavi coassiali o non bilanciati. Dato che DenonLink è molto meno sensibile
al rumore irradiato, garantisce il massimo livello di trasferimento di segnale.
L’interfaccia Denon Link è in grado di trasferire un’uscita digitale di alta
qualità LPCM 24-bit / 192-kHz / a 2 canali (*1). ■ Costruzione multistrato
Poiché i dati ad alta densità registrati su DVD devono essere letti con assoluta
precisione, le vibrazioni provenienti da sorgenti esterne o interne, come
l’alimentazione, influiscono negativamente sulla qualità del sonoro e delle
immagini. Nel DVD-A11 sono state adottate diverse soluzioni per sopprimere
queste vibrazioni indesiderate. Il fondo del telaio del DVD-A11 è caratterizzato
da una solida struttura a 3 strati progettata per meliminare le vibrazioni.
Robuste flange di rinforzo vengono utilizzate anche sul frontale e sul retro del
telaio stesso. L’aggiunta di una copertura superiore a 2 strati e di materiale
isolante, servono ad eliminare le vibrazioni esterne. E la base del
trasformatore è realizzata di alluminio pressofuso che assorbe le vibrazioni
esterne e quelle provenienti dal trasformatore stesso per garantire un
funzionamento ottimale
DENON
A1
 
Per offertaTelefonare/e-mail
Lettore digitale per DVD
Audio/Video, DVD-R, DVD-RW, CD, CD-R, CD-RW, MP3, Foto JPEG e Kodak.
Certificazione THX Ultra. Nuovo circuito Progressive Scan Sil504 Silicon Image
(solo NTSC). 5 regolazioni video tra cui contrasto e colore. Sofisticata sezione
di conversione con 8 DAC audio a 24bit192kHz. Modalità Pure Direct. Elaborazione
AL24. Filtri Super Sub Alias e Noise Shaped Video. Chassis in rame a struttura
ibrida per lo smorzamento delle vibrazioni. Sezioni di alimentazioni separate.
Decoder HDCD. Riproduzione sia PAL che NTSC. Convertitore D/A video
14bit/108MHz. Denon Digital Link. Uscite audio digitali AC-3, DTS, e PCM 24/96.
Uscita analogica stereo, uscite digitali (ottico e coassiale) ed uscite
analogiche separate 5.1. Ingressi digitali ottici e coassiali. 2 uscite video
composito, 2 S-Video, 1 Scart RGB e 1 component. Porta RS-232. Telecomando
retroilluminato glow-key multifunzione in dotazione.
Finitura in nero o oro.
THX Ultra Certified • Powered by the latest
Silicon Image/DVDO PureProgressive (SiI504) Decoding Engine - highest quality
progressive decoding engine available • Accurate 2:3 pulldown detection and
reconstruction • Optimum processing for film content, video content, graphics
content and mixed-mode content • New ESS Vibratto ES6038F MPEG/DVD-Audio
Decoder • New highest resolution Analog Devices 108 MHz, 4:4:4, 14 bit Video D/A
Conversion system featuring Noise Shaped Video processing(progressive and
interlace output) • 4x Oversampling Progressive and 8x Interlace output
• (2)Composite and (2)"S" outputs • 2X DVD read speed; 4X CD/CD-R/CD-RW read
speed; with 4MB drive buffer memory • 4:3 Squeeze and Zoom Controls • Top audio
performance, featuring 8 Burr-Brown 24-bit, 192-kHz PCM 1704 Audio DACs, with 2
per Main L/R Channels in differential mode • Pure Direct Modes to defeat
unneeded portions of player for the ultimate in audio performance • Full Digital
Bass Management for DVD-Audio, featuring Analog Devices 32-bit processor; 80Hz
crossover with 12dB high and 24dB low pass slopes; Adjustable delay time • HDCD
decoding • AL24 Processing Plus • MP3 Playback • Plays Audio/Video CDs; HDCDs;
DVD-Video; DVD-R/RW (conditional); Audio CD-R/RW; MP3 CD-R/RW (128 or higher
kbps recommended) • JPEG photo file viewer and Kodak Picture CD compatible • 24/96
digital outputs; optical and coaxial • Optical and Digital Inputs to allow
player to be used as outboard D/A converter • DENON Link for connection to
AVR-5803 • Internal Copper construction, and multi-layer top and bottom plates • 3
box, 6 block internal layout to isolate analog, digital and video circuits • RS-232C
and remote in/out ports • Backlit remote control • Dimensions: 17.1"w x 5.4"h x
16.2"d • Weight: 40.8lbs. • Download Setup Tips for DVD-Audio Playback in pdf
format, click on tech note icon
/PIONEER%20DL%20909%20%20(1).jpg)
PIONEER
DVL 909
€.
790,00
Pioneer improves on their original design by
offering the DVL-909. New features and improvements include single-chip 10 bit
DAC MPEG-2 video decoding system, "Personal Modes" hardware preference settings
menu, MPEG-1 Video-CD playback compatibility, Composite video outputs, and "VitterBi"
data buffering to reduce digital errors caused by mechanical "wow and flutter".
Additional features include double-side laser disc play, dual layer DVD play,
optical and coax Dolby Digital 5.1 sub-carrier outputs for both laser and DVD
discs, separate loading drawers for 5" and 12" discs, full digital effects on
CLV format laser discs, PCM digital output for DTS decoding, single S-video &
composite video outputs, one scart loopthrough socket outputting either a
composite or S-Video signal, wireless remote control, 96Khz/20-Bit digital audio
decoding, on-screen graphical user interface (GUI) and CD-R playback.
.JPG)
DENON
DVD 900

Per offertaTelefonare/e-mail
Lettore digitale per DVD, DVD-R, CD, CD-R, CD-RW e MP3. Convertitore D/A audio a
24 bit/192 kHz. Uscite audio digitali AC-3, DTS e PCM, uscita analogica stereo.
Convertitore D/A video a 10 bit, 27MHz. 1 uscita video composito, 1 S-Video, 1
SCART (RGB). Pannello frontale in alluminio. Funzione di zoom x2 e x4. On screen
display. Telecomando multifunzione in dotazione.Finitura in nero o oro.
Progressive Scan DVD Player • Progressive Scan
featuring DCDi by Faroudja decoding engine • 3:2 Pulldown Detection • Plays
CD/CD-R/CD-RW Discs, *DVD-R Conditionally • MP3 Decoder for encoded CD-R/RW
Discs (128 or higher kbps recommended) • 12-bit, 54-MHz Video DAC • Burr-Brown
24-bit, 192-kHz Audio DACs • 2MB Memory Buffer to decrease layer change pauses
or pickup dropouts • Selectable 24 bit, 96 kHz PCM output pass-through
capability • PCM, DD, dts compatible Optical and Coaxial Digital Outputs •
Component, S-Video and Composite video outputs • Passes Below Black(Pluge) for
proper Monitor Calibration • Picture Zoom • Dimensions: 17.1"w x 3"h x 8.3"d
DENON
DVD 800

Per offertaTelefonare/e-mail

Lettore digitale per DVD, CD, CD-R, Video CD e DAD. Convertitore D/A audio a 24
bit/96 kHz.Uscite audio digitali AC-3, DTS e PCM, uscita analogica stereo.
Convertitore D/A video a 10 bit.1 uscita video composite, 1 S-Video e 1
Y/C(SCART).Filtro Super Sub Alias. On screen display.Telecomando multifunzione
in dotazione.Finitura nero I dischi CD-R registrati senza un corretto
procedimento di finalizzazione potrebbero risultare leggibili soltanto in parte
o completamente illeggibili.
DVD Player • Plays CD, DVD, Video CD, CD-R and CD-RW
music discs • Built-in MP3 Decoder for CD-R/RW encoded discs (128 or higher kbps
recommended) • 10 bit, 27 MHz video DAC • 3MB Memory Buffer to decrease or
eliminate layer change pauses or pickup dropout • 24 bit, 96 kHz DACs • Real 24
bit, 96 kHz digital output capability • Dolby Digital & DTS digital outputs •
Optical digital output • "S" & Composite video outputs • Subwoofer output •
Component video outputs (Y, Pr, Pb) • On Screen Display • Picture Mode
Adjustments • Passes PLUGE (below black) • Dimensions: 17.1"w x 3.2"h x 9.7"d
.JPG)
DENON
DVD
F100

Per offertaTelefonare/e-mail

Lettore digitale per DVD, CD, CD-R e Video CD. Convertitore D/A audio a 24
bit/96 kHz. Uscite audio digitali AC-3, DTS e PCM, uscita analogicastereo.
Convertitore D/A video a 10 bit/27MHz. Circuito Virtual Surround Sound. 1 uscita
video composito. +Filtro Super Sub Alias.
Telecomando multifunzione in dotazione
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PIONEER
DV
626 D
Per offertaTelefonare/e-mail


0Hz @ -3dB referred
to C4 WETS Xover Frequency 1,500Hz Alignment 4th Order All Pass
Rated Impedance 8Ω Suggested amplifiers Rated for 120W/8Ω max Average
Power Size 215x490x260mm (HxWxD) Weight 11kg Cabinet Finishing
Solid walnut or solid cherry and HDF
INFINITY
PRIMUS
CENTER
€. 190,00

2 vie altoparlante Tutte le membrane in all'
esclusiva tecnologia MMD di infinity Alta efficienza energetica per resa
ottimale dal vostro amplificatore magneticamente schermati, può essere sistemato
anche nei pressi di TV dispositivi
Infinity's
speakers have always been known for their crisp, clear sound, and the Primus
PC250 center channel speaker is no exception. It accurately reproduces the human
voice for clean movie dialogue, and provides plenty of impact for exciting home
theater sound. The PC250 does a fantastic job of focusing your attention on the
screen and pulling you into the action with all your movies and video games
video-shielded frequency response 80-20,000 Hz (±3dB) 8-ohm impedance
sensitivity 90 dB handles up to 150 watts 3/4" MMD™ tweeter dual 5-1/4" MMD
woofers acoustic suspension (sealed) design black woodgrain vinyl finish 5-way
binding posts 18-1/8"W x 7-3/8"H x 9-3/4"D
INFINITY
DELTA
CENTER
Delta
Center Channel Speaker Vocals are clear and very natural. Every nuance of the
voice is perfectly reproduced. These are quite musical and elegantly designed.
Sound is free flowing, crisp, and the imaging is extremely defined. This speaker
has sat dormant in my back closet for the past 6 years. It was replaced w an
Infinity $600 center and I still miss the crisp high imaging from this speaker.
Look around for reviews and you’ll see this model is a sound bargain for
discriminating ears. Absolutely no little corner dings whatsoever. Not easy to
part with but speakers are meant to be heard, not sitting in a closet. Thanks
for stopping by! Specs: 2-Way 100 Watt Speaker Center Channel Speaker Center
Channel Speaker Sensitivity dB 1m/2.83V 89dB Impedance (ohms) 6 Bass Driver 2 x
130mm High Frequency Driver EMIT b-R Power Rating 15 - 100 watts Dimensions H x
W x D 6-5/8” x 19” x 9" Frequency Response 60 - 35kHz I will ship at buyers
option for shipper but I prefer FedEx Ground for cost and efficiency. The
speaker will be bubble wrapped and well packed for safe transport.

