In the mid 1980s into the
early 1990s, the original A1 was generally regarded as the ultimate in
musicality. Over the past 16 or 17 years, it has been sorely missed by the
musically inclined audio enthusiast.The new A1 has all the sonic virtues of the original, but it has been brought up
to date. First off, its technical performance is excellent, with low distortion
and very good load-driving characteristics. The new A1 also has an excellent
signal-to ratio and a wide, flat frequency response.Further, the new A1 has the usual complement of inputs, plus phono (MM) and USB.
It has an attractive display and full remote control. The build quality is a
substantial step up from the original, and the visuals have been refined. But
don’t worry, the new A1 still has that unmistakable A1 look!But enough talk about technical performance and facilities. What you want to
know about is the sound. Well, it’s that Class A story again. The A1 has a sweet,
warm, full and exciting sound. No harshness. No grain. Just pure music. Unlike
the original, the sound of the new A1 does not get ‘muddy’ as it nears full
power. It remains clean right up to its power limit. To hear what the new A1
does is to hear what hi-fi is supposed to do: it makes music, pure and simple.The A1’s only limitation is power. There are two solutions to this. Either use
loudspeakers with sensitivity above 92dB, or use the A1 to drive the 550K or
750K Supercharger. The potential of this combination is extraordinary. It also
offers a proper upgrade path for the committed, music-loving audio enthusiast.Start out with the beautiful A1 and then, when finances permit, add a pair of
Superchargers – and you’ve created a world-beating amplification system.
Integrato 70/137 W RMS/ch 8/4 ohm.
Circuito pilota derivato dai finali top della M.F. Distorsione meno di
0.02% da 20 a 20k Hz. Sezione pre in Classe A con sua alimentazione indipendente
con uscita dedicata dal trasformatore. Selettori ultra-low noise. Controllo
volume che opera con elevata qualità. Elevata stabilità della sezione finale.
9,2 kg, 440x100x400 mm (LxAxP)
Dual Mono 200 W RMS per
canale 8 ohm, 400 W RMS per
titanio canale 4 ohms, picchi di 800 W a 2 ohm. Costituito
da una sezione pre e due sezioni finali
mono. 45 A picco-picco. Ingressi RCA, XLR,
USB. Uscite RCA, Tape a livello costante, preamp.HT Mode.
Speciale protezione "optical feedback" 16,6 kg,
440x125x400 mm (LxAxP)
M6i
200wpc high performance integrated amp with balanced and USB inputsThe new M6i
integrated amp is designed to give great sonic and technical performance. Its
design and build quality are excellent. Internally the M6i is actually a
separate preamp with two monobloc power amps. The M6i has one huge mains
transformer which gives entirely separate outputs for left and right power amps
and preamps. Even though the M6i is a one box solution it’s actually a set of
discreet monobloc power amps with a separate preamp in one sleek package.Due to
its excellent practical linearity, low distortion and excellent load driving
ability the M6i can be paired with any loudspeaker. It’s extremely quiet so high
sensitivity loudspeakers are fine but at the same time it’s very powerful so
lower sensitivity speakers present no problem.The M6i’s sound is calm and
unruffled. Huge dynamics are delivered with ease. Quiet passages are sweet and
warm. The overall picture the M6i delivers is natural and uncoloured.We have
tried to make the build quality as good as possible. The front panel is
beautifully finished. The knobs and buttons are machined from solid aluminium,
the badge is from medical grade stainless steel. The heatsinks are fine line
finished custom made extrusions.For most people for most of the time the M6i is
the perfect companion for music.
,
Classe A, FULLY BALANCED Stadio di uscita a bassa
impedenza che rende possibile pilotare ogni finale con cavi lunghi . 2 ingressi
bilanciati. PhonoM M&MC. 4 ingressi linea di cui 1 HT bypass.
USB2.
Tape Monitor 11,4 kg, 440x126x400 mm (LxAxP)
The
M6PRE fully balanced preamp is genuinely fully balanced; from beginning to end.
Many preamps claim to be balanced but in fact are single ended preamps with
balanced inputs and balanced outputs. Unlike them, the M6PRE is the real deal.
Its pure Class A circuitry produces very low distortion, minimal phase shift,
low noise and excellent linearity. The low impedance output stages (both single
ended and full balanced) will drive any power amp through any conceivable length
of cable.
The M6PRE fully balanced preamp has a wide range of inputs; two balanced inputs,
phono MM/MC, four line inputs (one with HT bypass) and digital USB2. The M6PRE
fully balanced preamp is the epitome of Musical Fidelity design; superlative
technical performance, great flexibility, excellent build quality, beautiful
visuals and excellent value for money.
