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Team spirit underlies all of our work at Vienna Acoustics, but when it comes right down to it, we achieve outstanding results because we are passionate. About what? Music, music, and music. And we have a vision: to bring you nearer to music by creating loudspeakers,clearly the most significant and important mediator of any sound system. At Vienna Acoustics, we have always been fascinated and motivated by the dramatic sound improvements a great speaker can provide. Mediocre systems prevent too many people from truly getting to know the joy of music, and we really appreciate the positive feedback we receive from all over the world about the musical Vienna Acoustics sound.Vienna Acoustics loudspeakers are the embodiment of our passion, our self-realization brought to life in loudspeakers that bend technology to the service of music. Maybe it's the ambience of our town Vienna, where music is always in the air – the concerts, the marvellous sound of the Goldener Musikvereinssaal, the jazz clubs, the dance clubs. Certainly Vienna is and has been an inspiration for artists; its musical heritage is overwhelming. No other city can lay claim to being the birthplace of western classical music. Mozart, Beethoven, Strauss, Schoenberg . . . the list goes on and on. Virtually every composer of significance has been drawn to Vienna, much as we have, for its richly musical backdrop. Today, Vienna remains the "City of Music," as the finest orchestras in the world bring their sonic delights to a populace at once critical and enthusiastic.We feel lucky to be able to relish all these musical offerings, and to combine these experiences with our work. Nothing is more important for us than your recognition of our commitment and talent in the sound, innovation, and quality of our speakers. This website contains comprehensive background information, but only hearing Vienna Acoustics products in person, for yourself, can demonstrate with real immediacy what makes our speakers so special. Our efforts focus on each individual product, to ensure that every one of our customers will get the masterpiece the designer intended, wherever she or he unpacks a Vienna Acoustics speaker. This is our self-realization: wherever we meet our progeny again, we'll be proud of them.
VIENNA ACOUSTIC HAYDN Listino ufficiale €. 1.195,00
Haydn Grand Symphony Edition Haydn’s music is known for its lyricism, from which vibrant tonal colors and brilliant harmonic structures are drawn out of deceptively simple arrangements. Similarly, the Haydn Grand Symphony Edition’s deceptively simple driver complement of our patented 6” X3P Spidercone mid-bass driver and refined 1” triple stackedsilk-dome tweeter centers around the groundbreaking airflow control wedge bass reflex port that serves to virtually eliminate port noise, allows for increased placement flexibility, and provides an extraordinarily compact driver configuration by positioning the tweeter on the front of the wedge. A dedicated linear crossover layout, with the copper circuit paths arranged in the direction of electron flow, takes into account the potential for sympathetic and parasitic interactions among crossover components that may inject unwanted noise and distortions while allowing for more direct and efficient transfer of signal to the drivers which leads to a greater level of detail and purity. This combination of elements, housed in a beautifully compact cabinet, permits equally effective and effortless placement in either bookshelves or on speaker stands. A compact 2-way monitor, Haydn Grand Symphony Edition features exceptional imaging, resolution and linearity, challenging the performance of the finest floor standers Impedance 4 Ohms Frequency response 40Hz – 20kHz Sensitivity 88.5dB Recommended Amplifier 50 – 180 Watts Tweeter 1” VA Hand Coated, Triple Neodymium Magnet Silk DomeMid-Woofer 6” Spider-Cone™ X3P Bass System Front Vented Bass Reflex Bass Function Impulse Optimizing QB 3 (quasi Butterworth) Crossover System Two Way 6db/12db BesselCrossover Components MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 44lbs/20kg Dimensions (W x H x D) 6.85” x 14.2” 10.4” / 174mm x 361mm x 265mm Finishes Cherry, Premium Rosewood, Selected Walnut, Piano Black and Piano White.Price for one speaker .