    
CHARIO
PHOENIX
CENTER
€. 590,00

Phoenix Il sistema Phoenix
nato come canale centrale per un sistema multicanale, deve possedere particolari
doti di trasparenza nella delicata gamma di frequenze del parlato. Niente di
meglio di una Lynx a sviluppo orizzontale, con l'aggiunta di un secondo woofer
per rendere omogenea l'emissione in presenza di più persone che fruiscono del
programma A/V. Phoenix può essere posizionato sia sopra sia sotto il monitor TV.
Il sistema Phoenix nato come canale centrale per un sistema multicanale, deve
possedere particolari doti di trasparenza nella delicata gamma di frequenze del
parlato. Niente di meglio di una Lynx a sviluppo orizzontale, con l'aggiunta di
un secondo woofer per rendere omogenea l'emissione in presenza di più persone
che fruiscono del programma A/V. Low Frequency Load Vented back firing –
TV screen 2π sr Configuration 2way Symmetrical Cosine Shaped radiation
Drivers 1 Tweeter 38mm soft dome T38 WaveGuide 2 Woofer 130mm Paper Compound
Sensitivity 90 dB SPL normalized to 1m with 2.83Vrms pink noise within IEC
268-13 compliant listening room Low Frequency Cut Off 80Hz @ -3dB
referred to C4 WETS Xover Frequency 1,500Hz Alignment 4th Order All Pass
Rated Impedance 8Ω Suggested amplifiers Rated for 120W/8Ω max Average
Power Size 215x490x260mm (HxWxD) Weight 11kg Cabinet Finishing
Solid walnut or solid cherry and HDF COLORE NERO
NUOVO
IMBALLATO
Phoenix
The Phoenix system is a multi-channel stereophony dedicated central speaker.
Because its primary job is to deliver a full intelligible message, both
transparency and detail were assumed as absolute design target. Nothing is
better than a small speaker for reproducing sound nuances. So we decided for a
symmetrical horizontal array of Lynx drivers. This solution let the viewers at
both sides of the “sweet spot” to wholly perceive dialogue information or
centre-line musical sources without altered timbre or fuzzy localization cues.
Either of top or under TV screen positioning is allowed, preferably at the same
height of front speakers. Low Frequency Load Vented back firing – TV
screen 2π sr Configuration 2way Symmetrical Cosine Shaped radiation
Drivers 1 Tweeter 38mm soft dome T38 WaveGuide 2 Woofer 130mm Paper Compound
Sensitivity 90 dB SPL normalized to 1m with 2.83Vrms pink noise within IEC
268-13 compliant listening room Low Frequency Cut Off 8
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INFINITY
KAPPA
CENTER B
€. 790,00
Altoparlanti 2x13cm woofer 8 cm midrange
tweeter emit-b- risposta in frequenza 70hz
-45khz 2db - Frequenza di taglio 600hz ,4khz- efficenza 88db/2.8v/1m- impedenza 6 ohm- Misure 509x230x270 mm- Potenza 10w-150w - Peso 12.5 kg.
B&W
805 S
€. 750,00
SOLO 1 Diffusore adoperabile per esempio
canale centrale

B&W
SCM1
€. 700,00
MISURE 44 x 37 x 16 cm 1
SOLO 1 Diffusore adoperabile per esempio
canale centrale.


REL STADIUM ll
Per offertaTelefonare/ invia un e-mail
REL
Stadium III on test By Jason Kennedy Overview: Price: £1500 Website:
www.rel.net Size: HxWxD -
55.8x59x39cm Weight: 50kg Finishes: Black ash, cherry, light oak, rosenut,
walnut Drive unit: 250mm long throw Power: 200 watts REL is a small dedicated
company based in Bridgend, south Wales and committed to bass. It could be argued
quite easily that REL founder Richard E. Lord put the subwoofer or sub-bass
loudspeaker system on the hi-fi map. Before he appeared on the scene the
subwoofer was not the kind of thing any self respecting audiophile would
consider giving house room to. This may have been because most of the species
were sold with satellite loudspeakers or simply because no one had made a
serious subwoofer before, one that could enhance rather than muddy the quality
of regular speakers.The key feature that makes REL subs so easy to get a good
result with is the ability to adjust the roll-off point of the sub so that it
marries seamlessly with the stereo speakers. REL subs are not designed to
increase the amount of bass produced by a system but to extend the bandwidth of
the existing speakers. For a stereo speaker to be able to extend down to the
12Hz (-6dB) claimed for the Stadium III it would have to be as big as a fridge,
a big fridge at that. The reason the REL is able to do that with a 65 litre
cabinet is that it is actively driven, it has its own 200 watt MOSFET power amp
and electronic crossover which means that it can boost the output at very low
frequencies. In other words it drives the big ten inch Volt drive unit harder
therefore producing more bass energy.Another reason for REL's success is
inclusion of both high and low level signal inputs, this means that you can feed
the sub exactly the same signal that you send to your speakers via the high
level input. The connection is made with a three core cable that hooks up to
your amplifier's speaker outputs. There is of course the low or line level input
but this is really only appropriate for surround sound processors which have a
dedicated LFE (low frequency effects) output. Sound quality To integrate the
Stadium III with your speaker traditionally requires that you roll the sub in at
the point your speaker rolls off and then set output level to match the speaker.
However, I have found that if you set roll off three or four dB higher than the
speaker's roll-off and turn the output level down a bit you can get a better
result. There are many surprising aspects to the sound of this sub not least
being the way that it enhances the high frequency performance of all the
speakers I have tried it with. It introduces a sense of open spaciousness that
is hard to accredit to an improvement in low frequency extension and power. It
must be something to do with the way that bass defines a space but is not an
easy phenomenon to explain. Yet it is not in the least bit subtle and gives the
REL considerably more appeal than you would expect an extra octave or two in the
bass to produce.The bass does of course help matters considerably, it adds a
foundation to the sound that gives the rest of the range something to work from,
something solid. This seems to apply regardless of the bass content of the music.
There is a tendency to think that only your Prodigy and Grace Jones albums will
sound a lot better with a decent sub but the Stadium III boosts everything you
play. The more familiar and well loved the album the more exciting the result,
even albums like Jeff Beck's Wired, which is clearly fantastic yet can sound
compressed, takes on a whole new sense of purpose and solidity with this sub.All
this is achieved without you thinking wow there's loads of bass, in other words
you are not skewing the balance of your system, the main speakers sound the same
but better. And if you turn the sub off you don't think where has the bass gone,
you think why is the sound small and relatively flat. You can set it up so that
it goes boom and everyone knows there's a sub in the room - which can be fun I'll
grant you - but for long term musical satisfaction an integrated sound is the
way forward, the approach that's going to reveal more of the music and the venue
it's played in.
leads for installation flexibility Finished in 30mm
MDF in Brittex Blac
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MIRAGE 7X/S8
Per offertaTelefonare/
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PIONEER S-W505
Per offertaTelefonare/
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BLU NOTE
PICCOLO
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.JPG)
THORENS
TD321
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THORENS
TD160 MKII
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Description Despite
it's moderate price, this handsome slim line integrated transcription turntable
shares many of the advanced engineering features and refinements of the highly
sophisticated Thorens TD-125 mark II series. For example, the identical TP-16
tonearm and belt-driven synchronous motor used in the Thorens TD-125 mark II are
incorporated in the TD-160C. In addition, it comes complete with a walnut base
and dust cover. Here's the traditional quality and precision you have come to
expect from Thorens, at a moderate price
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THORENS
TD160B MKII
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THORENS
TD318
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Drive method: one step belt drive
Motor: low voltage 16-pole synchronous motor Speeds: 33 and 45rpm Speed control:
2-phase generator Platter: 2.7kg, 300mm, zinc alloy, dynamically balanced Wow
and flutter: 0.04% Rumble: -70B Tonearm effective length: 232mm Effective mass:
12.5g Overhang: 16.4mm Offset angle: 23 degrees Dimensions: 440 x 350 x 170mm
Weight: 10.5kg

PROJET
6 PERSPEX
NC 503
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THE PERSPECTIVE HAS a main plinth made of Perspex -hence the name and the pair
of gloves provided to avoid fingermarks while handling the deck- above which
floats the main bearing assembly on a trio of damped supports. The whole
shebang's levelled via the three adjustable spike feet and spirit-level located
on the arm mount, while the arm is the by-now familiar Pro-ject 9. The price
excludes a cartridge, which seems a very good match.However, the really clever
bit about the Perspective is its turntable drive system. There's a subplatter,
onto which the main platter -made of composite with a layer of vinyl bonded on,
and with a large screwdown clamp a la RPM 4- is fitted. But the drive belt goes
right round the perimeter of the main platter and is powered by an exposed motor
out to the rear left corner of the plinth. And rather than hooking the belt up
and down on pulleys or having an electronic speed switch, the Perspective has
separeted motors for the two common speeds -33.3 and 45 rpm-. Changing speed is
a matter of disconnecting the drive belt and 16V AC power supply from one motor,
undoing a thumbscrew under the plinth to release is, the lifting it out and
bolting in the other motor. Yes, this is a bit of palaver, but it does allow
Pro-ject to optimize the motors for the respective speeds, rather than having
the compromise of the belt riding higher or lower. And it pays off in the
assured, taut rhythmic ability of the Perspective, which is just as good
pounding out drive dance tracks as it is with big complex orchestral pieces.
There's that warmth and lightness of touch that vinyl's know and loved for, and
the soundstage created is entirely natural and smoothly delineated.We could
easily get really into vinyl again with a deck like this. It sounds great and
looks like the kind of exotica you see from firms like Transrotor and Clearaudio
-but for a fraction of the price
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PIONEER
PL800 
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The Pioneer PL-L800 is a 2-speed, direct-driven turntable with integrated,
linear-tracking tonearm and moving-coil type cartridge. Automatic features
include lead-in, return and cut, with quick repeat, play and stop options.
Specifications Drive system: direct drive Motor: Quartz PLL Hall type Platter:
320mm dia aluminium alloy die-castSpeeds: 33.33 and 45rpm Wow and flutter: less
than 0.025% WRMS Signal to noise ratio: more than 78dB Tonearm: Linear motor,
static balance type, linear tracking arm Effective length: 162mm Overhang: 0mm
Usable cartridge weight: 3 to 8g Cartridge: PC-4MC moving coil type Stylus:
PN-4MC 0.3 x 0.7mil diamond Tracking force: 1.7 to 2.3g Frequency response: 10
to 35,000 Hz
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PROJET
DEBUT III
PHONO USB ( DEMO)
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Giradischi fornito
di uno stadio Phono USB integrato per archiviare gli LP su computer. Pro-Ject
Debut III con unità phono USB integrata. La massima convergenza tra il mondo del
vinile e quello della multimedialità Assolutamente rivoluzionaria
l’innovazione offerta da Pro-Ject al mondo audio. L’ultimo giradischi prodotto
dall’azienda austriaca, infatti, è fornito di uno stadio Phono USB integrato per
archiviare gli LP su computer: la prova tangibile e affascinante di due realtà
che finalmente si incontrano, ottenendo il meglio l’una dall’altra. Il Debut III
Phono USB, forte della migliore tradizione in cui si inserisce, si avvicina
dunque al settore informatico mantenendo comunque la sua identità. Il giradischi
è compreso di braccio e di testina Ortofon OM5E, trazione a cinghia, velocità
33/45 giri, motore sincrono AC e puleggia metallica isolati dallo chassis con
una sospensione in gomma a quattro punti. Il braccio dritto da 8,6” è in
alluminio ed è caratterizzato da altezza,azimuth e VTA regolabili. Il giradischi
è inoltre fornito di alimentatore separato per eliminare le interferenze. Colore
disponibile nero.