RMS/ch 8 ohm. Dual Mono,
Fully Complementary, Bifilar Chocke Regulation. L'alimentazione choke
regulation agisce da filtro di rete. La circuitazione è basata su quella del
TITAN ed usa 8 transistors per canale. 140 A di picco. Doppio ingresso RCA. 1
ingresso XLR. 1 uscita RCA. Doppia uscita diffusori. nero 19,7 kg, 440x125x340
mm (LxAxP)
The
M6PRX dual mono power amp is a tour de force. Behind its classically simple,
elegant design lurks a real hi-fi “big beast”. The M6PRX uses Musical Fidelity’s
exclusive dual mono, fully complementary, bifilar choke regulation system. Choke
regulation is a concept from tube amplifier days which, with the exception of
Musical Fidelity, has never been used with transistor amplifiers. Choke
regulation offers huge power supply benefits; dramatic reduction in “saw tooth”
power supply noise and an effective mains noise filtration system. The dual
mono, bifilar choke regulation system is unique to Musical Fidelity. We have
been using this technology since 1987.The M6’s circuitry is based on our Titan
monster amp. It has 8 output transistors per channel. Its technical performance
is beyond most other power amps available, regardless of price. Extremely low
wide band distortion, low output impedance, outstanding load driving
characteristics, enormous stability margins and very high peak current delivery
mark the M6PRX dual mono power amp as something really special.The sound is
effortless, detailed and fast. Yet there is no grain or harshness. Transients
are delivered with their full force but, perhaps more importantly, the recovery
is virtually instantaneous.The M6PRX dual mono power amp may be relatively
modestly priced and in a modest looking package, but it has the heart of a lion.
It is the ultimate expression of our art.
CD player low-distorsion,
low-noise, low-jitter Filtro high-tech digital-stream. Filtro di rete
chocke. 5 punti di alimentazione indipendenti 6,65 kg, 440x100x375 mm (LxAxP)
High
performance 44k 16 bit cd player that's a bit under half price of the M6 CD
CD player / DAC,
24-bit / 192K true upsampling. Uscite Line Level RCA ed XLR Fully Balanced.
Uscite Digitali RCA, TOSLINK. Ingresso USB type B. Uscita analogica in
Classe A 11,2 kg,
440x125x385 mm (LxAxP)
The
M6CD/DAC is the latest evolution of Musical Fidelity’s high performance digital
range. It has a very high quality 24-bit 192K true upsampling DAC which has
outstanding linearity, ultra low noise, very low distortion and ruler flat
frequency response.The M6CD/DAC is a very high quality DAC as well as being a CD
player. Once you have created a very high performance DAC for a CD player it is
relatively low cost to add 3 extra digital inputs so it can be used as a very
high quality DAC as well. That’s what we’ve done with the M6CD. It has inputs
for USB, coax and optical. Given a reasonable quality digital stream the M6’s
DAC will make a huge measurable improvement to performance to any source. The
M6’s sonic quality is smooth and sweet. There is no harshness, excellent image.
Great spatial recovery. Huge dynamic range. It’s just so natural. Pairing the
M6i and M6CD/DAC gives a really high quality basis for your music system.
Preamplificatore digitale - streamer,
progettato per essere un universal nero music controller. Permette di controlla
varie sorgenti di musica e di inviare il segnale ad un amplificatore (anche un
ampli per cuffia come l'M1 HPA). Possiede: 7 ingressi digitali 3 ingressi
analogici puri, dall'inizio alla fine internet radio con sistema VTuner
streaming Uscita fissa e variabile. Può operare wireless o Ethernet. Al suo
cuore è presente un DAC 24 bit 192 kHz reclocking up sampling. Accetta i
seguenti formati: FLAC (up to 24bit 192 kHz on wired LAN and up to 24bit 96 kHz
on wireless LAN) WMA/9 (up to 16bit 48 kHz) AAC, HE-AAC (up to 24bit 96 kHz)
LPCM (up to 24bit 192 kHz on wired LAN and up to 24bit 96 kHz on wireless LAN)
Ogg vorbis 1.0 (up to 16bit 32 kHz) MP3 (up to 16bit 48 kHz) Ingressi: 2 x
digital ipod/iphone/memory stick or USB drive 2 x coax optical USB network
connection La connettività alla rete (può operare sino a 24 Bit 96 kHz):
Ethernet 10/100 Mbit/s USB 2.0 (Network share) Wifi IEEE 802.11b/g
OUTLINE OF M1 CLiC The M1 CLiC is universal music controller for digital
and analog sources. It has: •Seven digital inputs (2 x digital ipod/iphone/memory
stick or USB drive, 2 x coax, optical, USB, network connection.) •Three analog
inputs•Streaming•Internet radio The CLiC has both fixed and variable output. It
also has a trigger output. The CLiC will operate from wireless or Ethernet.