VIENNA ACOUSTIC MOZART REFERENCE Listino ufficiale €. 2.295,00
Mozart Grand Symphony Edition It is nearly impossible to fully express the impact Wolfgang Amadeus Mozart has had on the identity of our home, Vienna. This importance is the same with us at Vienna Acoustics and the model loudspeaker, now in its third generation, which we have chosen to name for this most famous musical innovator. Taking into full account the importance Mozart represents, we have recreated the Mozart Grand with refinements effecting virtually all critical components. One area we will not change is how and where we build each piece. For more than twenty years each loudspeaker we create is hand crafted in Vienna, Austria with only the finest components and expertly crafted, custom cabinetry. Beginning with our longstanding belief that the foundation of a proper loudspeaker design lies within the quality of its drivers, we have worked extensively on building tighter and tighter tolerance drive units. It is with this constant improvement in our driver production and testing that we found the first ways of making improvements to this model. In addition to these difficult improvements in driver production, we have replaced the second woofer with our patented Spider-Cone™ woofer. As with all our models, we decided to continue researching ways of improving the crossover as well. The final sonic improvements as a result of these collective changes are greater clarity, speed as well as greater bass extension without giving up any of the famed musical quality and rhythm inherent in all our designs. The final reward for this painstaking effort is presented here in our Mozart Grand Symphony Edition, beautifully finished with selected real wood veneers, as well as with true piano lacquer. Impedance 4 Ohms Frequency response 30Hz – 22kHzSensitivity 90 dBRecommended Amplifier 30 – 200 WattsTweeter 1.1” Hand Coated VA Silk DomeMid-Woofers (1) 6” X3P, (2) 6” Spider-Cone™ X3PBass FunctionImpulse Optimizing QB 3 (Quasi-Butterworth) Bass System Bass Reflex Crossover System Two and a Half Way Crossover Components MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 116lbs/52.6kg Dimensions (W x H x D) inches 8.5” x 38.25” 13.5” mm 216mm x 972mm x 343mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White .Price for one speaker .
VIENNA ACOUSTIC BEETHOVEN BABY REFERENCE Listino ufficiale €. 4.095,00
Beethoven Baby Grand Symphony Edition This 3-way design represents the heart and soul of the Concert Grand range. Beethoven Baby Grand Symphony Edition, like the instrument that shares its name, allows for epic concert hall performances to take place in the comfort of listening rooms of average dimension. Dynamic, open and highly musical, this 3-way design features our patented dual 6” X3P Spider-Cone™ woofers, a single 6” X3P midrange driver and an 1” hand coated Neodymium Silk Dome tweeter. Since Vienna Acoustics' birth in 1989, we have consistently maintained that the first priority of all of our designs rests in driver development. Founded in this belief, Beethoven Baby Grand Symphony Edition was the first model to take advantage of this carefully designed, ground up neodymium magnet structure tweeter, carefully manufactured by the highend specialists of ScanSpeak. The remarkably natural and transparent midrange and tweeter drivers, coupled with two bass units, produce an outstanding balance, a homogeneity, integrating finest heights to real slam base. And that balance extends to its industrial design, where the proportions are perfectly rendered, the robust front and rear baffles balancing out the extra depth of the cabinet to confer a sense of substance and style that are far more than skin deep. A dedicated crossover, designed with increased simplicity, is also the implementation of even better sounding components while maintaining our requisite tighter than 1% tolerance components. Beethoven Baby Grand Symphony Edition features an high grade aluminium base-kit with counter-nut spikes, for maximal stability and sound fine-tuning, resulting in great overall dynamic range. The veneers are as always, hand selected by us in Vienna. The true piano lacquers are only the highest quality available while adhering to the most stringent environmental standards of Western Europe.Impedance 4 Ohms Frequency response 30Hz – 22kHz Sensitivity 90 dB Recommended Amplifier 40 – 250 Watts Tweeter 1.1” Hand Coated/ Neodymium, VA Silk Dome Midrange (1) 6” X3P Woofers (2) 6” X3P Spider-Cone™ Bass System Bass Reflex Bass Function Impulse Optimizing QB 3 (Quasi-Butterworth) Crossover System MKP Capacitor 1% Tolerance Coils 0.7% tol., Air Coils Metal Film Resistors 1% Inductance Free Weight per Pair 120lbs/55.5kg Dimensions (W x H x D) 8.5” x 40” 14.75” with base assembly Dim. (W x H x D) mm 216mm x 1016mm x 375mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price for one speaker .
VIENNA ACOUSTIC BEETHOVEN CONCERT GRAND REF. Listino ufficiale €. 5.595,00
Beethoven Concert Grand Symphony Edition
Scale, power and grandeur are all conferred by its name. As with all models in
the Concert Grand™ range, the composer name is selected based on the scale,
complexity and power of performance for which they are best known. The term
Concert Grand, like the piano of the same designation, refers to its ability to
deliver this level of performance in large concert halls and music rooms. The
new 3-way Concert Grand Symphony Edition delivers far more than just power and
scale. The careful listener will delight in the lucidity and clarity of the
all-important middle ranges where virtually all instruments find their tonic
origins. Here it excels, with a natural ease, clarity and quietness where only a
few much more expensive designs have tread. For a large-scale screening room or
theater, the Concert Grand Symphony Edition delivers even the most demanding
scenes with an ease that allows for deeper immersion into the film experience. A
truly extraordinary product that will re-calibrate your expectations. Beethoven
Concert Grand Symphony Edition features our sophisticated neodymium tweeter, a
descendant of our coax technology - a result of meticulous, permanent research
and development. Three 7” Spidercone bass drivers (or ULF, Ultra Low Frequency,
drivers), feature a reworked motor assembly and revised placement of the XXP
ribs, providing increased output, extension and control. The huge surface area
that results from the use of three of these extraordinary drivers means
effortless reproduction of extreme bass dynamics with articulation and force.