SIMSTEMDEK
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TECHNICS
SL1700
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The
SL-1700 offers the famous Technics direct drive system with the added
convenience of semi-automatic operation. Once the tonearm is manually positioned
over the lead in grooves, the automatic mechanism will lower the tonearm onto
the record when the lever is flicked, and automatically return it to the arm
rest at the completion of play. The unit is then automatically shut off.
This handy feature frees the user from rushing to the turntable at the end of
record play and also saves wear on your stylus. At any time during play,
flicking the stop lever will cause the tonearm to automatically lift up and
return to the arm rest. Specifications Type: semi-automatic turntable Drive
method: direct drive Motor: servo DC motor (mk1), brushless DC motor (mk2)
Platter: 330mm (mk1), 332mm 2kg (mk2) Speeds: 33 and 45rpm Wow and flutter:
0.025% WRMS Rumble: -73dB (mk1), -78dB (mk2) Tonearm: universal s-shaped tubular
arm Effective length: 230mm Overhang: 15mm Offset angle: 21.5 degrees (mk1), 22
degrees (mk2) Weight: 8.8kg (mk1), 10kg (mk2)
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MARANTZ TT42
€.
200,00
Motore DC servo low noise, Trazione a cinghia,
Telaio flottante, 33 1/3 & 45 rpm, Avvio automatico, Ritorno automatico braccio
ed arresto
The analogue recording is still very alive. Quality turn-tables are still in
demand. Digital discs simply set new performance standards up to which
turntables must measure. Many cherished records may never be issued on digital
formats and for those good turntables is now more important than ever. Marantz
embraces an audiophile quality turntable with DC servo beltdrive and
low-coloration tone-arm to answer the need for a high performance source
component for the analogue record. The TT-42 is here to stay. DC Servo motor
belt-drive system ensures accurate speed and rumble-free sound reproduction Full
Automatic Operation for easy and comfortable operation protects stylus from
damage Two speed selection plays both 33 1/3 and 45 rpm records MM Cartridge is
compatible with a vast majority of the amplifiers and phono equalisers

dual 505
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Floor vibration and acoustic feedback are frequent external sources of
interference.Vibrations can be transmitted to the record player with each step,
and sound energy from the loudspeakers can be fed back acoustically to the
record player through the air or through a piece of furniture. To minimise these
unwanted effects, the Dual CS 505 uses a floating chassis. In the Dual 505, a
great deal of technical expertise has been applied to acoustically decouple the
entire turntable drive unit from the remainder of the casing.As a result,
external interference is filtered out so effectively that it no longer has any
audible effect on the music.The anti-resonance mat used on the CS 505 filters
and counteracts resonances which can be transmitted through the record player to
the record. Specifications Drive: Dual 16-pole SM 100-1 synchronous motor
with precision flat belt for flywheel driveStarting time: 2 to 2.5s Platter:
304mm, 0.9kg, non-magnetic, removable Speeds: 33.33 and 45rpm nPitch control: 6%
nWow and flutter: 0.05% WRMS Rumble: 69dB Tonearm: distortion free ultra low
mass aluminium tubular tonearm in 4 point tip bearing
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dual 506
Telefonare/ invia un e-mail
Floor
vibration and acoustic feedback are frequent external sources of interference.Vibrations
can be transmitted to the record player with each step, and sound energy from
the loudspeakers can be fed back acoustically to the record player through the
air or through a piece of furniture. To minimise these unwanted effects, the
Dual CS 506 uses a floating chassis. In the Dual 506, a great deal of technical
expertise has been applied to acoustically decouple the entire turntable drive
unit from the remainder of the casing.As a result, external interference is
filtered out so effectively that it no longer has any audible effect on the
music.The anti-resonance mat used on the CS 506 filters and counteracts
resonances which can be transmitted through the record player to the record.
specifications Drive: Dual 8-pole synchronous motor with precision
flat belt for flywheel drive Starting time: approx 2s Platter:
304mm, 1.1kg, non-magnetic, removable Speeds: 33.33 and 45rpm Pitch control: 6%
Wow and flutter: 0.04% WRMS Rumble: 70dB Tonearm: torsion resistant
tubular aluminium Effective length: 221mm Stylus pressure: 0 to 3g
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ONKYO CP1055
FB
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THORENS
TD105
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Description The Thorens TD 105
semi-automatic, high-fidelity turntable incorporates advanced technical features
to afford true state of the art performance. It employs a special Thorens
suspension system for the floating chassis and an exclusive Isotrack tonearm
with precision bearing assembly and low-mass construction which enables optimum
tracking characteristics to be realised with modern pickup cartridges. The TD
105 also employs a velocity sensitive electronic shut-off which raises the
tonearm, returns it to it's rest, and stops the motor. The electronic shut-off
at the end of a record operates without frictional contact with the tonearm,
ensuring precise performance and full protection of the record and pickup stylus.
All operating functions are initiated by electronic switching keys which respond
to a light touch of the finger. Specifications Drive method: 1 step belt drive
Motor: dc motor with 72 pole tacho-generator Speeds: 33 and 45rpm Speed control:
electronic Pitch control: +-6% Platter: 300mm, 1.3kg zinc alloy, dynamically
balanced Wow and flutter: 0.05%
Rumble: 65dB Tonearm effective length: 222mm Effective mass: 7.5g Overhang:
15.5mm Offset angle: 23 degrees Dimensions: 435 x 125 x 355mm Weight: 5.5kg

TELEFUNKEN
S800
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MARK LEVINSON
N° 40
Nella storia della Mark Levinson ci sono
stati molti prodotti che hanno rappresentato vere e proprie pietre miliari. In
quest’illustre gruppo figurano il pre phono JC-1 (1972), il preamplificatore
ML-1 (1977), i finali mono ML-2 (1977), il primo componente “Reference”, il
finale mono N°20 (1986) e i leggendari Processore Digitale Reference N°30 (1991)
e Pre Reference N°32 (1999). Questi prodotti, sin dalla loro presentazione,
erano ovviamente destinati a diventare dei classici. In molti casi questi
classici erano notevolmente più costosi di qualsiasi altro prodotto della stessa
classe, e spesso offrivano meno funzioni (o meno potenza) rispetto ad apparecchi
concorrenti. Tuttavia sono diventati dei classici. Questi ed altri leggendari
prodotti Mark Levinson condividono una straordinaria caratteristica,
surclassando, infatti, qualsiasi altro apparecchio della loro categoria.
Il motivo principale per possedere un prodotto Mark Levinson è il livello delle
prestazioni offerte, e sono proprio le eccezionali prestazioni quello che
caratterizza il Media Console Mark Levinson N°40. Il N°40 è probabilmente il
prodotto più innovativo dei 29 anni di storia del marchio, sicuramente destinato
ad entrare nella lista dei classici. Come i prodotti Reference anche il N°40 va
considerato uno spartiacque, rappresentando una transizione importante tra come
sono stati progettati i prodotti nel passato e come lo saranno nel futuro. Come
i prodotti Reference il N°40 ingloba una raffinata esecuzione di molte
tecnologie sviluppate e sperimentate in apparecchi Mark Levinson precedenti,
insieme a nuovi dispositivi e nuove tecniche. Molte innovazioni tecniche
sviluppate per il N°40 troveranno spazio in futuri progetti Madrigal. In
effetti, è già successo: sia il CD Processor Mark Levinson N°390S, di
eccezionali doti timbriche, che il Proceed AVP2, nuovo pre audio/video, ne hanno
già beneficiato. Perché, allora, il N°40 non è stato designato come prodotto
Reference? Per quanto buono sia, infatti, il N°40 non eguaglia le prestazioni di
quattro Pre Reference n°32 e di quattro Processori Reference N°30.6. Le sue
prestazioni sono molto vicine ai prodotti Reference, e la combinazione del N°40
con i N°32 e N°30.6 offre grandi risultati. Configurazione modulare Il N°40 è un
progetto modulare in grado di accettare le più svariate configurazioni: la sua
configurazione standard viene incontro alle esigenze della maggior parte degli
impianti. Sia il processore audio che quello video hanno diversi “slot” liberi
per espansioni tramite i moduli opzionali, dei quali alcuni già disponibili:
moduli per ulteriori ingressi/uscite, per ulteriori R-Zone, per speciali
esigenze di comunicazione, per interfacce sicure audio o video, per la gestione
avanzata video, per risorse addizionali DSP. Configurazione Standard del N°40 3x
ingressi compositi 6x ingressi S-Video 3x ingressi video component 6x SPDIF su
RCA 4x Toslink 2x AES/EBU su XLR 1x SPDIF su BNC 1x coppia audio analogica
bilanciata su XLR 6x coppie audio analogiche sbilanciate su RCA 8 canali audio
principali d’uscita (bilanciati e sbilanciati) Uscite principali Composita,
S-Video e Component 2x R Zones (zone remote/record, audio e video) Interfaccia
utente grafica La caratteristica del pannello frontale che attira
maggiormente l’attenzione è la presenza di un piccolo schermo LCD sul processore
video. Questo schermo può essere usato in molte, utili, maniere inclusa quella
di accedere a tutti i menù di setup e relative opzioni di controllo attraverso
la nostra interfaccia utente grafica (GUI).
   