DIGITAL INPUTS At its heart, the CLiC has a very low noise, low jitter up to
24bit 192 kHz, reclocking upsampling DAC. This has outstanding technical
performance with extremely low distortion and excellent linearity. True state of
the art performance. The CLiC will accept the following formats: •FLAC (up to
24bit 192 kHz on wired LAN and up to 24bit 96 kHz on wireless LAN) •WMA/9 (up to
16bit 48 kHz) •AAC, HE-AAC (up to 24bit 96 kHz) •LPCM (up to 24bit 192 kHz on
wired LAN and up to 24bit 96 kHz on wireless LAN) •Ogg vorbis 1.0 (up to 16bit
32 kHz)•MP3 (up to 16bit 48 kHz) The seven digital inputs are configured as
follows:•2 x digital ipod/iphone, memory stick, USB disc drive•2 x coax inputs (SP-DIFF
up to 24bit 192 kHz) Optical (up to 24bit 192 kHz) •USB input •Network
connection The wireless connection can operate up to 24bit 96 kHz depending on
computer network settings. ANALOG INPUTS The analog inputs are pure analog from
beginning to end.
Ingressi: XLR, RCA, Toslink, USB Lock a: 32kHz, 44.1kHz, 48kHz, 88kHz, 96kHz e 192kHz.
Filtro di rete choke. 3,4 kg, 220x100x300 mm (LxAxP)
Musical
Fidelity was pretty well the first company in the world to make a DAC. Since
then we have an unbroken lineage of top performing, top value digital
products.The new M1 DAC is the fruit of our 23 years experience of making top
performance DACs. It has four digital inputs; coax, optical, balanced and
USB.The M1 DAC will lock on to any S/P diff signal at; 32kHz, 44.1kHz, 48kHz,
88kHz, 96kHz and 192kHz. The input sampling frequency is displayed on the front
panel.The M1 DAC upsamples to 24-bit at 192kHz. This is genuine true
upsampling.The M1's technical performance is, pretty well, as good as any at any
price. We know this sounds like an incredible claim but it's true. Musical
Fidelity's state-of-the-art circuit design and pcb layout with the use of top
quality digital components gives state-of-the-art performance. There's no secret
or mystery about this. We use top quality digital components in carefully
designed circuit configurations which are subtly implemented on brilliant pcb
layouts. Unsurprisingly the result is state-of-the-art performance. It's just
that the price is competitive so many people find it hard to believe.The M1 DAC
has vanishingly low distortion, typically less than 0.005% across the band.
Frequency response is ruler flat. Jitter is extremely low. The noise ratio is
outstanding, one of the quietest DACs in the world regardless of price. Looking
at the M1 DAC's total measurements and comparing them to any DAC up to ten times
its price you will see that, on balance, the M1 DAC is equal to or better than
any. The M1 DAC has a high quality power supply. Interestingly it has choke
filtration on the mains input. This, effectively, is a mains signal conditioner
which increases the performance and value of the M1 to even greater heights.
DAC24/192 state-of-the-art DAC
con ingresso coax, ottico eU SB ASINCRONO L'ingresso USB asincrono usa la stessa
tecnologia e lo stesso software del modello V-LINK che ora è
incorporato nel V-DAC MKII. Il livello di distorsione ed il livello di
separazione tra i canali sono stati ulteriormente migliorati, seppure quelli del
precedente modello fossero già eccellenti nelle caratteristiche.
Design
background When the original V-DAC was launched three years ago, it got
excellent reviews. The technical reviews, in particular, were outstanding,
and the V-DAC proved to be popular with music loving audiophiles. Most competent
reviewers realized that the V-DAC was the technical equal of other DACs up to
ten times the price. The only real criticism was about its appearance. In
the last three years, computer audio has become more popular. To get the best
out of computer audio, you need an asynchronous USB input. The original V-DAC
did not have this. The design brief for the V-DAC II 1.Improved appearance and
finish 2.Add asynchronous USB input 3.If possible, improve the technical
performance 1. Improved appearance and finish Contrary to what many may think,
Musical Fidelity listened closely to what was said about the aesthetics of the
V-DAC and we took the criticism to heart. We have made a substantial investment
in the extrusion fabrication techniques for the V-DAC II. The result is that it
looks much better and the finish is also vastly improved. The V-DAC II looks
classy and technical at the same time, which is a perfect combination for a DAC.