The veneers are as always, hand selected by us in Vienna. The true piano
lacquers are only the highest quality available while adhering to the most
stringent environmental standards of Western Europe. The Tweeter Our neodymium
tweeter is a descendant of our coax technology, a result of permanent
evolutionary development Over the years Vienna Acoustics had found the best
sounding tweeter, a refined development in cooperation with the danish
specialists from ScanSpeak. But the superior technology is the point source, and
that tweeter was too big, so over the last 2 years the goal was to develop a
neodymium version which sounds the same as the reference or better. This was not
only achieved, but on the way a super-tweeter extension was realised, with
outstanding resolution without compromising the smooth and natural overall
characteristics of the original tweeter. Originally developed with neodymium
magnets to decrease its size with zero compromise, it is unmatched in uncoloured
and neutral sound as the stand alone version as well. The filter for the tweeter
is an especially "soft" Bessel of 2nd order, the midrange works 6dB (first order,
one aircoil) with impedance compensation for the voice coil inductivity. The
Bass Array Three 7” Spidercone bass drivers (or ULF, Ultra Low Frequency,
drivers) – also found in our famed LISZT speaker -, feature a reworked motor
assembly and revised placement of the X3P ribs, providing increased output,
extension and control. The huge surface area that results from the use of three
of these extraordinary drivers means effortless reproduction of extreme bass
dynamics with articulation and force. Our cabinet utilizes several braces that
divide the cabinet into two different chambers, one with a single woofer and the
other with two woofers, each vented and uniquely tuned. The two lower units
produce the lowest bass, working in parallel, while the single driver provides
ideal transition to the midrange driver. This configuration results in
tremendous bass extension with speed and liquidity. The Midrange Driver The
midrange driver of our Beethoven Concert Grand Symphony Edition features a cone
with the Vienna Acoustics proprietary mixture “X3P” of TPX and 3 polypropylene
based synthetics , for maximum inner damping. It combines the precision and
transparency of hard cones - such as stamped metal - with the smoothness and
musicality of softer materials. One of the secrets is the right share of
polypropylene which gives the optimum in stiffness and inner damping ratio. The
inverted rubber surround provides the optimum of no-loss damping. The Crossover
Unit Beethoven Concert Grand Symphony Edition demanded new development and
design, using only the finest, selected components. The final sonic improvements
as a result of these collective changes are greater clarity, speed as well as
greater bass extension without giving up any of the famed musical quality and
rhythm inherent in all our designs. All of our individual crossover components
are of the highest quality, chosen exclusively by listening tests. As a result,
our designs feature very expensive handpicked capacitors, and metal-oxyd-film
resistors with less than 1% tolerance are chosen for their freedom from
inductance. The differences in resolution and spaciousness between capacitors
that have identical measurements and identical material, but are produced by
different manufacturers, can vary unbelievably. While our crossover components
are chosen purely on the basis of their contribution to sound quality, we have
identified another area of sonic variance in other designers' speakers. Even the
tiniest variations in coil inductance may dramatically affect width and depth
reproduction in the soundstage. We have eliminated this issue by winding our
special air core inductors using a specially designed robot able to hold a
tolerance of only 0.7%. The resulting improvement is decidedly worth the effort.
Our massive, custom-made gold / silver plated binding posts, also found in our
Reference Series, are designed to assure lowest transition resistance and accept
banana plugs, spade terminals or bare wire connection. The Base Assembly Our new
Beethoven Concert Grand Symphony Edition features a brandnew base-foundation.
The carefully manufactured devise is created by using a high-pressure aluminium
die-casting and designed for greatest stability and optimized decoupling of the
speaker. The Fit and Finish As with all our models of the Concert Grand Series
speaker systems, we have perfected a real-wood veneer process that to our
opinion is exclusive and unrivaled: the membrane press / handcrafting veneer
wrapping technique. Through years of experience working with real wood and
real-wood veneer techniques, especially for curved baffles, Beethoven Concert
Grand Symphony Edition is meticulously handcrafted to the highest standards of
quality in Vienna, Austria, with each finished speaker matching the reference
within 0.3 dB, to ensure the most effortless and natural performance from every
speaker that leaves our factory. Available in true Piano Black and Piano White,
as well as in sustainably sourced Cherry and Premium Rosewood veneer finishes.