  
DENON
A1HDA €.
3.000,00
Preamplificatore
HD Surround per applicazioni A/V certificato THX Ultra 2. Decodifica Dolby Pro
Logic IIx, Dolby Digital, Dolby Digital EX, Dolby True-HD, Dolby Digital +, DTS,
DTS ES, DTS 96/24, DTS-HD MASTER AUDIO, DTS HD High Resolution Audio, THX Ultra
2, THX Surround EX, HDCD. Dolby Headphone. 3 processori SHARC 32-bit.
Convertitore D/A audio a 24 bit/192kHz per tutti i canali. Elaborazione AL24
Advanced. Nuovo DDSC-HD. Auto Setup e Auto Room EQ con mic. e MultiEQ XT
Audyssey. Audyssey Dinamic EQ. Audyssey Dinamic Volume. Protocollo CEC per HDMI.
6 in e 2 uscite HDMI 1.3a, 36bit Deep Color, spazio colore xvYCC. Funz. Restorer
audio compresso. 2 in USB con dec. MP3, WMA, AAC e FLAC. Internet Radio. 1
Ethernet. Denon Home Network. Wi-Fi IEEE 802.11 b/g. In Dock Control per basi
ASD per iPod (opzionale) con controllo da telec. preamp. In e out multicanale
9.3, uscite pre XLR 9.3. RS232 e Denon Link 3. Conversione video con scaler
interno fino a 1080p su HDMI. Ingressi video: 8 S-Video, 8 compositi e 6
component. Uscite video: 4 S-Video, 4 compositi e 2 component. Multi Zone fino a
4 stanze. Nuovo telec. elettrolum. + telec. per zona remota. Finitura Premium
Silver
. For
the ultimate home theater experience, Denon presents the ultimate A/V surround
sound and video processor – the AVP-A1HDCI. With features and capabilities
simply not found on any other controller, the AVP-A1HDCI sets the standard for
both audio and video processing ability, along with state-of-the-art
next-generation digital media connectivity with built-in Ethernet and Wi-Fi
(802.11b/g) that lets you access music and photo files as well as Internet radio
stations. An optional adapter lets you stream your favorite songs and videos
from your iPod. Built with uncompromising attention to detail, the AVP-A1HDCI is
equipped with an astonishing six individual power transformers to ensure the
ultimate audio and video fidelity, eliminating interference between the various
audio and video processing sections. Featuring unparalleled audio connectivity,
the AVP-A1HDCI is equipped with 12 high definition video inputs (6 HDMI v1.3a/6
component) and an additional 16 standard definition inputs, with deinterlacing,
upscaling and conversion to HDMI outputs via the Silicon Optix HQV Realta
reference video processor. THX Ultra2 certified Processor All new circuit
layouts that shorten audio and video signal paths for best picture and sound
Discrete Devices for ultimate performance in each circuit block (D.D.S.C.-HD)
Dolby TrueHD and DTS-HD Master Audio decoders To preserve original sound quality
for the room's acoustics at any volume level, Audyssey Dynamic EQ loudness
correction technology Realta sxT2 HQV processing for i/p and scaling Deep Color
(30/36-bit) and xvYCC broader color space support Discrete construction and
circuitry for highest quality video processing HDMI to HDMI scaling up to 1080p
HD/SD video noise reduction functionality Network Audio and Photo Streaming
Compressed Audio Restorer to enhance digital music files New user interface for
easy operation, setup and digital media browsing (G.U.I.) GUI-assisted operation
even during 1080p output from HDMI Dual HDMI outputs enabling simultaneous
output to video projector and flat panel Three Analog and One Digital, Four Zone
multi-source capability Zone 2 OSD with text, Album art is also available Web
setup, save and load all settings via Ethernet
.JPG)
ONKYO PRSC
-5530
 
€.
1.590,00
Preamplificatore Network 11.2 certificazione THX
Ultra2Plus, 3 trasformatori di alimentazione separati, uscite XLR, Dolby Atmos,
TrueHD/HD Master, DTS Neo:X™, calibrazione acustica AccuEQ, WRAT, USB per file
audio Lossless, HDMI con gestione 4K e HDCP 2.2, connessione diretta Wi-Fi e
Bluetooth, MHL, DLNA, InstaPrevue™, Upscaling 4K Qdeo™, 8 HDMI in/2 HDMI out,
uscita video HDMI Zona 2, OSD
Revealing the Soul of
High-Resolution Entertainment Bringing next-generation audio and video
processing together with flagship connectivity and audiophile build quality, the
PR-SC5530 represents the ultimate in A/V separates technology. This THX® Ultra2™
Plus-certified controller supports Ultra HD video at 60 Hz with HDCP 2.2 via
HDMI® 2.0, with Qdeo™ 4K upscaling technology and ISF video calibration ensuring
the absolute best picture quality possible, even from low-resolution sources. A
massive toroidal transformer with separate EI transformers for A/V processing,
seven discrete 32-bit TI Burr-Brown DACs, and two 32-bit DSP engines support
hi-res audio streaming via Wi-Fi® and the new Dolby Atmos® format for
unbelievably realistic multi dimensional surround-sound. Your choice of balanced
or unbalanced 11.4-channel pre-outs—along with Zone 2/3 audio and HDMI Zone 2
out—allow you to build the home theater of your dreams, be it a Dolby
Atmos-ready 7.2.4-channel theater complete with in-ceiling speakers or an
app-controllable multi-zone A/V system. Married to a multichannel amp (or
amplifier combo) and speakers of appropriate quality, the PR-SC5530 is ready to
unlock the hidden potential of your movie, music, and gaming entertainment.
Dolby Atmos® Multidimensional Sound Onkyo is among the first to introduce the
exciting Dolby Atmos surround-sound format to home theater environments. Dolby
Atmos uses object-oriented mixing to layer independent audio elements through
discrete channels, moving three-dimensional sound effects around the theater
with astonishing realism. The format adapts to any home theater layout
incorporating height channels for a more enveloping soundfield with extremely
accurate directional and overhead effects. THX® Ultra2™ Plus for Reference-Level
Sound THX certification guarantees the same high-volume sound you experience in
a multiplex theater. Your PR-SC5530 processor has passed more than 2,000
laboratory tests to ensure every aspect of audio performance meets rigorous
standards for theater-reference sound. THX Ultra2 Plus is recommended for
screen-to-seat viewing distances greater than four meters and for room volumes
85 cubic meters or greater.Engineered for Audio-Video Perfection Cutting-edge
audio-video processing and handcrafted construction combine to deliver a vivid
and immersive entertainment experience. At the heart of the PR-SC5530 is a
massive customized toroidal transformer supported by two separate EI
transformers for A/V processing, which is controlled by dual 32-bit DSP engines.
Digital-to-analog audio conversion comes courtesy of seven discrete 32-bit
Burr-Brown DACs. From source device to output, audio and video signals are kept
clean and clear for optimal performance. HDMI® 2.0 for 4K/60 Hz Video and HDCP
2.2 All HDMI terminals feature the latest specification supporting 4K video at
60 frames per second and 21:9 theater aspect. Now you can add enveloping
11.2-channel surround-sound to next-generation Ultra HD games and video for a
breathtaking entertainment experience. The PR-SC5530 also supports HDCP 2.2 DRM
copy protection via HDMI Input 3 and the main output. This is essential for
viewing premium streamed and broadcast Ultra HD content. Wide Connectivity for
All Your Components The PR-SC5530 has both 11.4 multichannel pre-outs and
balanced 11.4-channel XLR pre-outs to connect one or more multichannel and
stereo power amplifiers. For home cinema lovers looking for ultimate in
performance, there are four parallel subwoofer pre-outs, and connectivity is
rounded out with a phono input, six digital audio inputs and seven analog inputs,
four composite video inputs (and a Zone 2 analog video out), and three 12 V
trigger outputs. AccuEQ Calibration for Pure Audio Performance As part of our
Emotion, Delivered audio concept, which brings together technologies that
significantly improve both stereo and multichannel sound quality, Onkyo
introduces the powerful AccuEQ room calibration system. AccuEQ measures and
corrects speaker distances, levels, crossovers, and frequency response from one
convenient listening position to ensure clear and cohesive surround-sound while
enabling playback of 7.1-channel formats at 96 kHz (no down-sampling). For the
ultimate in pure stereo performance, AccuEQ bypasses the front channels so the
unique characteristics of your loudspeakers can be enjoyed without DSP
correction to potentially alter the sound.ADVANCED FEATURESSupports Dolby
Atmos® Format for Exhilarating Multiplex Surround-Sound THX® Ultra2™ Plus
Certified for Theater-Reference Audio Quality ISF (Imaging Science Foundation)
Video Calibration for Optimal Video Performance DTS Neo:X™ Upmixing and Surround
Modes Massive Toroidal Transformer and Two Separate Transformers for Audio and
Video Processing Separate Processing Block Construction 11.4-Channel Balanced
XLR Pre-Outs, Audio-Grade 18 mm-pitch RCA Pre-Outs (Front L/R), and 11.4
Multichannel Pre-Outs 4K/60 Hz-Capable HDMI® 2.0 Terminals for Ultra HD
Entertainment Supports HDCP 2.2*1 Copy Protection for Future 4K Streaming,
Broadcasting, and Premium Studio Content 3 x HDMI Outputs Including Zone 2 HDMI
for HD Video in a Second Room Built-in Wi-Fi®-Certified Wireless LAN and
Bluetooth Version 2.1 + EDR with Advanced Music Optimizer to Enhance Low-Quality
Digital Music Internet Radio and Music Streaming Subscription Services Included
(TuneIn Radio, Pandora®, Spotify, AUPEO!, and Deezer)*2 Play MP3, WMA, WMA
Lossless, FLAC, WAV, Ogg Vorbis, AAC, Apple Lossless, DSD 5.6 MHz, LPCM*3, and
Dolby® TrueHD via Local Network Control and Stream with Free Onkyo Remote
Streaming Apps for iPod touch/iPhone*4 and Android Devices*5 HDMI Video
Upscaling to 4K with Qdeo™ Processing Technology by Marvell AccuEQ Room
Calibration with Mic for Clear and Balanced Sound Zone 2/3 Pre/Line-Outs for
Distributed Audio Playback *1 HDCP 2.2 is supported on HDMI Input 3 and Main Out
only. *2 Availability of services depends on region. Some services may require a
paid subscription and firmware update. Availability of third-party services
advertised here is accurate at the time of publication, but may be subject to
change without notice. *3 LPCM is supported via DLNA only. *4 Compatible with
iPod touch (3rd generation or later) and iPhone 3GS or later. All models require
iOS 4.2 or later. *5 Requires Android OS 2.1 or later. PROCESSING FEATURES
HDMI for 4K/60 Hz Video, 3D, Audio Return Channel, DeepColor™, x.v.Color™,
LipSync, Dolby Atmos®, Dolby® TrueHD, DTS-HD Master Audio™, DVD-Audio, Super
Audio CD, Multichannel PCM, and CEC 7 x TI Burr-Brown 192 kHz/32-bit Two-Channel
D/A Converters Dual 32-bit Digital Signal Processing Engines Whole House Mode
for Synchronized Housewide Audio PM Bass for Deep Bass and Clear Mid-Range 4 DSP
Modes for Gaming: Rock, Sports, Action, and RPG
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ONKYO PRSC
-5509