The fine line extrusion with premium finish brushing exudes quality. The front
and back end pieces are now made from machined aluminium, twice as thick as
before, giving the V-DAC II more perceived quality. 2. Asynchronous USB
input The new V-DAC II has an asynchronous USB input. This is exactly the same
technology and programming as used in our highly successful, enthusiastically
reviewed V-Link. What an amazing combination: superlative 24bit 192k upsampling
reclocking V-DAC technology and a super-performance, asynchronous USB in one
box. This is amazing stuff! 3. If possible, improve the technical performance
The original V-DAC had superlative technical performance. With very low
distortion (0.005%), low noise, excellent linearity and low jitter, it was equal
to, or in many cases better than, DACs that were vastly more expensive.The V-DAC II
improves upon the original V-DAC’s benchmark performance. We have halved the
distortion (0.002%) and improved the stereo separation to an incredible
–105dB.By any standards, the V-DAC II is a new benchmark for superlative
technical performance.
Il V-LINK trasforma l'uscita USB sincrona di un computer
in asincrona permettendo poi il trasferimento del segnale digitale da USB
a S/PDIF via uscita coassiale RCA o , ANCORA MEGLIO,sino a 24Bit / 96KHz ottica
TOSLINK . Con USB asincrono il trasferimento del data è completament
controllato dal V-LINK, assicurando così che il bitrate audio venga
restituito senza compressione e con basso jitter .
! V LINK 24 BIT 96 kHz
ASYCHRONOUS USB TO S/PDIF CONVERTER WITH COAX AND OPTICAL OUTPUT Design
Background More people are storing their cherished music collections on
computer. This exciting consumer led revolution gives new and exciting
possibilities for audiophiles. However, the standard USB output from laptops has
been a serious limitation on ultimate quality. Standard computer USB outputs are
synchronous. This means that the computer will determine its output data rate at
its whim. From an audiophile’s perspective this is a disaster. The data rate
might be 14 BIT 32 kHz or it might be at a higher data rate. It just depends on…what
the computer decides to do. The solution to this problem is asynchrony. Simply
put the receiving device instructs the computer to give it data (via its USB
output) at whatever rate it has been stored on the computer disc. This is a big
change. Now an audiophile can be confident that the data received from his
computer is genuinely high quality and unfailingly consistent. Perfect! V-Link
The V-Link is 24 BIT 96 kHz asynchronous USB to S/PDIF converter. It is an
exclusive in-house, Musical Fidelity development. The V-Link offers perfect
performance from USB. Jitter is eliminated. Data transfer is perfect. It really,
really does the job. There are other products on the market which have similar
functionality but, unless you spend big money on Ayre or other similar products,
they do not work consistently, reliably or in some cases properly. The V-Link
has been designed from the ground up to offer perfect and consistent
performance. It will work with a huge range of computers and operating systems.
Extreme attention has been paid to all the detailed programming to ensure rock
solid consistency. The low jitter power supply feeds an ultra high precision
clock which is positioned almost on top of (in PCB terms at least) the V-Link’s
vital components. This achieves extremely short tracks and ultra accurate
clocking. Our selected I2 Bus to S/PDIF converter ensures jitter free precision
conversion. The V-Link has Musical Fidelity’s unique proprietary asynchronous
digital control system feedback technology software. When added to all the other
elements, it produces virtual perfection. The V-Link (24 bit 96 kHz) produces
performance equal to the most expensive and the most exotic on the market. It’s
true! Zero Jitter The V-Link has zero jitter. See Hi-Fi News measurements below.
…”Moreover, it offers completely jitter-free conversion from one interface to
the other, as the graph above shows. (Ignore the extremely low-level peaks in
the spectrum: they are the residual components of the J-test signal used for my
measurement. PM)”… Optical Output Interfacing computers to audio systems
dramatically reduces the audio system’s performance. This is because computers
have large amounts of digital noise on their earths. This seriously reduces
audio performance. The V-Link’s optical output eliminates it entirely.
The V-Link’s optical output gives audiophile performance from computers.