Impedance 4 Ohms Frequency response 28-22000 Hz Sensitivity 91 dB Recommended
Amplifier 50 – 300 Watts Drive Units7” Woofer (3) XPP "Spidercone" 6” Midrange
X3P Cone Tweeter 1.1” Dome-Tweeter Hand-Coated VA Silk Dome Bass System Bass
Reflex Bass Function Impulse Optimizing QB 3 (Quasi-Butterworth) Crossover
Components MKP Capacitors, 1% tolerance Coils 0,7% tol., Midrange/Tweeter
Section Air Coils, Special Powder Core for Bass Section Metal Film
Resistors 1% tol., Inductance Free Crossover Function 3-way, 6 dB and 12 dB
Bessel Weight per Pair 144 Ibs Dimensions (W x H x D) inches inches 7,5 x 42,7 x
15,7" (without spike assembly) 9,5 X 44,5 X 17.75 (with spike assembly)
Dimensions (W x H x D) inches 190 x 1085 x 400 mm (without base assembly) 292 x
1145,5 x 400 mm (with base assembly) Optimized aluminum counter-nut spike
assembly included. Finishes Cherry, Premium Rosewood, Piano Black and Piano
White.Price
for one speaker .
VIENNA ACOUSTIC
MAESTRO
Maestro Grand At the heart of theater is the human voice. Our ears are most attuned to catch every subtle nuance of this expressive instrument. Being the hardest working speaker in a surround system, the quality level of a center channel is of major importance to a system. Film sound springs to life from the Maestro Grand with a naturalness and intensity to match any of the Vienna Acoustics Grand main speakers. The 1” hand coated silk-dome tweeter incorporates a triple stack neodymium magnet assembly mounted within an integral decoupling iris-shaped mounting block to reduce any extraneous resonance. Housing the tweeter in this assemble allows the tweeter to be positioned above the mid-bass drivers, assuring exceptional dispersion characteristics, as well as open and effortless high frequency response. The thoughtful chosen position of the tweeter allows to work in perfect harmony with the dual 6” mid-bass drivers, utilizing Vienna Acoustics’ proprietary Spider Cone technology, in order to offer unrestrained dynamics and unparalleled detail in giving voice to even the most sophisticated of theater systems.Impedance 4 Ohms Frequency response 38-22000 Hz Sensitivity 91 dB Recommended Amplifier 30 - 200 WattsDrive Units 2 x 6” Bass/Midrange Driver, X3P Cone Spidercone Technology 1 ” Dome-Tweeter, Hand-coated VA Silk Dome Bass System Bass Reflex, 2 x Front Ported Bass FunctionImpulse Optimizing QB 3 (Quasi-Butterworth) Crossover Components MKP Capacitors 1% Tolerance Coils 0,7% tol., Exclusively Air Coils Metal Film Resistors, 1% tol., Inductance Free Coils 0,7% tol., Midrange/Tweeter Section Air Coils, Special Powder Core for Bass Section Crossover Function 2-way, 6 dB and 12 dB Bessel Weight 30 Ibs / 14 kg Dimensions (W x H x D) inches 23,25 x 6,75 x 11,5" mm 590 x 172 x 291 mm Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price for one speaker .
VIENNA ACOUSTIC
WALTZ
Waltz Grand The Viennese Waltz has been a runaway hit for over two hundred years and is still heard in every corner of Vienna. So too, the Waltz Grand is an extraordinarily popular speaker and can be used virtually anywhere in any sound room. The remarkable Vienna Acoustics cabinetry houses a wealth of technology that allows these slim speakers to provide a rich tonal balance with surprising dynamics and astonishing detail. Featuring dual 6” X3P mid-bass drivers and a 1” silk dome tweeter, audiophile performance was made available in a wall-mountable enclosure only 3.5” thick. By designing both crossover and drivers in tandem, it most efficiently and effectively provides an unbelievably rich foundation of bass regardless of the size of the cabinet. Combine these attributes with uncanny mounting and placement versatility, and the result is a speaker that can serve equally well in any position in either two or multi-channel systems. The striking angles of the elaborately manufactured, angled cabinet provide more than just a beautiful appearance, as they allow for unparalleled placement flexibility in the focusing of the sound field, either to the right, left, or even center, depending on the enclosures vertical or horizontal orientation. The included hardware and bracket offer up to eight different possible mounting positions.Impedance 4 OhmsFrequency response 70-22,000 Hz Sensitivity 91 dB Recommended Amplifier 25 - 180 Watts Tweeter 1 ” Dome-Tweeter VA silk dome Drive Units (2) 6” Bass/Midrange Driver X3P transparent cone Bass System Acoustic Suspension (Closed Cabinet) Crossover Components MKP Capacitors 1% Tolerance Coils 0,7% tol., Exclusively Air CoilsMetal Film Resistors, 1% tol., Inductance Free Crossover Function 2-way, 6 dB and 12 dB BesselWeight per Pair 16 Ibs / 7 kg Dimension (W x H x D) inches 7,9 x 18,9 x 3,7" Dimension (W x H x D) mm 200 x 480 x 95 mmFinishes Cherry, Premium Rosewood, Piano Black and Piano White .Price for one speaker .