€.
1.390,00
THX Ultra2
Plus per una trasmissione di musica, giochi e film; connettori HDMI placcati in
oro, uscite XLR a 9,2 canali e ingressi stereo XLR per una trasmissione del
segnale senza distorsioni. Qualità di elaborazione audio grazie a un
trasformatore ad anello appositamente adattato, trasformatori audio e video
separati e un alloggiamento antivibrazione. Processore HQV-Vida e tecnologia
Qdeo per un'elaborazione video con la migliore qualità delle immagini e una
scala alla risoluzione 4K; Audyssey MultEQ XT32 e DTS Neo:X per creare un
incredibile scenario audio adattato alla stanza. Otto ingressi HDMI per formati
ad alta risoluzione come video 3D e segnali audio senza perdita e una porta
Ethernet per la trasmissione audio in rete; eccellente elaborazione del segnale..
Onkyo’s New Flagship Pre-Amp Handles It All
Boasting the premium quality assurance of THX® Ultra2 Plus™, the PR-SC5509 is
the ultimate conduit for all your music, games, and movies. Whether from a
Blu-ray or SACD player, from your PC or the web, from a game console or an
iPhone, your entertainment is brought stunningly to life. Eight HDMI® inputs for
high-definition formats such as 3D video and lossless audio and an Ethernet jack
for home-network audio make system integration a breeze. HDMI terminals,
9.2-channel XLR outs, and stereo XLR inputs are gold-plated for pristine signal
transfer. Further evidence of audiophile build quality comes in the form of a
customized toroidal transformer, separate audio/video transformers, and an
anti-vibration chassis. Processing is also top-notch. For video, an HQV® Vida™
processor and Qdeo™ technology work to eliminate noise and upscale video to
eye-popping 4K resolution. On the audio side, Audyssey MultEQ® XT32 and DTS
Neo:X™ offer incredible flexibility for creating an immersive room-matching
soundstage. Partnered with a high-end 9-channel power amp and surround speakers,
the PR-SC5509 keeps the high-quality entertainment flowing. THX® Ultra2 Plus™
Certified The ultimate benchmark for home audio performance, THX Ultra2 Plus is
specified for rooms where the screen-to-seat viewing distance is more than 4
meters and the room volume is 85 cubic meters or greater. To achieve THX Ultra2
Plus certification, the PR-SC5509 must meet the world’s most demanding standards
for home theater audio quality and performance, and must play at reference
volume levels with minimal distortion. Network Capability Delivers Internet
Radio and Network Audio Streaming via Ethernet Linking directly to the internet
or to a media server or home PC via a local network, the PR-SC5509 takes
streaming audio and internet radio to a whole new level. MP3, WMA, WMA Lossless,
FLAC, WAV, Ogg Vorbis, AAC, and LPCM audio files can now be played back through
your main system with unprecedented power and fidelity. The PR-SC5509 also
brings to life a huge array of internet radio channels from Last.fm and vTuner,
plus on-demand music streaming from Napster, Spotify, and AUPEO!*. As well as
being compatible with earlier platforms, the receiver is compatible with
Microsoft’s Windows® 7 platform, which includes the DLNA 1.5-specified “Play To”
media-streaming feature. The PR-SC5509’s internet connectivity has the added
benefit of making firmware updates simpler than ever.*Availability of internet
radio and music streaming services depends on region. Massive Toroidal
Transformer and Two Separate Transformers Onkyo's H.C.P.S. (High Current
Power Supply) has the ability to respond to the wide dynamic range of home
theater. A massive toroidal transformer efficiently delivers a steady source of
power under any conditions. It has been designed to minimize noise radiation
into the surrounding circuitry for a super-clean signal. In addition, the
PR-SC5509 features separate transformers for audio and video processing, which
means the system works more comfortably and efficiently. FEATURES THX® Ultra2
Plus™ Certified HDMI® Support for 3D, Audio Return Channel, DeepColor™,
x.v.Color™, LipSync, Dolby® TrueHD, DTS-HD Master Audio™, DVD-Audio, Super Audio
CD, Multichannel PCM, and CEC Massive Toroidal Transformer and Two Separate
Transformers for Audio and Video Processing Separate Anti-Vibration Aluminum
Panels VLSC™ (Vector Linear Shaping Circuitry) for All Channels High-Quality
HQV® Vida™ VHD1900 Video Processor ISF (Imaging Science Foundation) Video
Calibration for Optimal Video Performance HDMI Video Upscaling to 4K with Qdeo™
Technology by Marvell DTS Neo:X™, Audyssey DSX™, and Dolby® Pro Logic® IIz for
Expanded Surround Channels Audyssey MultEQ® XT32 to Correct for Room Acoustics
Direct Digital Connection of iPod/iPhone via Front-Panel USB Port Supports Onkyo
Remote Apps for Control of A/V Receiver via iPod touch/iPhone*1 and Android
Phone*2 Playback of Audio Files Through Local Network (MP3, WMA, WMA Lossless,
FLAC, WAV, Ogg Vorbis, AAC, LPCM) Internet Radio and Music Streaming
Connectivity (vTuner, Spotify, AUPEO!)*3 Bi-Amping Capability DSD Direct for
Super Audio CD Zone 2/3 Pre-Outs and Subwoofer Pre-Outs, and Zone 2 Video Out
for Distributed A/V Playback in Multiple Rooms Gold-Plated HDMI Terminals (2
Inputs and 1 Output Only) Gold-Plated, Machined Solid Brass A/V Terminals (19
mm-Pitch Inputs for TV/CD and Phono) Gold-Plated, 9.2-Channel Balanced XLR Pre
Outs (with Front Bi-Amping Capability) Gold-Plated, 2-Channel Balanced XLR
Inputs *1 Compatible iPod/iPhone models: iPod touch 3rd generation or later;
iPhone 3GS or later. (All models require iOS 4.2 or later.) *2 Requires Android
OS 2.1 or later. *3 Availability of services depends on region. AMPLIFIER
FEATURES MWRAT (Wide Range Amplifier Technology) Three-Stage Inverted Darlington
Circuitry H.C.P.S. (High Current Power Supply) Massive High-Power Transformer
Linear Optimum Gain Volume Circuitry PLL (Phase Locked Loop) Jitter-Cleaning
Circuit Technology PROCESSING FEATURES Dolby® TrueHD and DTS-HD Master Audio™
Decoding TI Burr-Brown 192 kHz/32-Bit DACs (PCM1795 x 6) for All Channels
Advanced 32-Bit Processing DSP Chip Linear Optimum Gain Volume Circuitry PLL (Phase
Locked Loop) Jitter-Cleaning Circuit Technology 4 DSP Modes for Gaming: Rock,
Sports, Action, and RPG Advanced Music Optimizer for Compressed Digital Music
Files Handles Playback of Mass Storage Class USB Memory Theater-Dimensional
Virtual Surround Function Direct Mode and Pure Audio Mode CONNECTION FEATURES 8
HDMI® Inputs (1 Front/7 Rear) and 2 Outputs Universal Port for Onkyo Peripheral
Devices Such as UP-A1 Dock for iPod/iPhone or UP-DT1 DAB+ Radio Tuner 2 USB
Ports (1 Front/1 Rear) Compatible with UWF-1 Wireless LAN Adapter (via
Front-Panel USB Port) 3 Component Video Inputs and 1 Output 5 Composite Video
Inputs and 2 Outputs 4 S-Video Inputs and 2 Outputs Analog RGB Input (D-sub, 15
pin) for PC Video 7 Digital Audio Inputs (4 Optical and 3 Coaxial) 7 Analog
Audio Inputs and 1 Output Phono Input Color-Coded, 7.1 Multichannel Inputs
Color-Coded, 9.2 Multichannel Pre-Outs (Including 2 Independent Subwoofer
Pre-Outs) Dual IR Inputs with Common Output 12 V Trigger Outs (A, B, and C)
RS232 Port OTHER FEATURES Overlaid Graphical On-Screen Display (OSD) and GUI
Navigation via HDMI Audyssey Dynamic EQ® for Loudness Correction Audyssey
Dynamic Volume® to Maintain Optimal Listening Level and Dynamic Range Dolby®
Volume for Reference-Quality Listening at Any Volume Independent Crossover
Adjustment for Each Channel (40 ⁄ 50 ⁄ 60 ⁄ 70 ⁄ 80 ⁄ 90 ⁄ 100 ⁄ 120 ⁄ 150 ⁄ 200
Hz) A/V Sync Control (Up to 800 ms in 5 ms Steps) Tone Control (Bass/Treble) for
All Channels Light Dimming (Display: Normal/Dim/Dimmer; Volume Knob LED:
On/Off)* 40 FM/AM Random Presets Certified with Windows® 7 and DLNA Version 1.5
RIHD (Remote Interactive over HDMI) for System Control Bi-Directional,
Preprogrammed, and Customizable RI Remote Control with On-Screen Setup, Mode-Key
LEDs, and Macro Presets for Four Activities *Note: Volume knob LED is always off
when display is dimmed. GENERAL SPECIFICATIONS Frequency Response: 5 Hz–100
kHz/+1 dB, -3 dB (Direct mode) WHD: 435 x 198.5 x 453.5 mm Weight: 14.0 kg
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PROCEED
PAV 1 €.
750,00
Proceed PAV Info:
Description: Full-function surround-sound audio/video preamplifier with Pro
Logic, THX, and music modes. Frequency response and THD: not specified.
S/N ratio (main outputs): >80dB at 0dB output. Gain: 14dB (nominal). Gain
range: -60dB to +14dB. Gain resolution: 0.5dB except at lowest levels.
Input overload: >2V RMS (0dB output). Input impedance: 100k ohms (single-ended).
Output impedance: ±20 ohms. Maximum output: 10V RMS (balanced). Audio
inputs: 2 balanced, 8 single-ended. Audio outputs: 1 set stereo main (L&R),
balanced; 2 set stereo remote (balanced and unbalanced); 6 single-ended main (L,
C, R, Sub, LSur, RSur); 4 sets record out (2 sets each VCR and tape).
Video inputs: 4 composite video, 4 S-video (Y/C). Video outputs: 4
composite video, 4 S-video (Y/C). Dimensions: 17.25" W by 4.45" H by 13.27" D.
Weight: 27 lbs (shipping). Price: $4195 Proceed PDSD Info: Frequency
response:20 Hz – 20 kHz, +0dB, –0.2dBTotal harmonic distortion:0.005% @ 1 kHz,
A-weighted Maximum output (XLR):10 V rms Maximum output (RCA):5 V rmsDynamic
range:100 dB (or better) Signal to noise ratio (balanced outputs):105 dB (ref: 0
dB output) Channel separation:better than 100 dB Analog filter:Bessel-tuned,
linear phase to 40 kHz Low-level linearity:deviation less than 1 dB to -90 dB
FS(1 kHz, 20 bit data, 80 kHz measurement bandwidth) Volume range:126 steps
Volume resolution:0.5 dB steps above 16 in display,gradually increasing step
size at lower levels Digital inputs:6 S/PDIF electrical on RCA2 S/PDIF
electrical on BNC1 AES/EBU electrical2 each EIAJ optical RF Demodulator input:Digital
Input 11 (w/opt. RF demodulator card) Digital input impedance:75Ω (S/PDIF
electrical)110Ω (AES/EBU electrical) Other inputs:6 channel PAV analog
pass-through Digital output:1 RCA (S/PDIF) on remote zone card Digital output
impedance:75Ω (S/PDIF electrical) Main analog outputs:6 balanced outputs6
single-ended outputs Analog output impedance:10Ω Available trigger current:80 mA
per outlet Power consumption:less than 70 W Shipping weight:34 lbs. (15.5 kg)
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ROTEL
RSP 1068
Preamplificatore/Processore stereo A/V con display TFT frontale. Decoder Dolby
Pro Locic II, Dolby Digital/AC-3, Dolby Digital EX, DTS ES, DTS96/24 e DTS.
Decoder HDCD e MP3. Modalità Rotel XS (Extended Surround) per la riproduzione di
una qualsiasi sorgente in ingresso tramite 5, 6 o 7 canali. Regolazione del
taglio del crossover per il subwoofer. Ingressi/uscite video composito, S-Video
e component. Conversione Video. Multi Room. On screen display. Presa RJ45 per
aggiornamenti software. 3 Trasformatori toroidali. Telecomando programmabile
multifunzione RR-1050 in dotazione.Disponibile in finitura Black
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AERON
AV 1300 €.
350,00
AV 1003 HOME
THEATRE 7.1 Come nell'hi-fi, anche nell'home cinema i sistemi più pregiati sono
realizzati tenendo distinte la gestione delle sorgenti dalla gestione delle
potenze: al posto di un unico telaio che racchiude la sezione digitale, la
sezione di pre-amplificazione e i canali di potenza, si preferisce affidare le
funzioni "delicate" ad un apparecchio che stia lontano dalle grandi energie e
dai loro influssi sulla purezza dei segnali; la parte "muscolare" sarà affidata
ad un amplificatore massiccio ma autonomo ed adeguatamente distante. Con questo
approccio abbiamo realizzato il pre/decoder AV-1003, capace di fornire otto
canali decodificati ("7.1") che sfruttano i più recenti processi surround (THX-EX
e DTS-ES) in aggiunta ai più classici Dolby Digital e DTS. Non manca
l'elaborazione Pro Logic II, utile non solo per materiale codificato Dolby
Surround ma anche per donare ambienza a materiale stereofonico, che acquisterà
maggiore realismo.