Musical Fidelity’s V-series competitive pricing Musical Fidelity’s V-series
offers state of the art performance for a low price. It is done by solid
commercial principles and state of the art circuit/PCB design. The V-series has
no extraneous anything. It is state of the art circuitry laid out to perfection
with no trimmings, extraneous trouser stuffing braggadocio, packaged in a simple
low cost housing made in large numbers. We are determined to give state of the
art performance at an every day price
P
ura Classe A
Ingresso USB. Ingresso per 2
cuffie. Impedenza uscita bassissima (meno di 1 ohm) per pilotare praticamente
ogni cuffia con linearità e con bassissima distorsione. Usabile anche come
preamplificatore in Pura Classe A 3,4 kg, 220x100x300 mm (LxAxP)
We
all know that when we listen to pure Class A amps such as the AMS35i or AMS50
that the sound is incredible. It is richer, fuller, smoother and the bottom end
is more extended. That's why the reputation of pure Class A amplifiers remains
so strong; they really are the best thing.Musical Fidelity has a long history of
making superlative headphone amplifiers. The M1 HPA pure Class A headphone amp
has exactly the same sonic characteristics with headphones as our pure Class A
amplifiers with loudspeakers. It sounds fantastic.The M1 HPA pure Class A
headphone amp's technical performance is outstanding. Distortion is incredibly
low (less than .0005% across the band) frequency response is ruler flat. Noise
ratio is outstanding. In every technical parameter the M1 pure Class A headphone
amp is outstanding.The HPA has very low output impedance (below 1 ohm).
Headphone amps' output impedance is a usually ignored but very important
measurement. The HPA's extraordinary low output impedance means that it can
drive any headphone with complete linearity and low distortion. The vast
majority of competitive headphone amplifiers cannot do this because they have
much higher output impedance.We believe that neutrality and complete
faithfulness to the original recording is what hi-fi exists for. If you agree
with that ideal then the HPA pure Class A headphone amp is for you.The HPA has
two inputs; line and USB (from computers etc.). It has two headphone sockets on
the front panel and a loop out facility.Importantly the HPA also has a variable
line output so that it can be used as a very high quality simple preamp.
Amplificatore per cuffia
state-of-the-art. Molte cuffie di alta qualità hanno
una
impedenza di circa 30 Ohms. Quasi tutti gli amplificatori per cuffia hanno
invece impedenza 50 e 100 Ohms. A causa della loro alta mpedenza non sono
in grado di pilotare le cuffie appropriatamente. Il V-CAN II è molto diverso. La
sua impedenza di uscita è di 5 Ohms
Headphone
Amplifier-The
V-CAN is a genuine state-of-the-art headphone amplifier. Most high quality
headphones have impedance of around 30 Ohms. Almost all headphone amps have an
output impedance between 50 and 100 Ohms. Because of their high output impedance
they cannot drive headphones properly. Any sound they produce through
the headphones is necessarily coloured, with distortion and non linear frequency
response. The V-CAN is quite different. It's output impedance is 5 Ohms. This
means it will drive any headphone available with ease. It will
produce low distortion, ruler flat frequency response and complete linearity.
Satdio phono MM/MC con capacitanza, resistenza
e curve RIAA/IEC 8 76,25 724,17 499,00 45% nero selezionabili al volo. In
MM la resistenza ingresso si può regolare tra 47 o 68 Kohm. La capacitanza si
può regolare tra 50PF, 100PF, 150PF, 200PF, 250PF, 300PF, 350PF, 400PF. In MC la
resistenza ingresso si può regolare tra 10R, 18R, 25R, 50R, 100R, 200R, 400R,
800R, 1600R e 47K L'equalizzazione si può scegliere tra RIAA ed IEC.
Stadio phono very high performance MM/MC
tecnicamente perfetto.
Ha
una RIAA (±0.3dB 20Hz - 20kHz) virtualmente perfetta, distorsione
estremamente bassa, ampio margine di sovraccarico, rumore bassissimo
The
V-LPS is a very high performance MM/MC Phono Stage. It is technically correct.
It has virtually perfect RIAA (±0.3dB 20Hz - 20kHz), extremely low distortion,
wide overload margin and very low noise. By every tehnical measure it is top
quality.We achieve this by putting our kW Series phono stage circuitry into a
package which is extremely economical. It really isn't rocket science, all y
have to do is to be determined to make incredible value for money. And that's
the V-LPS!
Il presente listino
sostituisce ed annulla ogni precedente.I prezzi indicati si
riferiscono a singolo diffusore.
Le caratteristiche e i prezzi indicati possono variare senza
preavviso telefonare o inviare un e-mail per ulteriori domande e
conferme sui prezzi sopra riportati.
Prezzi
franco
nostro magazzino
Nota bene Tutti i marchi citati nel presente listino sono di proprietà e
registrati alle rispettive Case Produttrici