VIENNA ACOUSTIC
PRINCIPAL
Principal Grand All at once, the possibilities of music, space and naturalness find its way into our last but not least member of our Concert Grand Series - Principal Grand. Why Principal? Strength, power and beauty: principal refers technically to the most pure of sounds from an organ; that which is not an imitation of other instruments. Following with this traditional definition, the Principal Grand subwoofer should never be confused with a woofer but rather is built as an example of the truest form of Sub-Woofer. Properly designed loudspeakers already have woofers. The Principal Grand subwoofer is designed to add the last octave of bass reinforcement below traditional woofers allowing for a greater sense of space and focus. Of course in home theater applications this also means the visceral experience the sound editors originally created and which are only now being realized with the latest high resolution multi-channel audio and video formats. The creation of this newest product rests on tried and true philosophies. The driver is first. Working very closely with the Danish manufacturer ScanSpeak, we have created our proprietary 12” driver. This hand crafted and made in Denmark woofer delivers tremendous power while still having the finesse and speed necessary to properly integrate with our loudspeakers. To control this driver we have sourced a beautifully constructed, two piece electronics package. The amplifier is of course extremely powerful offering a conservative 300watts. To maintain absolute control, all controls and the filter network is mounted in a completely separate enclosure beautifully hidden from view below the subwoofer itself. Lastly, and most obviously, the cabinet. As with all of our fine cabinets, only the finest in hand crafting is accepted. Whether true piano black or white lacquer, or either of our specially sourced wood veneers: cherry, or premium rosewood, we only select the finest. Strength, power and beauty. Bass System Bass-Reflex Design – Bottom vented (requires 25mm/1” to 50mm/2” from vent to floor) Frequency response 20Hz – 100 Hz Driver Design Proprietary Pulp-Paper Carbon filled cone manufactured by ScanSpeak, designed by Vienna Acoustics Amplifier 300 Watts SMD Technology Inputs (2) High-Level (~1,000O) (2) Line-Level via Phono (RCA) – Plugs Controls Power on/Standby (standby <1watt) 0° - 180° Phase switch Variable crossover control Variable gain control Weight per Pair 26kg / 58lbs Dimensions (W x H x D) 385mm/15.25” x 495mm/19.5” x 385mm/15.25” (including spikes) Finishes Cherry, Premium Rosewood, Piano Black and Piano White.Price for one speaker .
VIENNA ACOUSTIC LISZT Listino ufficiale €. 6.625,00
Liszt "Music is the heart of life." Franz Liszt Perhaps the most technically advanced pianist of his era, Franz Liszt was noted for astounding improvisations and innovating new forms of music. Like its namesake, the Imperial Series LISZT is a marvel of technical command – the latest improvisation upon a revolutionary Vienna Acoustics design that sets a new standard in sound. The Music Company Vienna Acoustics products are inspired by people and place. We have always been motivated by the dramatic difference a great speaker can deliver; and when building a product by hand, as we do, it is always the people and their teamwork that determine that difference. Our people – our team – share a passion for music that derives from the ambience of our home, the “City of Music,” with its renowned classical and contemporary music venues. Music is the culture of Vienna, permeating every aspect of life, and musicians from around the world flock to the city to play in its celebrated, acoustically magnificent concert halls. Vienna Acoustics speakers reflect this heritage: like the great Großer Musikvereinssaal, they enable any style of music to be fully realized. The sound is rich, authentic, detailed, and unfailingly musical. The Liszt Speaker The pinnacle of Vienna Acoustics’ Imperial Series, the LISZT is an ingenious three-way loudspeaker system using an all-new version of the patented Flat-Spider-Cone™ coincident driver technology first seen in our flagship Klimt Series™. This driver is set