NAKAMICHI
CA1
€.
990,00

DENON
f100
€.
300,00
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ROTEL D
A980
€.
280,00
Digital surrond adpter
PROCESSORE ac3-pro logic AUDIO VIDEO 3 INGRESSI

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AERON
A07
€.
850,00
A 07 Con i suoi
sette canali da 120 watt rms, l'A-07 è uno degli amplificatori più potenti oggi
disponibili. Il progetto è stato elaborato per dar vita ad un apparecchio
prestigioso, inappuntabile sotto il profilo qualitativo e stupefacente come
potenza pura. La sua massa di ben 28kg toglie ogni eventuale dubbio sul
dimensionamento elettro-meccanico, garante dell'affidabilità e della tenuta in
potenza a lungo termine. Partner naturale del pre/decoder AV-1003,
quest'apparecchio (robusto meccanicamente ed elettronicamente, ma delicato
musicalmente) è l'amplificatore ideale per i sistemi home cinema che richiedano
sette canali, elevate potenze e Dati tecnici Power output 7 x 100W rms
/ 8 ohm Power output 7 x 160W rms / 4 ohm All power figures at 20Hz-20kHz, 0,1%
THD Sensitivity 1V / 47k ohms Frequency response 20Hz-20kHz +/- 0.5dB
Signal to noise ratio >95dB at 100W (A weighted) Harmonic distortion <0.1% from
20Hz to 20kHz, 1 to 100 watts Intermodulation distortion <0.2% (IHF A) Power
supply 230V, 50/60Hz Absorption 1100 VA Dimension (WxHxD) 430 x 200 x 460 mm
Finish Black or Silver Weight 23 kg


MARANTZ
SR-7000
Per offertaTelefonare/e-mail
FEATURES • Dolby Digital ® and DTS ® surround
sound decoding and and a variety of additional surround modes) -defect-• dolby
ProLogic ® decoding • 100 watts (at 8 ohms) in each of the five main channels •
Wide range of digital and analog audio and video inputs, outputs and switching
equipment including S-video switching, front panel A / V inputs and five digital
inputs • Precision AM / FM tuner with 50 station memory and automatic station
memory • Multi-room operation enables the control of a second zone audio / video
system • Six-channel inputs and direct six-channel preamp outputs • Programmable
learning remote control • Fluorescent lamp front display and user-friendly
on-screen menu system
MARANTZ
SR-8300
Per
offertaTelefonare/e-mail

Improved
RS232C upgreadability, along with powerful upgrades like DTS 96/24, Circle
Surround II and Precision Decode Plot characterize the incredibly versatile and
flexibile Marantz SR8300. Accompanied by the RC3200 learnable remote control the
SR8300 takes you on a journey of passion and enjoyment in both music and movie
productions. You?ll experience a wider frequency response and more favorable
aural characteristics along with outstanding user friendly navigation and
control.Specifications
Tuning range: FM, MW, LW Power output: 105 watts per channel into 8Ω (stereo)
Surround output: 105W (front), 105W (center), 105W (rear) Frequency response:
8Hz to 100kHz Total harmonic distortion: 0.08% Input sensitivity: 168mV (line)
Signal to noise ratio: 105dB (line) Digital inputs: coaxial, optical Video
Connections: composite, SVHS, scart Dimensions: 440 x 480 x 184m Weight:
19.3kg Accessories: RC3200A remote control
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TEAC
W585R
€.
299,00
Piastra doppia
cassetta TEAC W585R dotazione veramente completa : doppio motore per ogni
piastra, telecomando, DOLBY B C HX PRO, ingresso stereo per microfono,
autoreverse
TECHINICS
RSB106
€.
170,00
The main features of the Technics RS-B106 are: 2
heads, electronic tape counter with 3 digits, manual tape type selection with
support for normal, chrome and metal tapes, belt driven single-capstan transport.
Typical front loading cassette deck with the cassette compartiment located on
the left side of the deck. Tape eject is operated mechanically and the cassette
needs to be placed with the side to be played facing forward in the cassette
well.Level meters used on the RS-B106 are generic digital peak reading meters
with multi-color indication to provide visual saturation level of tape.
Soft-touch controls for fast and easy transport function selection of the
RS-B106. The Dolby-B system reduces tape hiss on tapes recorded on the RS-B106
by as much as 10 dB at the highest frequencies. To make live recordings this
deck has 2 microphone inputs to connect microphones with a jack connector. For
undisturbed listening a jack connector for a pair of stereo headphones is
supplied. Connection to other audio components for plaback can be achieved by a

NAKAMIKI
CR-5
€.
990,00
The Nakamichi CR-5A cassette deck is aimed at the
audiophile who insists on uncompromised engineering but is willing to forgo a
few costly special features. It is a three-head, three-motor, dual-capstan unit
with Dolby B and Dolby C noise reduction, user-adjustable bias, and
memory-rewind and automatic-repeat functions. In all essentials, the CR-5A is
identical to the $1,350 Nakamichi CR-7A.Nakamichi is one of the few companies
that design and manufacture their own tape heads, and the three-head
configuration of its decks permits each head element to be optimized for its
function. Most three-head decks use a so-called "sandwich" head construction in
which the record and playback elements are contained in a single case. Nakamichi
feels that such a design compromises accuracy of alignment and increases bias
leakage from the record to the playback head gaps, which can result in Dolby
mistracking. The separate record and playback heads of the CR-5A are completely
independent units, each with a full set of alignment adjustments. And instead of
the Sendust alloys generally used, Nakamichi's heads are made of Crystalloy, a
softer but magnetically more linear material. The CR-5A's heads have a rated
lifetime of 10,000 hours.The CR-5A's primary capstan is direct-driven by a DC
servomotor. The secondary capstan-which rotates slightly more slowly, creating
the tension that holds the tape against the heads-is belt-driven. The use of
dual capstans with different rotational dimensions and masses, made of different
materials so as to inhibit sympathetic resonance, is said to be responsible for
the extremely low wow-and-flutter ratings of the CR-5A. Further, the tensions
within the tape path are designed to permit proper tape/head contact without
using a cassette's built-in felt pressure pad. In an arrangement unique to
Nakamichi decks, the pressure pad is automatically pushed away from the playback
head by a boss on the head shield. This is said to result in lower scrape
flutter and modulation noise. The second DC motor is used for the reel drives,
and the third is used with a cam mechanism to operate the head-gate without the
jarring produced by solenoids.Tapes are loaded into a conventional cassette well
where sensors detect the tape type and automatically switch to the appropriate
bias and equalization. Unlike most decks, however, the CR-5A provides a manual
override that allows the user to switch, for example, to 120-microsecond
playback EQ for nominally "high-bias" prerecorded tapes requiring this setting.
Bias is adjustable on the front panel, although the user must do the fine-tuning
by ear since the CR-5A lacks the sophisticated automatic calibrating system of
the CR-7A. We found, however, that patiently adjusting the bias to match the
recorded sound of FM interstation hiss as closely as possible with the source
was a reasonably good substitute for instrumentation.The record-level indicators
on the CR-5A are large, easily legible, peak-reading fluorescent displays. Their
twenty-four segments per channel are calibrated from -40 to + 10 dB, with the
IEC standard 0-dB level of 250-nanoweber/meter set at +1 dB. The four-digit tape
counter does not indicate elapsed or remaining time. In addition to the Dolby
noise-reduction selectors, a switchable FM multiplex filter is provided,
together with a switch for an external timer. While there are no microphone
inputs, the CR-5A does offer dual-speed fade-in/fade-out buttons and a playback
level control.Specifications Type: 3-head, single compact cassette deck Track
System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record, 1 x
playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x mechanism Tape Type: type
I, CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 20kHz (Metal
tape) Signal to Noise Ratio: 72dB (dolby C) Wow and Flutter: 0.027% Total
Harmonic Distortion: 0.8% Input: 50mV (line) Output: 0.5V (line) Dimensions: 435
x 135 x 306mm Weight: 8.5kg
NAKAMIKI
LX-3
€.
480,00
The extraordinary performance of the combination record/playback head in the
LX-3 provides sound quality on a par with most 3 head cassette decks.2 heads, 3
motors Nakamichi's "Silent Mechanism" transport Double Capstan Micrproccessor
Control Digital tape counter Counter reset button Tape selector switch: EX, SX,
ZX Dolby B, C noise reduction MPX filter Play/record TIMER Peak level meters
Record mute Master fader Bias Tune Control Eq switch: 70, 120 Headphone jackSpecificationsType:
2-head, single compact cassette deckTrack System: 4-track, 2-channel stereoTape
Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x eraseMotor: 1 x reel, 1 x
capstan Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response:
20Hz to 20kHz (Metal tape)Signal to Noise Ratio: 68dB (dolby C)Wow and Flutter:
0.06%Total Harmonic Distortion: 1.0%Input: 50mV (line)Output: 1V
(line)Dimensions: 450 x 135 x 307mm Weight: 8.5kg

NAKAMIKI
480
€.
350,00
The 480 is a truly superior product, designed and built by Nakamichi to deliver
the utmost in quality and performance. It incorporates engineering innovations
in every important area, which includes magnetic heads, transport and
electronics. Advanced design enables the 480 to realise the full potential of
the latest in magnetic recording technology; the metal particle tape
Type: 2-head,
single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed:
4.8 cm/s Heads: 1 x record/playback, 1 x erase Tape Type: type I, CrO2, Metal
Noise Reduction: B Frequency Response: 20Hz to 20kHz (Metal tape) Signal to
Noise Ratio: 62dB (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion:
1.2% Input: 50mV (line) Output: 0.6V (line) Dimensions: 450 x 135 x 289mm
Weight: 6.4kg
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NAKAMIKI
BX2
€.
350,00
Today's budget-conscious audiophile is faced with
a difficult decision. As costs sky rocket, the price of high-quality sound is
slipping beyond the reach of many music lovers. Must they sacrifice performance
to stay within budget? We don't think so, and as proof, we offer the BX-2! Many
low-cost cassette recorders offer numerous features, but, when you listen to
them, something is missing. Sound lacks clarity; detail is lost in a confused
muddy homogeneity, and all the knobs and controls in the world don't rescue it.
What is lacking is basic performance, the sine qua non of high-fidelity
reproduction. So much has been spent on features - many of which will never be
used - that little is left to ensure quality. The BX-2 is different. Emphasis is
on sonic excellence, not bells and whistles; on clean elegant styling, not
superfluous knobs. Compare the sound of the BX-2 with competitively priced
models. We're confident you'll hear the difference quality makes!
Specifications Type: 2-head, single compact
cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads:
1 x record/playback, 1 x erase Motor: 1 x reel, 1 x capstan Tape Type: type I,
CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 20kHz (Metal tape)
Signal to Noise Ratio: 68dB (dolby C) Wow and Flutter: 0.06% Total Harmonic
Distortion: 1.0% Input: 50mV (line) Output: 0.5V (line) Dimensions: 430 x 110 x
250mm Weight: 5.5kg
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TECHNICS
RS-TR474
€.
300,00