in a separate rotating, vented enclosure, supported by a sophisticated bass cabinet featuring three of our patented Spider-Cone woofers. The Music Center The heart of the LISZT design is the new 15cm Flat-Spider-Cone coincident driver; the result of an intensive development project conducted over the course of many years to further advance our patented system. This second-to-none driver assembly, which perfectly marries an astonishing new midrange with an equally remarkable tweeter, was solely developed by Vienna Acoustics and is skillfully manufactured by ScanSpeak.The midrange portion of the system employs a flat driver using our proprietary self-damping X3P polymer material strengthened by the introduction of glass fibers, which further gains structural rigidity from its twelve large 16mm reinforcement “Spider” ribs. The result of this patented technology is not only unparalleled stiffness with true pistonic behavior, but also exceptionally low mass, resulting in ultra-fast transient response and resolution. Precisely and effortlessly controlling this driver is a huge, high-force neodymium magnet assembly, built around a massive 50mm voice coil. Installed in a perfectly time-aligned position at the center of the midrange driver is our new Vienna Acoustics–designed, hand-coated silk dome tweeter, driven by a neodymium magnet motor assembly. With over two years of development, this new tweeter ranks as one of our best drivers to date.The cabinet designed to house this unique driver system makes the most of its remarkable technology. The Flat-Spider-Cone driver is housed in a separate top unit that is decoupled from the bass enclosure by a high-tech, aluminum pivoting mechanism, facilitating optimal tuning by permitting minute toe-in adjustments of the Music Center.While this basic configuration is similar to that found in the Klimt Series of speakers, unique to LISZT is the porting of the midrange cabinet. This newly VA researched suspension system allows for unsuppressed dynamic delivery and resolution. The Bass Array While the Music Center handles high and middle frequencies, three 7 inch Spider Cone bass drivers, with cones composed of our proprietary ribbed X3P polymer material, perform in a separate and elaborately devised enclosure. The bass cabinet housing the drivers utilizes seven braces that divide the cabinet into two different chambers, one with a single woofer and the other with two woofers, each vented and uniquely tuned. The two lower units produce the lowest bass, working in parallel, while the single driver provides ideal transition to the midrange driver. This configuration results in tremendous bass extension with speed and liquidity. The Fit and Finish As with all Vienna Acoustics speaker systems, LISZT is meticulously handcrafted to the highest standards of quality in Vienna, Austria, with each finished speaker matching the reference within 0.3 dB, to ensure the most effortless and natural performance from every speaker that leaves our factory. Available in true Piano Black and Piano White, as well as in sustainably sourced Cherry and Premium Rosewood veneer finishes.Impedance 4 Ohms Frequency response 28 Hz – 25 kHzSensitivity 91 dBRecommended Amplifier 50 – 400 Watts Tweeter 1.2in / 30mm Handcrafted, Hand-Coated Neodymium Center-Vented Silk Dome Midrange (1) 6in / 152.4mm Flat-Spider-Cone™, High-Power Neodymium Motor Woofers (3) 7in / 177.8mm X3P Spider-Cone™Bass System Bass Reflex Crossover System Three-Way. 6dB and 12dB Bessel Crossover Components MKP Capacitor, 1% Tolerance; Air Coils, 0.7% Tolerance Metal Film Resistors Tolerance, Inductance FreeWeight per Pair 198 lbs / 88 kg Dimensions (W x H x D) inches 7.8” x 45.2” 17.2” without base assembly / mm 198 mm x 1148 mm x 435 mm inches 11.6” x 47.6” 17.2” with base assembly / mm 295 mm x 1210 mm x 435 mm Finishes Cherry, Premium Rosewood, Piano Black, and Piano White.Price for one speaker .
VIENNA ACOUSTIC THE
MUSIC
The Music Passion,
skill, leadership, innovation, vision, harmony, teamwork: the words that evoke
Klimt and his Art were also always target for Vienna Acoustics and the company’s
latest achievement, the first model out of the Klimt Series, "THE MUSIC".