Specification Type:
auto reverse, double compact cassette deck Track System: 4-track, 2-channel
stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x playback, 1 x erase
Motor: 2 x reel, 2 x capstan Tape Type: type I, CrO2, Metal Noise Reduction: B,
C, HX Pro Frequency Response: 20Hz to 17kHz (Metal tape) Signal to Noise Ratio:
74dB (dolby C) Wow and Flutter: 0.1% Input: 100mV (line) Output: 0.5V (line)
Dimensions: 430 x 136 x 285mm MWeight: 4.4kg
TECHNICS
RS-bx701 Per offertaTelefonare/e-mail

Specifications Type: 3-head, single compact
cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads:
1 x combination record/playback, 1 x erase Motor: 1 x capstan, 1 x reel, 1 x
mechanism Tape Type: type I, CrO2, Metal Noise Reduction: B, C Headroom
Extension: HX Pro Frequency Response: 30Hz to 19kHz (Metal tape) Signal to Noise
Ratio: 74dB (dolby C) Wow and Flutter: 0.07% Input: 100mV (line) Output: 0.5V (line)
Dimensions: 430 x 125 x 293mm Weight: 4.6kg
TECHINICS
RSB106
€.
170,00
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PIONEER
CT301 €.
190,00

Specifications
Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel
stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: 1 x DC
servo Tape Type: type I, CrO2, Metal Noise Reduction: B Frequency Response: 35Hz
to 15kHz (Metal tape) Signal to Noise Ratio: 67dB (dolby B) Wow and Flutter:
0.06% Total Harmonic Distortion: 1.5% Input: 50mV (line), 0.3mV (mic) Output:
0.3V (line) Dimensions: 420 x 120 x 238mm Weight: 3.8kg


MARANTZ ST
6001
€. 200,00
NAKAMICHI ST7
€. 850,00
The Nakamichi ST-7 / ST-7E is a digital synthesis tuner with the Schotz Noise
Reduction technology. This revolutionary system improves effective stereo
sensitivity by about 9db and lets you enjoy clean stereo on broadcasts that
previously could only be received in mono. Other features include seek and
manual tuning as well as 16 FM/AM presets that can be programmed at random, thus
combining convenience with top-level capability

NAKAMICHI TUNER
2
€. 650,00

STAX
SR404
€. 599,00
The Stax 4040II System is one of the few
headphone systems I could envision displacing my loudspeaker listening. It
achieves a few of the holy grail qualities headphones must have to warrant
extended, repeated use: 1. Neutrality. These headphones are near perfect in
their tonal response and as such are nearly fatigue free. The frequency extremes
are decently extended which is a bonus, but most importantly, there are no
errors within the range they reproduce. Some may find the lack of a mid-bass
hump disconcerting, but after acclimatizing to the sound you realize this is how
music is supposed to be reproduced. 2. Comfort. Other than the AKG K501, these
are the most comfortable headphones I have ever used. You can wear them for
hours and hardly notice them. 3. Openness of soundstage. Better than anything
I've heard, these allow you forget at times that you are listening to headphones.
M4. Supreme resolution. I have heard no headphones which better these in terms
of low-level detail. Other headphones will force detail upon you through
accentuated treble or emphasized transients. These present everything "as it
is." The few drawbacks of the SR404 are largely related to partnering equipment.
You must search out the best source possible. I would hesitate to use any CD
player below $3000. These are too revealing. The sound you may get won't be
unpleasant as Stax always makes the best of the source material, but it will
become painfully obvious what kind of flaws most source components suffer from.
STAX
SRM-1
MK2
€. 890,00
The Stax SRM-1/MK-2 Professional is a
high-voltage amplifier and bias source for Stax' electrostatic headphones. It
has both a Professional (580 V) and a Standard (230 V) output, so any Stax
earspeaker ever made since 1959 works perfectly. (Stax' marketing people have
always called their headphones "earspeakers.") The SRM1-Mk-2 Professional is an
FET-input, pure class-A, DC-coupled amplifier. It has no capacitors or
transformers in the audio path. It's housed in a completely non-magnetic case to
ensure no inadvertent magnetic coupling happens. It uses high-voltage bipolar
transistors in its output stage. It has enough output to deafen us with any of
Stax' headphones, without any distortion. It is fed from any device with 1/4"
RCA jacks, or even directly from iPods and iPads with any 99¢ 3.5mm to RCA cord.
If you do your iPod transfers correctly, this and a set of SR-Lambda
Professionals sounds indescribably incredible from an iPod, if you'd just listen.
This SRM-1/Mk-2 Professional was Stax' top amplifier from 1982-1995. A few other
amps came along during that time: All versions of the SRM-1/MK-2 amps are the
same, differing only in the bias supply fed to the diaphragm. They have come in
both silver and black. The audio amplifiers are the same, and in fact,
regardless of bias voltage and pin count of any particular socket, the audio
connected to each socket is actually wired directly to the same amplifier
output. The audio sections of the two sockets are wired in parallel! The only
significant circuit differences among the versions are leads coming from one
bias supply or another
Stax SRM-1/MK-2 is how its name is printed on the front and back of the
amplifier, but be careful to look for the PROFESSIONAL printed on the top cover,
or one jack marked PRO ONLY and the other marked NORMAL. Others will write is as
SRM-1 Mark II, SRM1-MK2, or other ways. The SRM-1/MK-2 (not professional) has
two standard (230 V bias) outputs, while this Professional version has one
standard and one professional (580 V bias) output. Inputs There is one
loop-through line-level input. Rated 100 mV, 50 k Ohm. Loop-through means they
are wired together; you can insert this in between any two other components, and
even if it's turned-off, the signal goes through. Gain 60 dB (1,000x).In other
words, a 100 mV input can produce a 100 V output at maximum gain. Frequency
Response Rated DC - 20 kHz, ±1 dB, at 30 V with one pair of SR-Lambda.
Distortion Rated 0.01% THD at 1 kHz. Rated 0.05% THD at 100 V at 1 kHz while
driving an SR-Lambda. Internal
Wiring Super oxygen-free copper with giant crystals. Outputs The two headphone
audio (plate) outputs are connected in parallel. Rated 370 V RMS maximum output
at 1 kHz. The bias voltage of the "normal" socket is standard 230 V, and the
Professional outlet has a 580 V bias voltage. Size Rated 5.9 x 3.4 x 14.2
inches, WHD Rated 150 x 87 x 370 millimeters, WHD. Weight Rated 2,000 g. (70.5
oz. or 4.41 pounds). Line Voltage and Power Voltage: Rear-panel selectable 100
V, 117 V, 220 V or 240 V. Frequency: 50 - 60 Hz. Power Consumption: Rated 33
Watts. Ambient Operating Temperature 0 ~ 40 º C (32 ~ 104ºF).
STAX
SRD7
€. 250,00
The Stax SRD-7 energizer works differently than a regular Stax
amplifier. It requires to be piggy-backed to a standard speaker amplifier, where
it takes the current from the speaker amplifier and convert it to the necessary
high voltage power for driving Stax Electrostatic headphones. It remains a
popular choice among Stax users as a cheaper alternative than a standard
electrostatic amplifiers. MThe SRD-7 pictured here is a normal bias
version, where both headphone out has the 6-pin normal bias Stax connectors.
There are also pro-bias SRD-7s that accomodates the higher bias Pro-version Stax
headphones. The unit itself is fairly small, measuring roughly 12cm x 7cm x
20cm, and it easily finds place next to your computer. The front panel has a
knob for turning power on and off. When the knob is on the off position, the
signal from your speaker amplifier is passed on to the speakers, thus you
conveniently can switch between your headphone and speaker set up.On the back
panel, we find two cables as well as four binding posts for connecting your
speakers. The black cable is the AC Power cable, where the gray cable goes into
your speaker amplifier. Conveniently, Stax included the cabling legend for
connecting the SRD-7 to your speaker amplifier. Power consumption is
surprisingly low at 0.1w.

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KENWOOD GE 730
Prezzo offerta
€. 399,00
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dbX-2BX EXPANDER
Prezzo offerta
€. 399,00
2BAND DYNAMIC RANGE EXPANDER dbx 2BX two band
dynamic range expander. The limitations of the recording process requires record
and tape manufactureers to sacrifice nearly half the dynamic content of live
music. Crescendos and loudness variations containing vital musical information
must be reduced in scale, compromising the presence and excitement of the
original performance. A dynamic range expander is a complex electronic system
which makes quiet sounds quieter and loud sounds louder to restore the dynamics
sacrificed in the recording process
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PIONEER MA9
Prezzo offerta
€. 299,00
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ROTEL RSP 900
Prezzo offerta
€. 499,00
SELETTORE DI DIFFUSORI
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TECHNICS SH-8055
Per offerta Telefonare/ e-mail

PIONEER
SG9
Per offerta Telefonare/ e-mail
/ds7%20(2).jpg)
SANSUI DS7
Per offerta Telefonare/ e-mail
TECHNICS SH-800
Prezzo offerta
€. 350,00
TECHNICS SH-8055
Prezzo offerta
€. 250,00
MIXER

TEAC MIXER model 2
Prezzo offerta
€. 250,00

INFOCUS
IN72
Per offerta Telefona/Email
Description The InFocus IN72 DLP home
entertainment projector offers all of the excitement of attending your first
rock concert! You can’t always get what you want? With the IN72, you can always
get it – in sports, gaming or television entertainment. It’s like going out on
the town without having to leave home! With its stylish design, it delivers more
performance than a plasma TV – at less cost. Go for it! Live large. Invite your
guests to see the latest movies in your own screening room. The IN72 truly
brings it all back home. Product Identifiers Brand InFocus Model
IN72 MPN IN72 UPC 00797212665706, 797212665706 Key Features
Display Technology DLP Resolution 854x480 Image Brightness 900 ANSI
Lumens Contrast Ratio 2000:1 Form Factor Portable Image
Max Resolution 1024 x 768 (XGA) Image Size (Diagonal) 32.47 in. - 156.46 in.
Image Aspect Ratio 16:9 HDTV Formats 1035i, 1080i, 1080p, 480i, 480p,
576i, 576p, 720p Screen Distance 5 ft. - 20 ft. Synchronization
Range Horizontal 31.5-80 kHz Synchronization Range Vertical 50-85 Hz
Analog Video Format NTSC, PAL, SECAM Color Support 24-bit (16.7M colors)
Technical Features Platform Mac, PC Front Panel Controls Keypad
Remote Control Features Illuminated Remote Connectors Component, Composite
(RCA), DVI, HDMI, S-Video Interfaces Video input 4 Pin - Mini DIN
(S-Video), Component Video, Composite Video, DVI, HDMI x 1 Lamp Lamp Type
SHP Light Source Power 200W SHP Light Source Life 3000 Hours
Dimensions Width 14.2 in. Depth 14.2 in. Height 4.7 in.
Weight 9.3 lb. Miscellaneous Features Keystone Correction
Projection Method Ceiling, Front, Rea
EPSON EH-TW9000
Per offerta Telefona/Email
Color Light Output
2.400 lumen White Light Output2.400 lumen Risoluzione Full HD 1080p, 1920 x
1080, 16:9 Alta definizione Full HD Aspect Ratio 16:9 Rapporto di contrasto
200.000 : 1 Lampada ETORL, 230 W, 4.000 h Durata, 5.000 h Durata (in modalità
Risparmio energetico) Correzione trapezoidale Automatico verticale: ± 30 °
Frequenza immagini 2D/3D 120 Hz / 480 H Rapporto di proiezione 1,34 - 2,87:1
Zoom Manual, Factor: 1 - 2,1 Lenti Ottico Lens Shift Manuale - Verticale ± 96,3
%, orizzontale ± 47,1 % Dimensioni immagine30 pollici - 300 pollici Distanza di
proiezione grandangolare 0,9 m - 9 m Distanza di proiezione teleobiettivo 1,9 m
- 19,2 m Rapporto focale (F) 2 - 3,17 Distanza focale 23 mm - 47 mm Messa a
fuoco Manuale S-232, Ingresso HDMI (2x), Ingresso Composite (2x), Ingresso
Component Modalità colore 3D 3D Dinamico, 3D Cinema Caratteristiche Correzione
automatica del colore, Correzione trapezoidale automatica, Tecnologia DeepBlack,
Epson Cinema Filter, Epson Super White, Frame interpolation,
Accensione/spegnimento istantanei, Funzione Split Screen Modalità colore Cinema,
Dinamico, Soggiorno, Naturale Consumo energetico 348 Watt, 263 Watt (in modalità
Risparmio energetico), 0,37 Watt (in standby) Dimensioni 466 x 140 x 395 mm (LxPxA)
Peso 8,3 kg Livello di rumore Mod. Normale: 32 dB (A) - Mod. Economy: 22 dB (A)
EPSON
TW 3800 Per offertaTelefonare/
invia un e-mail
Resolution 1920x1080 Type LCD
Weight (kg) 7 Rated fan noise (dB) 22 Throw ratio 2.4-5.1 Rated contrast 18000:1
Aspect ratio 16:9 Max image size (in) 300 Dimensions (hwd, cm)
15x45x39 Rated brightness (Lumens) 1800 Phono audio in 0 PC in
0 S-Video in 1 HDMI in 2 RGB Scart in 1 Component in 1
Accepts 1080p Yes 24fps Yes HDMI 1.3a Yes Composite in 1
DVI in 0 HD Ready Yes Full HD Yes
SHARP XV-C1E
Per offertaTelefonare/
invia un e-mail
SHARP XV-C100E
Per offertaTelefonare/
invia un e-mail
PROCESSORI
VIDEO
DVDO
Per offertaTelefonare/
invia un e-mail

PANASONIC
Prezzo
offerta €. 559,00
DBX-DAV 600G
Per offerta Telefonare/
invia un e-mail
Audio video program route
selector A switching console for people who have more equipment than their
receivers have inputs.
* 3 video input/output (play & record, that is) plus one video input-only (for
laserdisc or DVD)
* 3 audio input/output
* Multiple audio and video effects processing loops for noise reduction units,
equaliser, etc.
The only difference between the video and audio sections is the passing of video
through the circuit. I have almost always used it for six audio connections and
ignored the video
ALTOPARLANTI
Infinity infinitesimal
COPPIA Prezzo offerta
€. 400,00

INFINITY FILTRI PB
Renaissance 80
Prezzo offerta
€. 150,00
CROSSOVER ORIGINALE PASSA
BASSO IDEALE PER AUTOCOSTRUTTORI O RICAMBIO ORIGINALE PER :REINASSANCE80,REINASSANCE90
DISPONIBILI POCHI PEZZI AFFRETTARSI
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INFINITY FILTRI PH
Renaissance
80 Prezzo offerta
€. 170,00
CROSSOVER ORIGINALE PASSA ALTO
PER EMIT ED EMIN IDEALE PER AUTOCOSTRUTTORI O RICAMBIO
ORIGINALE PER :REINASSANCE80,REINASSANCE90
DISPONIBILI POCHI PEZZI AFFRETTARSI
INFINITY EMIT
902-5228
PREZZO OFFERTA €.250,00
IDEALE PER AUTOCOSTRUTTORI O
RICAMBIO ORIGINALE PER :SIGMA,EPSYLON,OMEGA,REINASSANCE80,REINASSANCE90
CAR STEREO
 
NAKAMICHI IND7
Prezzo
offerta €.1.890,00
NAKAMICHI IN DV7 TUNER TV IN DASH DVD PLAYER TOUCH SCREEN RDS
IN-DV7 – Nakamichi’s Latest Venture in Car Audio Multimedia IN-DV7, a stylish
and user-friendly In-Dash DVD/TV/Tuner is Nakamichi’s latest venture in Car
Audio Multimedia. Nakamichi seeks to elevate in-car entertainment to new heights
by delivering high performance visual and audio experience with IN-DV7,
illustrating Nakamichi’s technological prowess and ingenious expertise.The Touch
Screen Control allows finger-tip control of virtually all functions.
Alternatively, you could also operate with ease with the user-friendly
integrated big function buttons that are prominently visible. Enabled with
Joystick Menu Navigation, you can navigate conveniently with more room for
mobility. With its 60 sec Electronic Skip Protection, you no longer have to
worry about screen or sound distortion whenever the vehicle goes over a bump.
Experience maximise sound amplification with minimal sound distortion with the
Discrete 4-Channel MOSFET High Power IC Amp, even at great outputs. Superb audio
reproduction is delivered accurately and enhanced that would satisfy any
discerning audiophiles. IN-DV7 also boosts with screen resolution of 1.15 mega
pixels for its LCD display that projects clear and vivid pictures. Aimed to be
the ultimate mobile theatre system, IN-DV7 performs flawlessly with a motorised
7 inch TFT LCD Flip-out/up screen which is automatically elevated for good
viewing position at a push of a button. Both the driver and passengers will be
entertained with Dual Zone environment – front audio for the driver while
rear-seat passengers could watch their own video entertainment. Consistent with
Nakamichi’s product design philosophy, INDV7’s elegant aesthetic design would
complement any dashboard display and establish car interior trends.Renowned for
its superior product design, acoustic quality and performance,Nakamichi has once
again successfully produced a versatile and superior InCar Entertainment System
for its discerning audience.SPECIFICATIONS:• High Definition 1.15 Mega Pixels•
Active Matrix LCD Panel• Full Automatic Motorised TFT LCD Flip-Out/up•
Multi-Zone Output (Kid Zone)• Touch Screen Control• DVD-R/-RW, CD-R/RW
Compatible• JPEG, VCD, SVCD, DVD Media Formats• MP3 Direct Track Access• Dual
Zone – Audio For Driver And Video For Back Seats• Joystick Menu Navigation• Tilt
Adjustment 2-Stage 6 Steps Automated• ID3 Tag Compatible• 60-Sec ESP• High-Speed
Audible Track Search• All-In-One (No External AV Box)• Discrete 4-Channel MOSFET
High-Power IC Amp Monitor Section:Screen Size 7” Diagonal, 16:9 Widescreen160(H)
x 102(W) mm 6.3(H) x 4(W) InchesScreen Type TFT Liquid Crystal Display (LCD)Resolution
DVD Player : 1.15 Mega Pixels(Internal RGB Digital Interface) 800(H) x 480(W) x
3 Composite Video Input 384,000 Pixels 800(H) x 480(W) mm Pixel Pitch 0.1905 x
0.1905 mm Viewing Angle 65° Left / Right 45° Up, 50° Down (Manual Adjustment
DVD/CD Player Section Compatible Formats DVD-R, DVD-RW, CD-R, CD-RW, CDDA, MP3,
SVCD, VCD, JPEG Signal-to-Noise Ratio 70 dB Frequency Response 20 Hz to 20 kHz,
-3 dB Channel Separation 60 dB D/A Converter 24 Bit 192kHz, DELTA-SIGMA
Converter Television:18 Channel Auto Preset Memory 4-Line Diversity Antenna (Supplied)
Tuner: 18 FM / 12 AM Presets with Preset Scan Auto Station Store CEA Section
Power Output 30 W x 4 Channels 10% THD 1 kHz Signal-to-Noise 70 dBA Dynamic
Power 36 W at 4 ohm x 4 Channels Frequency Response 20 Hz to 20 kHz, -3 dB Power
Supply 14.4 VDC FM Tuner Section Frequency Range USA 87.5 – 107.9 MHz in 200 kHz
Steps Other Area 87.5 – 108.0 MHz in 50 kHz StepsQuieting Sensitivity (-50 dB)
15 dBf Signal-to-Noise Ratio > 60 dB (1 kHz) Stereo Separation > 30 dB (1 kHz)
Distortion 1%AM Tuner Section Frequency Range USA 530 – 1,710 kHz in 10 kHz
Steps Other Area 531 – 1,602 kHz in 9 kHz Steps Sensitivity (-20 dB) 30 µ V
Signal-to-Noise Ratio 48 ~ 49 dB (1 kHz) Video Section Formats NTSC or PAL (According
To Country Of Sale)* Dimensions do not include protruding parts. Specifications
and design are subject tochange for further improvement without notice.Output 1
Vp-p (75 ohm)Input 1 Vp-p (75 ohm)General:Full Function Infrared Remote
ControlLimited Function Infrared ‘Kid Zone’ Remote Control Connection Facilities•
OSD – On Screen Display Menu Control• 2 Pairs Front / Rear (RCA) Pre-amp Outputs•
2V RMS RCA Pre-amp Output Voltage• 1 Subwoofer Pre-amp Output (RCA)• 1 Center
Channel RCA Pre-amp Output (Variable)• 2 Pairs Rear (RCA) Auxiliary A/V Inputs•
1 Composite Video Output For Additional Screens Audio Input Impedance 10 k Power
Supply 11 VDC to 16 VDC (Negative Ground) Fuse 10 Amp, ATO Type
DIN Chassis Dimensions 178(H) x 178(W) x 51(D) mm7(H) x 7(W) x 2(D) Inches
Weight Approx. 4.3 kg / 9.5 lbs

Legenda istruzioni
Clicca
per qui per vedere : FOTO PRODOTTO
Clicca
per qui per vedere : ISTRUZIONI PRODOTTO
Clicca
per qui per vedere : CATALOGO,PROVA RIVISTE SPECIALIZZATE PRODOTTO
Nota
bene *
Per ordinare o avere
gli ultimi prezzi aggiornati telefona al
0174 670100
o invia un E-mail a
info@newaudio.it
*I prezzi indicati
sono di listino ufficiale delle case produttrici ,nel
caso di diffusori si riferisce al prezzo del
singolo diffusore per offerte ed eventuali
promozioni telefonare o inviare e-mail.
*Il
presente listino sostituisce ed annulla ogni precedente. Le caratteristiche e i
prezzi indicati possono variare senza preavviso telefonare o inviare un
e-mail per ulteriori domande e conferme sui prezzi sopra riportati.
*Tutti i marchi citati nel presente listino sono di proprietà e
registrati alle rispettive Case Produttrici
*Prezzi
franco
nostro magazzino

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