Revolution Vienna Acoustics´ "THE MUSIC" introduces a truly revolutionary new
flat, concentric 18 cm driver that closely approximates the Platonic ideal for
which speaker designers have been striving. It places 7 octaves of music in a
single, phase coherent time plane. With a wave launch that mimics "pebble
dropped in a still pond", this remarkable driver reproduces spatial coherence
unfamiliar to anyone, save perhaps the original recording engineer.The physics
of this patented driver are an outgrowth of Vienna´s longstanding use of
reinforced cones designed to maximize strength at nodal multiples, while keeping
mass to a functional minimum. Flat cones actually do not provide stiffness, but
we turned a disadvantage into an advantage by our patented
one-sided-cone-light-weight-framing. Not only this delivers the best
weight-stiffness ratio of any construction (the construction coming close in
stiffness is sandwich, but it is too heavy as it needs a second layer and a
dense honeycomb mesh), it also allows specific and calculated sound and
impulse-response tuning by varying the quantity of ribs, their shape, their
thickness, radial or concentric orientation, and specified placements on
critical spots. Basis for the cone material is TPX, in a proprietary mix with
other materials for the optimum result of stiffness/inner-damping ratio in
combination with light-weight-framing on the cone's rear side. The maximum final
stiffness is defined by adding glass fibres to the compound, aligned in the
optimum arrangement by according injection moulding tool execution. All cones
are developed and produced by Vienna Acoustics in Austria, afterwards
manufactured to a complete driver by Eton Germany.By using finite element
analysis, Vienna Acoustics´chief designer Peter Gansterer was able to create a
radial-vaned structure (like architecture scientists we place a rib where
necessary), cast into the flat cone that produces an enormously stiff, flat
surface (thereby eliminating time and frequency specific phase shift across the
driver), with a new state of the art silk dome tweeter, using a vented neodymium
magnet structure placed in its center. Years of development made the flat cone
possible, for Peter Gansterer the prerequisite of a realization of the optimum
reproduction unit, a coax. Having 2 drivers at the same center (point source),
results in otherwise inaccessible homogenous sound, but current technology of
cone shaped midrange diaphragms disqualifies itself by unacceptable colorations
of the tweeter by the cone induced hornloading. In our technology it enjoys a
flat surrounding as usual in highend applications. Similarily, the midrange
itself is uncomparable in its lack of coloration: Cone-shaped drivers reproduce
upper midrange mainly by the inner part, which again suffers from the
hornloadings distortion. At the same time our flat cone is ultra-stiff because
of the ribs and the glassfibers, but exhibiting smooth musical sound due to the
soft inner damping of the TPX material. The resulting piston like behaviour
extends the frequency span, resulting in a range from 100 Hz to 20.000 Hz from
the coax alone, defining it as the heart of the speaker, thereby being also the
heart of music reproduction. We are that enthusiastic about this music center
that we gave it its own cabinet. Above and Below While the top-unit handles mid
and upper bass in its own enclosure, below this primary driver we built a
separate large enclosure, featuring 3 proprietary bass drivers, each with our on
proprietary 25 cm ultra rigid NAWI cones die cast by Spidercone-framing (finally
assembled also by Eton Germany), handling the frequencies from 18 Hz to 100
Hz.The 3 units are working in parallel, while the upper bass operates in its own
chamber. Finally, a remarkable Supertweeter, manufactured by the Danish high-end
specialist ScanSpeak, tops the lower enclosure, extending response from 20.000
Hz upwards to 100.000 Hz. During development we revealed that piezo technology,
which is used in the super-tweeter, has superior advantages above 20.000 Hz
(optimum dispersion, acting like balloon inflating). Form follows function The
total decoupling from the bass chambers allows the coax music center, in its
dedicated housing, to reach the absolute optimum in clarity and naturalness in
sound. The cabinetry is clearly evolved to make the most of this technology; the
separatetop-unit enclosure is decoupled from the bass enclosure by a high-tec,
drawn aluminium swiveljoint, which allows optimum room tuning by enable not only
adjustment for rake, but also for toe-in.This allows you to create a sweet zone
rather than a narrow sweet spot. By adjusting the dedicated coax point source
cabinet and directing it like swivelling a flashlight you are able to easily
create the sweet zone wherever wanted. Furthermore this allows for optimizing
the sound to any room condition as many rooms will strongly benefit from the
reduction of the disturbing early reflections which cannot properly be separated
from the direct signal by the human ear. As always, the speakers´veneer and
finish quality is to the highest of standards. "THE MUSIC" is available in true
Piano Black version and Sapele veneer finish.System type 3-way system,
employing integrated subwoofers
VIENNA ACOUSTIC THE
KISS
The Kiss Revolution Following the introduction of the flagship of our Klimt Series™, The Music, we present the smaller yet no compromise model, The Kiss. As its larger sibling, The Kiss is based on the same revolutionary and patented Flat-Spider-Cone coincident driver system. This new design is able to produce the Platonic ideal of the entire critical seven octave human vocal range and beyond in a single, phase coherent time plain without any of the normal horn loading and compression present in most conventional designs. Not only does this technical innovation free the sound of virtually all mechanical interference, it also allows for great placement freedom that is normally not experienced nor expected in a reference speaker system. The physics of this patented driver are an outgrowth of Vienna Acoustics’ longstanding use of reinforced cones designed to maximize strength at nodal multiples while keeping mass to a functional minimum. Flat cones actually do not provide stiffness, but we turned a disadvantage into an advantage by turning to our own patented Spider-Cone technology. This technology not only delivers the best weight – stiffness ratios of any construction, it also allows specific and calculated sound and impulse-response tuning by varying the quantity of ribs, their shape, their thickness, radial or concentric orientation and specified placements within critical positions. The only other construction close is in application is that of sandwich or honeycomb technology that has already proven to be too heavy for our application. Basis for the cone material is our X3P in a proprietary mix with other materials for the optimum result of stiffness and inner-damping ratio combed with our Spider-Cone light-weight-framing on the cone's rear wall. All cones are then produced by Vienna Acoustics in Austria. By using finite element analysis, Vienna Acoustics’ chief designer Peter Gansterer was able to create a radial-vaned structure cast into a flat cone that produces an enormously stiff, flat surface (thereby eliminating time and frequency specific phase shift across the driver surface). This is then combined with a special hand crafted silk dome tweeter using a special neodymium magnet structure placed in its center. Form follows function After the careful and time consuming creation of our new Flat-Spider-Cone coincident driver system, an appropriate partnering bass driver designed specifically for the demands of extended bass had to be created. For this process we again turned to both finite – element – analysis along with visiting our own patented Spider-Cone technology. The result is the creation of our entirely new patented 23cm ultra rigid NAWI cone. This new driver has extremely low mass while maintaining exceptional stiffness. By creating such a strong and low mass bass driver, we were then able to take full advantage of not only the highest grade crossover components, but also the purest crossover design employing a new proprietary, modified first order layout. This new crossover combined with our newly designed drivers offers the greatest phase coherency resulting in maintaining the greatest detail as well as offering greatest power and clarity in the lowest octaves. This further manifests itself in creating a reproduction of space that has thus far been absent from pedestal mounted loudspeakers. The cabinet technology necessary to take advantage of these technical breakthroughs in driver and crossover design required further careful consideration. The separate top-unit enclosure is decoupled from the bass enclosure by a special high-tech, drawn aluminum swivel joint which allows optimum room tuning by enabling not only adjustments for rake, but also for toe-in. The construction of the top unit or Music Center shares the same internal volume and is sealed as is the Music Center of our larger model within the Klimt Series™, The Music. Mated to this revolutionary driver system is a vented bass cabinet housing our newly developed bass driver. While initially striking, the fully decoupled Music Center allows the entire system to reach the absolute optimum in clarity and naturalness in sound by allowing careful optimization of both the bass cabinet while not compromising the mid and upper frequencies produced by the Music Center. Vienna Acoustics – The Art of Natural Sound™ As always, the speakers´veneer and finish quality is constructed to only the highest standards. The Kiss is available in a true Piano Black Lacquer version as well as a beautiful Sapele natural wood veneer version.System type 3-way system, employing integrated subwoofers Frequency response 36Hz – 20kHz Bass drivers 23cm Patented Vienna Acoustics Spider-Cone Midrange – Tweeter Coincident 18cm Patented Vienna Acoustics Flat-Spider-Cone midrange with 2.5cm hand crafted neodymium center vented silk dome tweeter Sensitivity 89db Impedance 4 ohms Recommended power 50 – 180 watts Speaker Weight 43kg / 95 lbs each Speaker Dimensions (WxHxD) 273mm/10.75" x 540mm/21.3" x 540mm/21.3" Stand Weight 23kg / 50 lbs each Stand Dimensions (WxHxD) 273mm/10.75" x 730mm/29" x 530mm/21" (including spikes) Finishes Sapele, Piano Black.Price for one speaker .
VIENNA ACOUSTIC POETRY
Poetry In this new
era where the promise of truly high resolution audio playback has finally become
a reality in home theater, we have created Poetry. Named for one of the most
famous “movements” within Gustav Klimt´s, Beethoven Freeze, Poetry aims to set a
new standard. Capable of being used in a Left – Center – Right configuration or
additionally as surround channels, Poetry possesses an ability to produce the
proscribed full range frequency range without dynamic limitation. As a center
channel only, it was designed to offer proper matching with our flagship model
from The Klimt Series, The Music, without compromise. Created around the same
patented Flat-Spider-Cone™ coincident driver system that offers vocal clarity
and dispersion before not possible, there is the same hand crafted silk dome
tweeter at its center. On either side of the sealed enclosure housing this
driver system are our patented Spider-Cone™ woofers each individually vented via
large rear mounted ports. Vienna Acoustics – The Art of Natural Sound™ystem type
3-way system, employing integrated subwoofers
Legenda istruzioni
Nota bene * Per ordinare o avere gli ultimi prezzi aggiornati telefona al 0174 670100 o invia un E-mail a info@newaudio.it *I prezzi indicati sono di listino ufficiale delle case produttrici ,nel caso di diffusori si riferisce al prezzo del singolo diffusore per offerte ed eventuali promozioni telefonare o inviare e-mail. *Il presente listino sostituisce ed annulla ogni precedente. Le caratteristiche e i prezzi indicati possono variare senza preavviso telefonare o inviare un e-mail per ulteriori domande e conferme sui prezzi sopra riportati. *Tutti i marchi citati nel presente listino sono di proprietŕ e registrati alle rispettive Case Produttrici *Prezzi franco nostro magazzino
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